EXHIBITION CHECKLIST Fran Goodwin From a Caregiver’s Journal: Images of Pain, Love, and Acceptance, 2019 Photography x inches each $1,000 for series Linda Lauro-Lazin Ordinary Reliquary: Not his toothbrush and Ordinary Reliquary: Not his comb, 2016 Cast glass x x 42 inches each NFS Kelsey Renko Barefoot in the Grass, 2020 Spray paint and Flashe on canvas 34 x 28 inches Collection of Elizabeth Karp, Mike Durkee, Lulu and Nipsy Ashley Garrett Canticle and Eurydice, 2021 Oil paint on gessoed paper x inches, framed x 11.25 inches $500 each (unframed) Rebekah Tolley Home / Work, 2021 screen print on cotton dish towels 86 x 57 inches $35-200 Rebekah Tolley Pandemic parenting medal, 2021 screen print on wood with ribbon 2” diameter Free Dorothea Osborn Poison Seeds, 2020/2021 Mixed media on repurposed drawings and paintings 34 x 21 inches $3,000 Yasemin Kackar-Demirel Maneuvers in space, 2020 Paint stains and embroidery on found fabric 14 x 14 inches $500 clockwise from the entry on the left Brian Wood Clerestory, 2019 Oil on canvas 24 x 20 inches $12,000 Pam Poquette Glyph: Pandemic, 2020 Ink, Flashe, and thread on cotton rag paper 25 x 25 inches overall (6x6 in each) $500 Kahori Kamiya Eruptive Rhapsody, 2021 Plaster, breast pumping bra, foam, fabric, studs, yarn, oil paint, and gold leaf on wooden panel 23 x 19 x 15 inches $2,500 Lisa Poquette But How Do You Know, 2021 Hand-sewn book with embroidery, silkscreen, and micron pen x x inches NFS Hanna Washburn (center sculpture) Here for You, 2020 Recycled clothing and textiles, thread, batting, and the artist’s grandmother’s table 14 x 14 x 30 inches $900 Madison LaVallee (center sculpture) Soft Power: Solarium, 2021 Styrofoam, cement, plant Dimensions variable NFS Rob O’Neil Elegy #4, 2020 photograph 22 x 26 inches $800 Christopher Skura Virus, 2020 24 x 19 inches Acrylic and Flashe on gessoed paper $3,400 Carole Kunstadt Stay Well, 2021 22/24 karat gold leaf, hand sanitizer plastic bottle, wooden cotton swabs, KN95 mask Dimensions variable $600 each EXHIBITING ARTISTS Michelle Brandemuehl Shake It, 2019 Spray paint and acrylic on board 40 x 30 inches $4,800 Jadina Lilien Becoming Visible, 2020/2021 Photography 30 x 20 inches $1,150 Courtney Dudley Curio 3, 2020 pit fired clay and frame 12 x 12 inches $400 Hana van der Kolk Grief Points Video NFS Fran Goodwin, From a Caregiver’s Journal: Images of Pain, Love, and Acceptance, 2019 Courtney Haeick (center sculpture) Apart But Together, 2020 Steel Sheets x feet $2,000 The Vision of Care Richard Scherr (center sculpture) Contaminant, 2019 Wood 22 x 22 x inches $800 Fern Apfel The Red Quilt and Magic Carpet Acrylic on wood panel 12 x 12 inches $450 each Founded 1919, Woodstock Artists Association & Museum, 28 Tinker Street, Woodstock, NY 12498 845 679 2940 | woodstockart.org Juried and Curated by Robert R Shane WOODSTOCK ARTISTS ASSOCIATION & MUSEUM MAIN GALLERY APRIL - MAY 23, 2021 Fern Apfel Michelle Brandemuehl Courtney Dudley Ashley Garrett Fran Goodwin Courtney Haeick Yasemin Kackar-Demirel Kahori Kamiya Carole Kunstadt Linda Lauro-Lazin Madison LaVallee Jadina Lilien Dorothea Osborn Rob O’Neil Lisa Poquette Pam Poquette Kelsey Renko Richard Scherr Christopher Skura Rebekah Tolley Hanna Washburn Brian Wood Hana van der Kolk ABOUT THE JUROR The Vision of Care Juried and Curated by Robert R Shane The Vision of Care brings together work by 23 artists working across various media to highlight the role art plays, to use the words of care theorists Joan C Tronto and Bernice Fisher, “in maintaining and repairing our world so that we can live in it as well as possible.” Artist/mothers lead this exhibition in an homage to the many pioneers, such as artist Mierle Laderman Ukeles and theorist Sara Ruddick, who for decades have been using maternal experiences to develop new ways of thinking about the ethics of care Rebekah Tolley’s two new works created for The Vision of Care spotlight the crisis of inequity in our childcare system during the pandemic, which has made clear that those who care for young children in or outside of the home are essential workers Kahori Kamiya’s explosive wall sculpture embodies the joy and struggles of breastfeeding, offering an antidote to the feelings of guilt that sometimes accompany the latter Against a backdrop of both climate crisis and the quest for outdoor solace during the pandemic, many artists have responded by making works inspired by nature, including Ashley Garrett in her intimate abstractions culled from her experiences in the environs surrounding her upstate New York studio, and Rob O’Neil and Jadina Lilien in their respective photographs capturing close-ups of fragile and beautiful moments outdoors All three artists point to the need to care for the environment and show the ways the environment can care for us, physically and emotionally Several artists in The Vision of Care share personal experiences of long-term caretaking for ill loved ones, including painter Fern Apfel, photographer Fran Goodwin, and sculptor Linda Lauro-Lazin The latter two artists also provide us models of grief after losing a loved one to terminal illness, models we need now as a nation and as a world in mourning In abstract pieces by Pam Poquette and Dorothea Osborn, stitching or collaging begin to act as metaphors for repair and care Christopher Skura and Michelle Brandemuehl’s geometric abstraction slows viewers down to become attuned to the subtle relationships between forms, offering lessons in looking we can take beyond the gallery as we become attuned to the subtle needs of each other Robert R Shane received his PhD in art history & criticism at Stony Brook University and is a regular contributor of art reviews and interviews to The Brooklyn Rail Dr Shane’s scholarly research on race, gender, and shame has appeared in Hypatia: A Journal of Feminist Philosophy, and his current book project in process is Mirroring Mothers: Witnessing Maternal Subjectivity in Contemporary Art Dr Shane is Guest Curatorial Consultant for the University Art Museum, University at Albany; Associate Professor of Art History at The College of Saint Rose, Albany, NY; former Managing Editor of the Stony Brook University’s journal Art Criticism; and a frequent contributor of essays and entries on art for books by Phaidon Press, London Images (Clockwise from top left): Brian Wood, Clerestory, 2019 Carole Kunstadt, Stay Well, 2021 Hana van der Kolk, Grief Points, Video Linda Lauro-Lazin, Ordinary Reliquary: Not his comb, 2016