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Explains kinds of contemporary art
[...]... century-and -a- half ago, in a passage of striking contemporary force: Contemporary Art We shall see that there are many artists who in differing degrees critically examine the affinity between contemporary art and capital Yet in the general run of art-world statements – particularly in those destined for the public rather than specialists – that affinity is invisible Anyone who reads much about contemporary art will have... category of ‘art’ A few years later, such critics did succeed in establishing a vogue for ‘beauty’ in contemporary art, as we shall see The far right’s attacks, by contrast, ultimately failed to alter the contemporary art scene significantly Few could take seriously what was recommended in its place, namely a respectful and patriotic art that stepped straight out of the McCarthy era But there was also... global art sales; Europe accounts for much of the rest, with the UK taking as its share around a half of that Art prices and the volume of art sales tend to match the stock markets closely, and it is no accident that the world’s major financial centres are also the principal centres for the sale of art To raise this parallel is to see art not only as a zone of purposeless free play but as a minor speculative... was an exchangeable token, as tradable as a dollar The daring novelty of free art – in its continual breaking with conventions – is only a pale rendition of the continual evaporation of certainties produced by capital itself, which tears up all resistance to the unrestricted flow across the globe of funds, data, products, and finally the bodies of millions of migrants As Marx put it a century-and -a- half... for such an event: a city of docks, its once great wealth based on trade, including slavery, serving as a suitable setting for art that reflected on globalization and its histories Its now down-at-heel urban fabric has plenty of large vacant spaces for displaying art, and its run-down areas, snags for romantic imaginings, are ripe for gentrification All this set up some productive and provocative opportunities... supplement may appear to be an inessential extra but (in Jacques Derrida’s celebrated analysis) nevertheless, like the afterword to a book or footnotes to an essay, has a role in its completion and shares its fundamental character Free art has a disavowed affinity with free trade, and the supplementary minor practice is important to the operation of the major one So the tireless shuffling and combining... committed art The bubble that burst was pricked by the sudden withdrawal of Japanese buying from the market, partly caused by wider economic problems, but also by the scandalous revelation that much art-buying in Japan had been undertaken as a way of evading tax on real-estate profits, with the side-effect of artificially inflating prices The second global recession was a slower-burning affair in the West, caused... a photograph of a mass-produced crucifix immersed in the artist’s 10 Conservative anger was directed at depictions and performances that celebrated gay sexuality, or objected to government inaction over AIDS, or openly displayed black bodies and sexuality While such works were openly reviled, with a rage that laid bare the racism and homophobia of much of the US political landscape, the attack was also... photographs them The photos are then used as the basis for elaborate images made up of refuse and confetti, the kind left on the street after Carnival has passed, out of which sketchy images of the children appear, spectrally traced in sugar These are then photographed and the large-scale photos displayed in the gallery Seen at the Tate, which bears the name of a sugar baron, the work gained another... unknowability of art is all the more strange because it has been accompanied recently by some transparently instrumental art practices Since we cannot know what we cannot know, this mantra about the impenetrability of the realm of art stands out as naked propaganda The uses to which art is put, and the identity of those who use it, are often far from mysterious Since the fall of Eastern European Communism . Bohlman THE WORLD TRADE ORGANIZATION Amrita Narlikar Available soon: AFRICAN HISTORY John Parker and Richard Rathbone ANGLICANISM Mark Chapman CHAOS Leonard. condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN