This is the ultimate art package for people wanting to start digital art, or those looking to extend their skills Part 1: http://upload.123doc.vn/document/1091320-the-complete-guide-to-digital-painting-vol-3-part-1.htm
Tutorial Paint like Picasso V¶UWPKXGTUCNN[CEMPQYNGFIGFVJCV 2KECUUQYCUCIGPKWU#EJKNFRTQVoIo YKVJOQTGCTVKUVKECDKNKV[CPFXKUKQP CVCXGT[GCTN[CIGVJCPOCP[CTVKUVU RQUUGUKPCNKHGVKOG#NVJQWIJCUVWPPKPIN[ VCNGPVGF¿IWTCVKXGRCKPVGT2KECUUQUQQP UVCTVGFVQGZRGTKOGPVKPOQTGRTKOKVKXGCPF CDUVTCEVIGPTGUCPFKPVJGGCTN[VJ%GPVWT[ FGXGNQRGFCRCUUKQPHQT%WDKUO#VC¿TUV INCPEGOCP[QH2KECUUQ¶U%WDKUVRCKPVKPIU OC[UGGONKMGCJCRJC\CTFLWODNGQHUJCRGU EQNQWTCPFNKPGU$WVKPTGCNKV[VJG%WDKUV UEJQQNYJKEJYCUGRKVQOKUGFD[VJGNCVGT YQTMD[2KECUUQCPF$TCSWGYCUCEVWCNN[ CFTKXGVQYCTFUTGRTGUGPVKPIVJGVJTGG FKOGPUKQPCNYQTNFKPCVYQFKOGPUKQPCN URCEGFKUTGICTFKPIRGTURGEVKXGCPFTGFWEKPI GXGT[VJKPIRCTVKEWNCTN[RQTVTCKVVQCPGUUGPEG QHXGT[UKORNGIGQOGVTKEUJCRGU Artist Time needed Skill level On the CD Tim Shelbourne 3 hours Intermediate Final image Tutorial info The great Pablo Picasso showed us how to combine a number of different viewpoints and distil complicated forms into simple geometry. We show you how to do the same in Painter 2CDNQ2KECUUQ Pa int like : +V¶UKORQTVCPVVQTGCNKUGVJCVKPGCEJQH 2KECUUQ¶U%WDKUVKPURKTGFRQTVTCKVUJGUJQYU WUVJGUKVVGTHTQOCPWODGTQHFKHHGTGPV XKGYRQKPVUCVQPEG9JKNGYG¶TGCYCTGQH CRTQ¿NGVJGUKVVGT¶UG[GUCTGQHVGPUJQYP HTQOCHWNNHCEGRGTURGEVKXGCNVJQWIJVJG PQUGOC[CICKPDGUGGPKPRTQ¿NG9JCV 2KECUUQYCUFQKPIJGTGYCUEQPEGPVTCVKPIVJG XKGYGT¶UCVVGPVKQPQPVJGOQUVTGEQIPKUCDNG CPFGUUGPVKCNRCTVUQHVJGHCEGEQPEGPVTCVKPI QPGCEJHCEKCNHGCVWTG¶UEJCTCEVGTKUVKEHQTO CPFUJCRGFKUVKNNGFKPVQUKORNGIGQOGVT[ 1HEQWTUGVGZVWTGCPFEQNQWTCTGGSWCNN[ KORQTVCPVJGTGCPFVJGIGQOGVT[QHVJG UJCRGUECPDGTGKPHQTEGFD[WUKPIEQPVTCUVKPI VGZVWTGUCPFEQNQWTU#UCTGUWNVQHVJKU +ORCUVQRNC[GFCXGT[KORQTVCPVTQNGJGTG %QTGN2CKPVGT:KUVJGKFGCNVQQNVQTGETGCVG VJKUTGOCTMCDNGUEJQQNQHRCKPVKPIIKXKPI WUCNNVJGVQQNUTGSWKTGFVQRC[JQOCIGVQ VJGITGCVOCPJKOUGNHCPFCRRN[%WDKUV VGEJPKSWGUQWTUGNXGU “Corel Painter X is the ideal tool to re-create this remarkable school of painting, giving us all the tools required to pay homage to the great man himself Simple shapes +V¶UXKVCNVQVJKPMKPVGTOUQHUKORNGIGQOGVTKEUJCRGU VJTQWIJQWVVJKURTQLGEVTCVJGTVJCPIGVVKPIDQIIGF FQYPKPFGVCKNU#PG[GDGEQOGUCUKORNGCNOQPF UJCRGYKVJCEKTENGCVKVUEGPVTGCPFCPQUGECPDG TGRTGUGPVGFD[CUKORNGVTKCPING Colour and depth 9GFQP¶VJCXGNKIJVCPFUJCFGVQCFFHQTOVQ GNGOGPVUUQ[QWPGGFVQTGN[QPEQNQWTCPF VGZVWTG5KORNGUVTQMGUKPCEQPVTCUVKPIEQNQWT ECPCFFUQNKFKV[VQVJGDCUKEUJCRGUCPF+ORCUVQ KUCITGCVYC[VQCFFVGZVWTG Isolating elements 2NCEGGCEJKPFKXKFWCNEQORQPGPVQPCUGRCTCVGNC[GT $[FQKPIVJKU[QWJCXGVJGQRRQTVWPKV[VQOQXG GCEJEQORQPGPV;QWECPCNUQTGUK\GGCEJQHVJG HGCVWTGUD[WUKPI(TGG6TCPUHQTOEJQQUGVJG.C[GT #FLWUVGTCPFTKIJVENKEMKPIQPVJGNC[GT 158 Digital Painting Tutorial Paint like Picasso 159 Digital Painting Digital Painting The complete guide to Establish the geometric shapes for your painting $WKNFHCEKCNHQTOU 02 A simple triangle#FFCPQVJGTNC[GTHQTVJGPQUG6JGPQUG KUCUKORNGVTKCPINGUJCRGTGOGODGTYG¶TGUJQYKPIVJGPQUG KPRTQ¿NG&QP¶VYQTT[VQQOWEJCDQWVVJGUK\GCPFRQUKVKQPQHVJG PQUGCUYG¶NNDGCFLWUVKPIVJKUKPVJGPGZVHGYUVGRU Tutorial Paint like Picasso 03 Layer Adjuster %JQQUGVJG.C[GT #FLWUVGT$[EJGEMKPI#WVQ5GNGEV .C[GTKPVJG2TQRGTVKGUDCT[QWECPUKORN[ ENKEMFKTGEVN[QPVJGUMGVEJNKPGUVQUGNGEV VJGNC[GTEQPVCKPKPIVJQUGRCTVKEWNCTHCEKCN HGCVWTGU%JQQUGVJG0QUGNC[GT%VTNTKIJV ENKEMCPFEJQQUG(TGG6TCPUHQTO 01 Establish the eye shapes (QT[QWTKPKVKCNFTCYKPIEJQQUG QPGQHVJG%JCTEQCNXCTKCPVUCPFCFFCPGYNC[GT+VOCMGU UGPUGVQUVCTVD[FTCYKPIVJGG[GU6JGUGCTGKPKVKCNN[OCFGWRQHC UKORNGCNOQPFUJCRGYKVJCEKTENGKPVJGOKFFNG The importance of study It’s a good idea before you start this project to take your time to study Picasso’s work. Simply Google search Picasso and Cubism and you’ll find a wealth of images. Take your time to study the shapes in the paintings, and look at the way he flattened out perspective within the head. It’s even worth making a couple of sketches from the paintings to help you understand better the geometric devices he often included again and again. 04 Scale, rotate and skew ;QWECPPQYFTCIVJG JCPFNGUVQTGUK\GCPF TGRQUKVKQPVJGPQUG &TCIQPCEQTPGTJCPFNG VQTGUK\GKV6QTQVCVG VJGNC[GTEQPVGPVU JQNFFQYPVJG%QPVTQN MG[CPFFTCICEQTPGT JCPFNG;QWECPUMGY VJGPQUGD[JQNFKPI FQYPVJG%QPVTQNMG[ CPFFTCIIKPIQPGQHVJG EGPVTCNJCPFNGU 05 Mix and match 6JGG[GDTQYUCTGVYQXGT[UKORNGUJCRGU CPFCICKPKH[QWFTCYVJGUGQPUGRCTCVGNC[GTU[QWECP RQUKVKQPCPFUK\GVJGOCU[QWNKMG6JKUOGVJQFQHDWKNFKPIWRVJG JGCFCNKVVNGNKMGETGCVKPIC2JQVQ(KVKOCIGYKNNIKXG[QWNQVUQH ETGCVKXGHTGGFQOCPFEQORQUKVKQPCNQRVKQPU 06 Add more elements #ICKPVJGOQWVJKUCEQORQPGPV VJCVKUIGPGTCNN[XKGYGFUVTCKIJVQPKP2KECUUQRQTVTCKVU 6JGUGUJCRGUCTGXGT[UV[NK\GFCPFUKORNK¿GFUQFQP¶VYQTT [CDQWVKV NQQMKPIVQQµTGCN¶#VVJKUUVCIG[QWECPCNUQFTCYKPCRTQ¿NGQWVNKPGQH VJGEJKPNKRUCPFEJGGMUVQCFFVQVJGOWNVKXKGYRQKPVGHHGEV Fun with Picasso If you feel like a little Cubist fun before you get down to the real business of painting, point your browser to www.mrpicassohead. com/create.html. This is a Picasso based, pick-and-mix style Cubist exercise where you can make a face up from common components used in the great man’s portraits. You can choose each component, scale and position them, and choose various fills. Cubism doesn’t have to be serious! 160 Digital Painting 07 More simple shapes %CTT[QP UMGVEJKPIWRHTQOVJGEJKPVQETGCVG VJGGZCIIGTCVGFLCYNKPG6JGGCTKUETGCVGF YKVJLWUVCEQWRNGQHUKORNGUJCRGUCEWTXGF UGEVKQPQPVQRCPFCUOCNNUSWCTGDGNQY 08 Shapes in harmony &QP¶VHCNNKPVQVJGVTCRQHVT[KPIVQ FTCYCTGCNHCEG#NVJQWIJKVOC[HGGNYTQPICPF[QWTDTCKP OKIJVWTIG[QWVQFTCYECTGHWNN[EQPEGPVTCVGQPETGCVKPIRNGCUKPI UJCRGU%QPEGPVTCVGQPVJGUJCRGUETGCVKPICEQORQUKVKQPQHVJGKT QYPCPFFGUETKDKPIVJGGUUGPEGQHCHCEG 09 Simple blocks#FFCPQVJGT NKPGHQTV JGQVJGTUKFGQHV JGHCEG 6CMG[QWTVKOGPQYVQETGCVGVJGJCKTCTGCU D[FTCYKPIDNQEMU6CMGUQOGVKOGVQWUG VJG.C[GT#FLWUVGTCPFVJGVTCPUHQTOCVKQP OGVJQFUFGVCKNGFDGHQTGVQRWVVJGGPVKTG JGCFVQIGVJGT Tutorial Paint like Picasso Final touches, then it’s time to paint (TQOUMGVEJVQCTV 10 A little shading #VVJKUUVCIGKV¶UC IQQFKFGCVQCFF CNKVVNGUJCFKPI VQVJGKPFKXKFWCN EQORQPGPVUCUKV YKNNIKXGVJGOUQOG HQTOCPFJGNRYKVJ CRRN[KPIVJGEQNQWT #VVJGOQOGPVVJG JCKTKUCFFGFLWUV CUUKORNGUJCRGU YJKEJYG¶NNCFF VQNCVGT 11 Collapse layers 9JGP[QW¶TGJCRR[YKVJVJGKPKVKCNFTCYKPI CPFVJGEQORQUKVKQP5JKHVENKEMCNNQHVJGUMGVEJGFNC[GTUCPF IQVQ.C[GTU %QNNCRUGUQVJCV[QW¶TGNGHVYKVJQPGUKPINGNC[GT0QY ENKEMVJG%CPXCUNC[GTCPFCFFCPGYNC[GT%OF%VTN5JKHV0 Multiple perspectives Paul Cezanne explains that, “Everything in nature takes its form from the sphere, the cone and the cylinder”. This was something that Picasso was very conscious of during his Cubist experiments. The vital point to remember when dealing with Cubist imagery is the use of many different points of perspective that are used in the depiction of a single object or scene. You may find it useful to take photographs of your subject from many different angles, and then take parts from each image to draw from. Your mind will try to introduce some perspective as you draw, so it’s easier to start with very basic shapes. It’s all about distillation; reducing complicated components to their very simplest geometric forms. Simple geometric shapes Eye from front view Eye in profi le Right profi le nose view Jaw line and chin from profi le Digital Painting The complete guide to 161 Digital Painting %TGCVGFGRVJCPFUQNKFKV[ 16 Establish the base%QPVKPWGVQCFFVJGDCUGEQNQWTUVQVJG TGUVQHVJGRCKPVKPI+V¶UCIQQFKFGCVQEJQQUGCUNKIJVN[NKIJVGT QTFCTMGTVQPGQHVJGEQNQWT[QW¶TGWUKPIGXGT[PQYCPFVJGPCPFWUG FKTGEVKQPCNUVTQMGUVJCVHQNNQYVJGEQORQPGPVUJCRGU Tutorial Paint like Picasso Paint matters Unusually for a tutorial in Painter, you’ll notice that we haven’t mentioned much about specific brushes or painting techniques. That’s because in terms of Cubism, the way the paint is applied is fairly unimportant. Although Impasto plays a big role here, we don’t need to concentrate on blending colour and careful tone modelling. Add colour and build solidity in your painting 13 Reinforce line work %JQQUGCXGT[FCTMEQNQWTCPFUVCT V VQTGKPHQTEGVJGNKPGFTCYKPIYKVJRCKPV+V¶UEQOOQPQH 2KECUUQ¶UYQTMVJCVVJGUGNKPGUCTGSWKVGHTGGN[RCKPVGFUQFQP¶VOCMG VJGOVQQRGTHGEV7UGVJKEMGTNKPGUHQTVJGOQTGKORQTVCPVHGCVWTGU 14 Straight line mode %JQQUGVJG5VTCKIJV5VTQMGUDWVVQP%NKEMYKVJVJGDTWUJYJGTG [QWYCPVVJGNKPGVQDGIKPCPFVJGPENKEMCVKVUGPF*KV8QPVJGMG[DQCTFDGHQTG RCKPVKPIKPVJGPGZVUGRCTCVGUVTQMG8CT[VJGYKFVJQHVJGDTWUJVQCFFXKVCNKV[ 15 Block in the main colours 1PEGCNN VJGNKPGYQTMKU EQORNGVGJKVVJG %CPXCUNC[GTCPF CFFCPGYNC[GT %OF%VTN5JKHV0 7UGVJGUCOGDTWUJ YKVJCDTKIJV[GNNQY VQDNQEMKPVJGJGCF 7UGVJGDTWUJCV SWKVGCNCTIGUK\G HQNNQYKPIVJGQXGTCNN EQPVQWTUQHVJG UJCRGU$GECWUGVJG DTWUJRCKPVUYKVJ +ORCUVQVJKUYKNN DWKNFWRUQOG PKEGVGZVWTGU Individual voice Creating unique artwork The bedrock that the Cubist movement was built upon was that, regardless of subject, the painting should work in its own right as a piece of art. This depended very much on pattern, shape and colour, which is why the actual surface plane of a Cubist portrait plays such a vital role in its success. It can be difficult for a figurative artist to see in such abstract terms, but that’s exactly what Picasso was doing here. First and foremost, the shapes and colours in this portrait should please and interest the viewer’s eye. As a result of this, every now and then it’s worth flipping your painting by 180 degrees so you’re not distracted by your eye creating a conventional portrait from the shapes. Picasso was searching during these years for a release from the accepted ways of expressing the world around him. Here are the shapes from a famous Picasso portrait, showing the decorative quality of the pure geometry. 12 New layer and brush 9G¶NNDGCFFKPIVJGEQNQWTVQVJKU NC[GT5QVJCVVJGFTCYKPITGOCKPUXKUKDNGVJTQWIJQWVVJG RTQEGUUYG¶NNDGRCKPVKPIOQUVN[YKVJCUKPINGDTWUJ%JQQUGVJG #TVKUVU1KNUCPFUGNGEVVJG)TCKP[+ORCUVQXCTKCPV6JG+ORCUVQ RTQRGTVKGUQHVJKUDTWUJYKNNJGNRVQETGCVGVGZVWTG Get used to rotating your artwork so you can see it as shapes, rather than a face. Any realism will ruin your Cubist quest! 162 Digital Painting 17 Model with colour #FFUQOGOQFGNNKPIVQVJGHQTOU#FF CPGYNC[GTEJQQUGCNKIJVRGCEJEQNQWTHQTVJGHQTGITQWPF CPFCNKIJVCSWCDNWGHQTVJGDCEMITQWPF#FFUQOGNKPGCTUVTQMGUVQ VJGUJCRGUYKVJKPVJGHCEGVQDWKNFWRVJGOQFGNNKPI±UYCRDGVYGGP HQTGITQWPFCPFDCEMITQWPFEQNQWTCPFWUGCJKIJ$NGPFXCNWG 18 Faces and planes6JGUGUVTQMGUUVKNNPGGFVQDGSWKVG TQWIJVQ¿VYKVJVJG2KECUUQUV[NG5RQPVCPGQWUIGUVWTCN UVTQMGUYQTMDGUVJGTG7UGVJGUGUVTQMGUVQFGUETKDGVJGRNCPGUQHVJG EQORQPGPVUJCRGU6JKUKURCTVKEWNCTN[KORQTVCPVCTQWPFVJGG[GU CPFPQUG 19 Contrast colours 9JCVYG¶TG NQQMKPIHQTJGTGKU KPVGTGUVKPIUJCRGU EQNQWTCPFRCKPV VGZVWTGU±EGTVCKPN[ PQVCµIQQFRQTVTCKV¶ ±UQKV¶UXKVCNVQ EQPEGPVTCVGQPVJG CDUVTCEVCURGEVU 9G¶XGOCFGVJG JCKTWRHTQOXGT[ UV[NK\GFDNQEMU DWVD[CFFKPI TQWIJUETKDDNGUQH EQPVTCUVKPIEQNQWT JGTG[QWECPCFF UWTHCEGKPVGTGUVCPF CPCFFGFFKOGPUKQP VQVJGUJCRGU 22 Adjust colours $GECWUGYG¶XGDGGPRCKPVKPIQPUGRCTCVG NC[GTUQPEGV JGRCKPVKPIKUCNOQUVEQORNGVG[QWECPCNYC[U CFLWUVVJGEQNQWTU5KORN[VCTIGVCNC[GTCPFIQVQ'HHGEVU 6QPCN %QPVTQN #FLWUV%QNQWTU&TCIQPVJG*WG5JKHVUNKFGT#FLWUVVJG XKDTCPE[QHVJGEQNQWTYKVJVJG5CVWTCVKQPUNKFGT Tutorial Paint like Picasso 21 Linear details&QP¶VDGCHTCKF VQCEVWCNN[QWVNKPGCTGCUKPDTKIJV EQNQWTU7UGVJGDTWUJCVCUOCNNUK\GCPF ÀQYKPIUVTQMGUVQCFFNKPGCTFGVCKNU#NNQH VJGUGUSWKIINGUCPFUJCRGUCTGCDUVTCEVDWV YKNNCFFVQVJGQXGTCNNUWTHCEGKPVGTGUV On the surface Take your time to experiment by using different surfaces to paint on for this project. By carefully selecting a different paper from the Papers Selector, you can make the surface of the paint look very different and introduce lots of nice textures. The Grain value for the brush itself plays a big role here too, so experiment with different settings as you work. Put the finishing touches to your Picasso painting 6JGHKPGTFGVCKNU 23 Finishing touches6CMG[QWT VKOGVQVKF[WRCHGYCTGCU6JKUKU GURGEKCNN[KORQTVCPVHQTVJGNKPGYQTM+V¶U YQTVJWUKPIVJGDTWUJCVSWKVGCUOCNNUK\G KPDNCEMVQTG¿PGUQOGQHVJGNKPGCTCEEGPVU CTQWPFVJGG[GU9JGP[QW¶TGJCRR[YKVJVJG TGUWNVÀCVVGPVJGKOCIGXKC.C[GTU &TQR#NN 20 Bold accents %NKEMQPVJGVQRNC[GTCPFCFFCPGYNC[GT 2KECUUQQHVGPWUGFTGCNN[DQNFEQPVTCUVKPIEQNQWTUSWKVG URCTKPIN[VQCEEGPVKORQTVCPVHGCVWTGUCPFUJCRGU$[JKIJNKIJVKPI VJGNKPGQHVJGUV[NK\GFPQUGCPFNKPM KPIKVVQVJGDTQYNKPGYKVJDTKIJV DNWGVJGXKGYGT¶UG[GECPDGVCMGPQPCPQVJGTLQWTPG[ Digital Painting The complete guide to 163 Digital Painting Tutorial Paint like Monet VVJGOGPVKQPQHVJGYQTF µ+ORTGUUKQPKUV¶VJGOCLQTKV[QH RGQRNGYKNNRTQDCDN[VJKPMQH%NCWFG /QPGVJKURCKPVKPIUQHJKUICTFGP CV)KXGTP[CPFQHYCVGTNKNKGU/QPGVJKOUGNHKU YKFGN[TGICTFGFCUVJGHCVJGTQH+ORTGUUKQPKUO +PFGGFVJGTQQVUQHVJGVGTOµ+ORTGUUKQPKUO¶KVUGNH CTGEQOOQPN[EQPUKFGTGFVQNKGKPCITQWR QH/QPGV¶UQYPRCKPVKPIUHTQOYJKEJJG ECNNGFµ+ORTGUUKQPU¶ /QPGVYCUHCUEKPCVGFYKVJNKIJVCPFKV YCUNKIJVVJCVYCUJKURTKOCT[EQPEGTPKPJKU OQUVHCOQWURCKPVKPIU'XGPVJQWIJJKUGCTNKGT YQTMYCUSWKVGCNQVOQTGFGVCKNGFCPFRCKPVGFKP COQTGVTCFKVKQPCNUV[NGVJCPJKUNCVGTCTEJGV[RCN +ORTGUUKQPKUVRKGEGUJKUHCUEKPCVKQPYKVJ EQPXG[KPIVJGRNC[QHNKIJVQPVJGNCPFUECRGKU UVKNNGXKFGPV /QPGVJKOUGNHTGLGEVGFOCP[QHVJGVTCFKVKQPCN EQPEGRVUCPFVGEJPKSWGUQHENCUUKECNRCKPVKPI KPENWFKPIGCTVJEQNQWTU+PNCVGT[GCTUJG GXGPDCPPGFDNCEMHTQOJKURCNGVVGKPUVGCF RCKPVKPIYKVJCXGT[NKOKVGFRCNGVVGQHDTKIJV XKDTCPVCPFCNOQUVRTKOCT[EQNQWTU/QPGV KPUKUVGFQPRCKPVKPIHTQOPCVWTGQWVKPVJGQRGP UQJGEQWNFQDUGTXG¿TUVJCPFVJGUJKHVKPIRCVVGTPU QHNKIJVCPFYQWNFQHVGPYQTMQPVYQQTVJTGG XGTUKQPUQHVJGUCOGUEGPGVJTQWIJQWVVJGFC[CU VJGNKIJVEJCPIGF 6QEQPXG[NKIJVKPJKUYQTM/QPGVWUGFC DTQMGPEQNQWTVGEJPKSWGYJGTGUJQTVEJQRR[ UVTQMGUQHEQNQWTUYQWNFDGRNCEGFPGZVVQGCEJ QVJGTVQIKXGVJG¿PKUJGFRCKPVKPIVJGHGGNQH VJGFCPEKPINKIJVJGUCYDGHQTGJKO;QW¶NN¿PF KPHQTOCVKQPDGNQYFGUETKDKPIVJGDTQMGPEQNQWT CRRTQCEJKPOQTGFGVCKN /QPGV¶UQDUGUUKQPYKVJVJGEJCPIKPINKIJV QPVJGNCPFUECRGOGCPVVJCVNCVGTKPJKUECTGGT JGCEVWCNN[RCKPVGFJWPFTGFUQHXGTUKQPUQHVJG UCOGUEGPGPCOGN[VJGNKN[RQPFKPJKUICTFGPCV )KXGTP[KP(TCPEGCPFYG¶TGWUKPIVJCVUGTKGUQH RCKPVKPIUCUQWTKPURKTCVKQPHQTVJKURTQLGEV +PVJKUYCNMVJTQWIJYG¶NNUJQY[QW JQYVQWUGXCTKQWUDTWUJGUCPFEQPVTQNUKP 2CKPVGTVQTGETGCVG/QPGV¶UUV[NGCPFUKOWNCVG JKUDTQMGPEQNQWTGHHGEVVQIGVJGTYKVJVJG URQPVCPGQWUEJQRR[DTWUJYQTMVJCVV[RK¿GUJKU 9CVGT.KNKGUUGTKGU Monet is the undisputed father of Impressionism. We pay homage to the great man and the legacy of his famous series of Impressionist water lily studies /QPGV Pa int like : The magic of light /QPGV¶UCKOYCUPQVVQRCKPVVJGNCPFUECRG CTQWPFJKODWVTCVJGTVQRCKPVVJGNKIJV VJCVHGNNQPKV9KVJVJKUKPOKPFKV¶UYQTVJ VCMKPI[QWTVKOGYKVJ[QWTKPKVKCNUMGVEJ VQRNCPQWVVJGFKUVTKDWVKQPQHNKIJVCPF UJCFGDGHQTG[QWCEVWCNN[UVCTVRCKPVKPI+P VJKUUV[NGQHRCKPVKPIKPFKXKFWCNGNGOGPVU YKVJKPVJGUEGPGCTGUGRCTCVGFD[VQPCN EQPVTCUVUTCVJGTVJCPFGNKPGCVKPINKPGU Broken colour /QPGVFKFXGT[NKVVNGEQNQWTOKZKPIQPVJGRCNGVVGRTGHGTTKPI KPUVGCFVQWUGFCDUQHEQORNGOGPVCT[EQNQWTRNCEGFENQUGVQ QPGCPQVJGTUQVJCVVJGUGEQNQWTUOKZGFQRVKECNN[QPVJGCEVWCN RCKPVKPIUWTHCEG1HVGPJGYQWNFCNUQCEVWCNN[OKZEQNQWTQPVJG ECPXCUYKVJVJGDTWUJ6JGCKOJGTGYCUVQOCKPVCKPVJGRWTKV[QH VJGEQNQWTUJGWUGFCPFIKXGVJG¿PCNRCKPVKPICURCTMNGQHNKIJV The dancing brush /QPGVYQTMGFTCRKFN[CPFVJKUVQIGVJGT YKVJCFGUKTGVQFGRKEVNKIJVCVKVURWTGUV ICXGTKUGVQJKUWPKSWGWUGQHVJGDTWUJ 8KGYGFENQUGWR/QPGV¶URCKPVKPIUCTG OCFGWRQHEQWPVNGUUTCRKFFCDUCPFFGHV IGUVWTCNUVTQMGUQHEQNQWT9KVJVJKUKP OKPFKP2CKPVGTYQTMYKVJUOCNNDTWUJGU CPFWUGVJGOTCRKFN[4GUKUVVJGVGORVCVKQP VQµFTCY¶VQQOWEJ 164 Digital Painting Tutorial Paint like Monet Artist Time needed Skill level On the CD Tim Shelbourne 4 hours Intermediate Start file Tutorial info 165 Digital Painting Digital Painting The complete guide to First create a sketch to guide you, then begin to establish the overall tonal values and underpainting 'UVCDNKUJVJGVQPCNUEJGOG Tutorial Paint like Monet 01 Canvas and outline %TGCVG[QWTECPXCUXKC(KNG 0GY EJQQUKPICXGT[RCNG[GNNQYHQTVJGRCRGTEQNQWT#FFCPGY NC[GTHQTVJGUMGVEJ%JQQUGCXGT[FCTMDNWGDNCEMHTQOVJGEQNQWT YJGGNCPFEJQQUG6JKEM*CPFOCFG2CRGTHTQOVJG2CRGTURCNGVVG 0QYWUGQPGQHVJG%JCTEQCNXCTKCPVUVQUMGVEJQWVVJGOCKPGNGOGPVU KPVJGUEGPG(QTVJGOQOGPVLWUVQWVNKPGVJGUGTQWIJN[HQTRNCEGOGPV 02 Mapping the tones 0QY[QWECPUVCTV VQCFFUJCFKPI VQKPFKECVGVJG NKIJVCPFUJCFGKP VJGUEGPG6CMG [QWTVKOGJGTG TGHGTTKPIVQVJG ¿PKUJGFRCKPVKPI HQTIWKFCPEG +V¶UKORQTVCPVVQ TGOGODGTVJCV [QW¶TGPQVETGCVKPI C¿PKUJGFFTCYKPI LWUVCVQPCNOCRVQ RCKPVQPVQRQH 06 Establishing the lily pads#FF CPQVJGTNC[GT0QYTGFWEGVJGUK\G QHVJGDTWUJCPFUVCTVVQTQWIJN[RCKPVKPVJG OCKPUJCRGUHQTVJGNKN[RCFU7UGOKFVQPGF DNWGITGGPUCPFCSWCUJGTGCPFOCMG UWTGVQWUGSWKVGUJQTVIGUVWTCNUVTQMGUVQ FGUETKDGVJGQXGTCNNUJCRGQHGCEJNKN[RCF &QP¶VDGIKPVQCFFFGVCKNJGTG±YG¶TGLWUV KPFKECVKPIVJGRNCEGOGPVQHVJGUGGNGOGPVU CVVJGOQOGPV 07 Tonal variations 6JGDCUGEQNQWTQH VJGNKN[RCFUKPVJG FKUVCPEGPGGFUVQDG NKIJVGTVJCPVJQUG KPVJGHQTGITQWPF CPF[QW¶NNPGGFVQ TGFWEG[QWTDTWUJ UK\GCEEQTFKPIN[ 7UGCJKIJ)TCKP CPF$NGGFUGVVKPI HQTVJGDTWUJUQVJCV VJGEQNQWTCRRNKGU PKEGCPFUOQQVJN[ CPFEQPVKPWGVQWUG UJQTVUVTQMGU 04 Underpainting #FFCPGYNC[GT CPFUGVVJGDNGPFOQFGVQ/WNVKRN[ VJG.C[GT1RCEKV[VQ%JQQUGVJG1KN 2CUVGNUECVGIQT[CPFUGNGEVVJG5QHV1KN2CUVGN XCT KCPV5GVVJG1RCEKV[HQTVJGDTWUJVQ 0QYWUGVJGDTWUJCVCTQWPFRKZGNUVQ UVCTVRCKPVKPIKPFCTMRGVTQNDNWGUCPFFCTM ITGGPUVQGUVCDNKUJVJGWPFGTRCKPVKPICPF IGPGTCNVQPGU 05 Base colours %JQQUGCOKFVQPG [GNNQYITGGPHQTVJGNKIJVGUVCTGCU QHVJGVTGGU6JKUUVCIGQHVJGRCKPVKPI TGCNN[PGGFP¶VDGCEEWTCVGCVCNN±YG¶TGLWUV GUVCDNKUJKPICPQXGTCNNVQPCNDCUGJGTGCPF MKNNKPIVJGYJKVGECPXCU6QCFFUQOGXCTKGV[ VQVJGEQNQWTUKPVJGUJCFQYUTGFWEGVJGUK\G QHVJGDTWUJCNKVVNGCPFCFFCHGYVQWEJGUQH XGT[YCTOTGFDTQYPUJGTGCPFVJGTG 03 Supplied sketch +H[QW¶TGPQV EQP¿FGPVQH[QWTUMGVEJKPICDKNKVKGU QTYCPVVQIGVUVTCKIJVKPVQRCKPVKPI[QWECP CNYC[UWUGVJGUWRRNKGFUMGVEJ5KORN[QRGP KVHTQOVJGFKUECPFEQR[CPFRCUVGKVQPVQC UGRCTCVGNC[GTCDQXG[QWTECPXCUUGVVKPIKVU %QORQUKVGOQFGVQ/WNVKRN[ Monet’s colours You may like to mix the colours you use from Monet’s own palette of colours. These are available in a Painter colour set. Hit the small arrow at the top right of the Color Set’s palette. Choose Open Color Set. From the available colour sets choose Artists’ Oil Colors. Click the small arrow again and choose Display Name. Here is Monet’s palette: Titanium White, Cadmium Yellow Light, Cadmium Yellow, Viridian Green, Emerald Green, French Ultramarine, Cobalt Blue, Alizarin Crimson and Vermillion. Mixing colours To mix colours from the Monet palette, in the Mixer palette choose the Apply Color brush. Now click the appropriate colour from the colour set and brush a little onto the Mixer Pad. Mix in your next colour in the same way. To mix two colours placed closely together, use the Mix Color tool in the Mixer palette. To choose a colour to paint with from your mixed colours, use the Sample Color Eyedropper from the Mixer. 166 Digital Painting Tutorial Paint like Monet 11 Brush setup %NKEM QPVJGVQRNC[GTKP VJGUVCEMCPFCFF CPGYNC[GT0QY YG¶NNUVCTVVQCFF UQOGFGVCKNVQVJG VTGGUDWV¿TUV[QW PGGFVQUGVWRVJG DTWUJRTQRGTN[5GV VJG)TCKPVQCTQWPF $NGGFVQ CPF,KVVGTVQCTQWPF +PVJG%QNQT 8CTKCDKNKV[RCNGVVG UGV*VQCTQWPF CPF8VQ CTQWPF 13 Adding form 4GIWNCTN[EJQQUG QVJGTNKIJVITGGPU[GNNQYCPFIQNFU HTQOVJGEQNQWTYJGGNCU[QWYQTM[QWTYC[ CNQPIVJGVTGGUOCMKPIUWTGVQNGCXGUQOGQH VJGFCTMGTEQNQWTUHTQOVJGWPFGTRCKPVKPI NC[GTUJQYKPIVJTQWIJKPVJGUJCFQYCTGCU +V¶UKORQTVCPVVQUWIIGUVHQTOKPVJGVTGGU UWEJCUVJGNQPIYGGRKPIHQNKCIGQHVJG YKNNQYQPVJGNGHV 08 Colour variability 4GVWTPVQVJG WPFGTRCKPVKPI NC[GTCPFCFF CPGYNC[GT+P %QNQT8CTKCDKNKV[ 9KPFQY $TWUJ %QPVTQNU 5JQY %QNQT8CTKCDKNKV[ UGVVJG*XCNWGVQ CTQWPF 0QYWUKPIVJG DTWUJCVCTQWPF 1RCEKV[UVCTV VQCFFXGTVKECN UVTQMGUQHXGT[FCTM DNWGDNCEMVQVJG YCVGTWPFGTPGCVJ VJGNKN[RCFU 09 Broken colour *GTG¶UYJGTG [QWECPTGCNN[UVCTVVQUKOWNCVG /QPGV¶UµDTQMGPEQNQWT¶VGEJPKSWG6JG EQNQWTXCTKCDKNKV[HCEVQTQHVJGDTWUJYKNN JGNRYKVJVJKUDWV[QWCNUQPGGFVQTGIWNCTN[ EJQQUGOQTGFGGRITGGPUCPFOCWXGUHTQO VJGEQNQWTYJGGNVQDWKNFWRVJGGHHGEVQH TGÀGEVGFEQNQWTKPVJGYCVGT¶UUWTHCEG 12 Into the trees 7UKPIVJGDTWUJ CVCUK\GQHCTQWPF RKZGNUEJQQUGC DTKIJV[GNNQYHTQO VJGEQNQWTYJGGN CPFDGIKPVQCFF HQNKCIGVQVJGVTGGU WUKPICXGT[VKIJV PGTXQWUUETKDDNG +V¶UKORQTVCPVVQ MGGRVJGUGOCTMU SWKVGTCPFQO JGTGUWIIGUVKPI VJGHQTOUQHVJG VTGGU;QW¶NNPQVKEG VJCVVJGEQNQWT XCTKCDKNKV[IKXGU[QW VJGDTQMGPEQNQWT GHHGEVJGTG 10 Blending with the brush 1PGQH VJGITGCVCFXCPVCIGUQHVJKUDTWUJKU VJCVKVUEQNQWTUQQPTWPUQWVCPFKH[QWMGGR UETWDDKPIYKVJKVYKVJQWVNKHVKPI[QWTUV[NWU KVYKNNDGIKPVQDNGPFRCKPV+V¶UYQTVJVCMKPI [QWTVKOGJGTGVQDWKNFWRSWKVGCEQORNGZ EQODKPCVKQPQHFKHHGTGPVEQNQWTGFUVTQMGU 7UGVJG¿ PKUJGFKOCIGCUCIWKFGHQTVJKU Gathering colours If you’re not confident about choosing your colours from the colour wheel or mixing them, you can always borrow the colours from Monet himself. Locate one of the water lily paintings on the internet and open it in Painter. Hit the small arrow in the top right of the Color Sets palette and then choose New Color Set From Image. 167 Digital Painting Digital Painting The complete guide to [...]... possible Take several paintings as examples” 05 Skin base 03 The brushes 04 Block in the colours 07 The dress 06 Start the clothing 190 Digital Painting WorldMags.net WorldMags.net The complete guide to Digital Painting Tutorial Always use reference when painting elements In order to paint realistic elements, your best bet is to refer to the websites of the online experts and explore the fashions, costumes... difficulty judging the greyscale values to use within the hands, try converting the reference photos to greyscale first Open one of the hand images and go to Effects>Tonal Control>Adjust Colors Grab the Saturation slider and drag it all the way to the left Now go to Effects>Tonal Control>Bright And Contrast Increase the Contrast slider to separate the individual tones more 14 15 Tone and contour Initial... 186 Digital Painting 17 Sharp as a tack magic 18 Eraser 19 Define the surface WorldMags.net WorldMags.net The complete guide to Digital Painting 21 Simple shading 22 Crosshatching Paint like MC Escher 20 Tracing template Even once you’ve completed the drawing, you can still adjust the greyscale values within it To do this, target one of the drawing layers and go to Effects>Tonal Controls>Equalize To. .. the Wallace Collection (www wallacecollection org), the world’s most complete collection of Rococo art, architecture and interior design Paint like Rococo grass 19 Shape the Tutorial References leaves 22 The last 21 Add more background texture 24 on Corrections the dress more interest on 25 Addthe strings to the flowers 23 Last detail on the shoes WorldMags.net Digital Painting 175 WorldMags.net Tutorial... of the time for accurate period style results Paint like Baroque 01 Drapery 08 Keep on refining 09 All about silk drapery 10 The in the background 02 Period clothes 11 The hair 12 Refine the hair 03 Portraits WorldMags.net Digital Painting 191 WorldMags.net Tutorial Paint like Baroque With the basics done, refine the painting to get into the Baroque look Composite methods To help add depth to your paintings,... your artwork 13 Sunflowers 14 Colour correction 15 Back to the background The sunfl 16vase owers’ glass 17 Back to the face Erase the contours If your painting looks too sharp, you might want to soften the contour of a figure Using a soft-edged eraser, carefully go over the contours so it will look as though the figure and the underlying background are part of the same painting Use this for the hair as... order to make it look more appealing and realistic Hair with hard edges will look rather unnatural 1 92 Digital Painting 18 The skin jewellery 19 Adding and details WorldMags.net WorldMags.net The complete guide to Digital Painting shadows 20 Add cast Tutorial Paint like Baroque 22 Glazing effect 21 The final touches Key Baroque elements Take a look at the most important Baroque elements in a painting. .. edges to break them up a little 168 Digital Painting 19 Sharpening and refining WorldMags.net WorldMags.net The complete guide to Digital Painting 21 Sampling colours 22 Defining darks Paint like Monet 20 Dabs and dashes For this painting to work properly and to reflect the way Monet himself worked, it’s important that you paint from dark to light Although it’s tempting, make sure that you leave the absolute... painting in a given style, you may want to research how the painters used to do it For instance, faces in Baroque paintings are pleasant looking, with stylised and idealised proportions This was done in order to flatter the person to be portrayed Apply the same canons to your painting to get the desired look Pay special attention to the proportions and compare them to the way people are portrayed today... faces Elaborate drapery 188 Digital Painting WorldMags.net WorldMags.net The complete guide to Digital Painting Tutorial info Tutorial Artist May Yeoshen Time needed Five hours Skill level Intermediate Paint like Baroque On the CD Start files WorldMags.net Digital Painting 189 WorldMags.net Tutorial Paint like Baroque Take the sketch and shade in the basic colours 01 The sketch 02 Pick your colours “Use . for giving it a modern touch! Art Nouveau Digital Painting The complete guide to 1 73 Digital Painting Learn how to use the Oils to create stunning nature. info QEQEQKUCUV[NGQHCTVVJCVYCUOQUVRQRWNCTKP (TCPEGCTQWPFVJGUCPFNCVGTKP8KEVQTKCP 'PINCPFFWTKPIVJGµ4QEQEQ4GXKXCN¶+VYCUHQWPF GXGT[YJGTGHTQOCTEJKVGEVWTGVQOWUKEHCUJKQP KPVGTKQTCPFICTFGPFGUKIPCPFGXGPKPEQQMGT[±HQTGZCORNG KPVJGFGUKIPQHRQTEGNCKP+VUJQYGFCNQVQHIQNFGPUJKPG PCVWTCNUYKTNKPIUJCRGU¿IWTCVKXGFTCYKPICPFRNC[HWNJKPVU QHUGZWCNKV[6JGYQTFµ4QEQEQ¶FGXGNQRGFCUCEQPLWPEVKQP QHVJG(TGPEJYQTFµTQECKNNG¶YJKEJOGCPUTQEMGT[QTC FGEQTCVKXGUVQPGICTFGPCPFVJGYQTFµDCTQEEQ¶YJKEJOGCPU $CTQSWGKP+VCNKCP 4QEQEQCNUQU[ODQNKUGUJQYO[VJUHCKT[VCNGUHGUVKXCNUCPF FTGCOYQTNFUYGTGETGCVGFVQHQTIGVCDQWVCNNVJ%GPVWT[ HGCTUUWEJCUVJGHGCTQHFGCVJCPFVJGHGCTVJCVECOGHTQOVJG +PFWUVTKCN4GXQNWVKQP6JGJCRR[RNC[HWNCVVKVWFGQHVJGCTVQH 4QEQEQCNUQJKFGUUQOGQHKVUCEVWCNOGCPKPIU *KFFGPOGCPKPIUECPDGHQWPFKP,GCP*QPQTo(TCIQPCTF¶U YQTM$CNCPEGOGPVKUVJG(TGPEJVKVNGQH(TCIQPCTF¶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¿GF4QEQEQETGCVKQP;QWECP¿PFQWV OQTGCDQWVVJGQTKIKPCNHTQOVJGICNNGT[VJCVJQWUGUKVCV YYYYCNNCEGEQNNGEVKQPQTI 170 Digital Painting Tutorial Paint like Rococo 171 Digital Painting Digital Painting The complete guide to Setting the scene 5VCTV[QWT4QEQEQRCKPVKPI Tutorial