Tài liệu Writing the short film 3th - Part 46 pdf
... of a PARTY. SHEILA Well, hi there, sweetheart. JULIE Hi, mommy. SHEILA When did you get in? Come talk to me . . . 308 Writing the Short Film App-B.qxd 9/27/04 6:02 PM Page 308 JULIE Mom, the ... share everything. 306 Writing the Short Film App-B.qxd 9/27/04 6:02 PM Page 306 IRIS Not even him? LUCY No, not him . . . They slowly get up out of the windowsill and walk to...
Ngày tải lên: 21/01/2014, 21:20
... that is counter- productive to the dramatic elements of the story, much as the third-person position is. The second-person position, then, is a risk for the writer. The danger is that the writer ... Character and the Antagonist In the longer film, the relationship of the main character to the antagonist is used to create a heroic dimension in the main character. Th...
Ngày tải lên: 15/12/2013, 08:15
... incident on film, but when threatened by the young man, who wants the incriminat- ing footage, the filmmaker tries to call his bluff. The young man kills him and takes the film. The character of the filmmaker ... turn. Style in the Short Film In the short film, the notion that you are watching a documentary is even more critical than in the long film. Consequen...
Ngày tải lên: 15/12/2013, 08:15
Tài liệu Writing the short film 3th - Part 32 pdf
... about their fate, rather than to see ourselves in them. These observations make us curious as to the rea- sons for their desire and the consequent self-abnegation. Unlike in hyper- drama, where the ... a powerful energy into the experience of the film. Linkages to the Other Arts More than any of the other genres in this section, the experimental narrative takes up the othe...
Ngày tải lên: 24/12/2013, 15:16
Tài liệu Writing the short film 3th - Part 38 pdf
... stocky, grey-haired male takes his ticket from the small opening in the glass partition of the ticket office. The open-air station leaves the harsh winter breeze free to prey on the dozen passengers ... makes out the Nazi soldiers boarding the last passenger car. He jogs over to the bench to retrieve his suitcase under cover of the steam and boards the first passenger ca...
Ngày tải lên: 24/12/2013, 15:16
Tài liệu Writing the short film 3th - Part 40 pdf
... next to each other in a line. WE HEAR THE BELL SOUND. Girls are to either side of the little girls. MERYL I like sugar . . . and I like strawberries. 266 Writing the Short Film App-B.qxd 9/27/04 ... play. They have not seen other children in a long time. They stand statuesque for a moment and then are lured in by the children’s game. 11. EXT. THE SHACK—DAY Rachel is taking...
Ngày tải lên: 21/01/2014, 21:20
Tài liệu Writing the short film 3th - Part 3 pdf
... from the Aristotelian con- cerns of their predecessors. Consequently, the relevance of these books to the writing of the short film posits an analogy between the structure of the short film and ... driven, realism-oriented long film. Indeed, one of our major points about the short film is its linkage to literary forms such as the short story, the poem, the...
Ngày tải lên: 26/01/2014, 17:20
Tài liệu Writing the short film 3th - Part 7 pdf
... destructive. The clang of metal doors as the students are shut into their sleeping areas at night and the tone and pitch of the alarms that awaken them in the morn- ing create a strong sense that the ... Now, slowly, the shapes of the huts and other buildings become discernible: the gates, the near watchtowers with their guards and machine guns, the prison block, the m...
Ngày tải lên: 26/01/2014, 17:20
Tài liệu Writing the short film 3th - Part 50 pdf
... across the street top, smothering the air with Christmas joy. Snow pours out of the sky. The faint sound of Booker T & the MGs playing “Santa Claus Is Coming to Town.” Then, out of the snow, ... you. He grabs the letters and dismounts his bike. Swiping his hand along Rudolf’s body, he gives him a quick pat on the head and moves toward the house. 338 Writing the Shor...
Ngày tải lên: 26/01/2014, 17:20
Tài liệu Writing the short film 3th - Part 19 ppt
... is whether the target of derision merits the treatment. The form works best when the target is important or well- known, because the bigger the target, the more likely the target is a can- didate ... more savage than other forms, because the object of the satire, in the mind of the writer, deserves to be ridiculed. 116 Writing the Short Film Ch10.qxd 9/27/04...
Ngày tải lên: 15/12/2013, 08:15