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The mathematics of digital photography

Photoshop Elements 3 Solutions: The Art of Digital Photography- P2 ppt

Photoshop Elements 3 Solutions: The Art of Digital Photography- P2 ppt

... you change the size of the thumbnail displays via View in the File Browser menu bar, but you can change the size of the entire window by placing your cursor in the lower-right corner of the window ... dragging the window to the desired size To change the size of the tab items on the left side of the window (Folders, Preview, and Metadata), click the top, right, or bottom border and drag to the ... delete, and one of the following: • Click the Trash button at the top of the File Browser window • Drag the files to the Trash button • Press the Delete key • Choose File Delete from the File Browser...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P3 ppsx

Photoshop Elements 3 Solutions: The Art of Digital Photography- P3 ppsx

... removed many of the artifacts and left the foreground area sharp Although the filter got rid of most of the smaller artifacts, the larger ones remained To get rid of these, I selected the Clone ... instead of using the Dodge tool on the white areas of the eye, I use the Sponge tool to saturate the colors of the iris (see Figure 3. 12) Figure 3. 12: Use the Sponge tool to saturate the colors ... is full of scratches and other artifacts of age 1 Figure 2. 23: A magnification of 30 0 percent reveals the details of the problem (left) Applying the Dust & Scratches filter (right) to the selected...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P4 pdf

Photoshop Elements 3 Solutions: The Art of Digital Photography- P4 pdf

... on the top far left of the image of the man and the horse and “painted” the new sky I started with a horizontal stroke, going from left to right, filling in the top 33 percent of the sky Then, ... the top of the lighthouse I played with the size of the light by dragging one of the handles defining the edges of the light until I got what I wanted To set the light properties, I dragged the ... percent of the sky this way and stopped just above the top of the horse and the top of the rock talus At this point, I wasn’t very precise and some of the clone spilled over the horse and the rock...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P6 pptx

Photoshop Elements 3 Solutions: The Art of Digital Photography- P6 pptx

... key and then clicks and releases with the Eraser tool on one of the edges at the very top of the image Next he moves the cursor straight down to the bottom of the image and, still holding the Shift ... sense of depth Here’s what I did to replace the background, rotate, and add a drop shadow to the image shown in Figure 5 .32 Figure 5 .32 : The original digital camera shot Figure 5 .33 : These are the ... box, I tweaked the drop shadow by using the settings shown on the left in Figure 5 .33 The Layers palette is shown on the right The final image is shown in Figure 5 .34 Figure 5 .34 : The final image...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P7 pptx

Photoshop Elements 3 Solutions: The Art of Digital Photography- P7 pptx

... started with the red cones, using the Clone Stamp tool to replace them with parts of the sidewalk and street (left) She then cloned the tree on the left side of the image over the area where the ... considering the limits of the relatively inexpensive digital camera Jeannie was using To balance the light and bring out the details of the room, Jeannie used one of the most useful commands in Photoshop ... remove The first method requires either the Clone Stamp tool or the Healing Brush tool I’ll start with the wires on the left side of the image and use the Clone Stamp tool to remove them If...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P8 pot

Photoshop Elements 3 Solutions: The Art of Digital Photography- P8 pot

... insertion bar in the shape of an I-beam appeared at the point of clicking I then typed in my letters The baseline of my type lined up with the small line through the bottom of the I-beam The I-beam ... Generally, the higher the leading value—measured in points the greater the distance between the baseline of one line of type to the baseline of the next line.) Choosing Fonts and Styles You must have the ... Vertical Type (Photoshop Elements also offers control over the amount of space between lines of type This is called leading, and most of the time the Auto setting in the pop-up menu is the way to...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P9 pps

Photoshop Elements 3 Solutions: The Art of Digital Photography- P9 pps

... at the most relevant formats and decide After that I will get into the nitty-gritty of using Photoshop Elements to prepare and save to the file formats most useful for the Web and other types of ... Preferences are found on the Photoshop Elements menu.) Saving JPEGs Grabbing Digital: Images from the Web It’s easy to grab digital images directly from the Web and then use them as reference material ... (Windows on the left, Mac on the right), select JPEG from the Format list box Make sure that the ICC Profile (Windows) or Embed Color Profile (Mac) option is turned off If it isn’t, Photoshop Elements...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P10 pot

Photoshop Elements 3 Solutions: The Art of Digital Photography- P10 pot

... “tell” Photoshop to selectively dither a small part of an image and yet keep the other parts intact? You can, by following these steps: In RGB mode, select and copy the part of the image to dither ... holding the Shift key and dragging straight downward from the top of the image This blocked the effect of the Levels command on the mountain and sky areas of the image For the most part, the mask ... holding the Shift key, I started at the bottom of the image, then clicked and dragged about halfway up the image and let go of the mouse Holding the Shift key and dragging straight up constrained the...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P11 doc

Photoshop Elements 3 Solutions: The Art of Digital Photography- P11 doc

... Shift+drag from the right edge of the middle image about 1/2 inch inward (to the left) 16 Turn off the visibility of the middle image if necessary to see the image on the right Highlight the adjustment ... edge of the middle image; this by clicking the eye icon next to the top layer 15 On the left edge of the middle image, Shift+drag inward (to the right) about 1/2 inch and release the mouse Then ... place the cursor on the far right of the leftmost image Hold the Shift key and drag inward, to the left Go in about 1/2 inch and release the mouse This applies a gradient to the right edge of the...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P12 pot

Photoshop Elements 3 Solutions: The Art of Digital Photography- P12 pot

... 215–217, 215–217 dull images, 33 , 33 Auto Levels for, 36 37 , 36 37 , 40 Levels for, 37 –40, 38 39 Smart Fix for, 35 , 35 duplicating files, 23 layers, 98, 127, 32 7 dust and other artifacts, 45 combining ... 236 characteristics of, 228 converting GIF images to, 242 creating, 230 , 230 for e-mail, 31 0 optimizing images for, 237 –241, 237 –241 quality of, 33 , 59, 234 , 235 rotating, 32 33 saving, 231237 , ... shows, 31 1 B backgrounds in product shots, 133 creating, 134136 , 135136 modifying, 137138 , 137 separating products from, 112–119, 1 13, 115–116, 118–119 simplifying, 133134 , 134 smart-blurring,...
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Photoshop Elements 3 Solutions: The Art of Digital Photography- P13 pdf

Photoshop Elements 3 Solutions: The Art of Digital Photography- P13 pdf

... working with, 33 2 selection marquee, 112 Selection mode, 33 2 selection tools, 33 0 Cookie Cutter, 33 1 33 2, 33 1 Lasso, 33 0 33 1 Magic Wand, 33 1 Marquee, 33 0 options for, 33 3 Selection Brush, 33 2 selections ... 299 30 1, 30 0 30 1 specialty print layouts for, 30 2 30 3, 30 3 Process Multiple Files dialog box, 30 6 30 7, 30 7 product shots, 111 background in, 133 creating, 134136 , 135136 modifying, 137138 , 137 ... 1 13, 115–116, 118–119 simplifying, 133134 , 134 color of, 119–1 23, 119–121, 1 23 depth in, 138 –140, 139 –140 highlights and glare in, 142, 142 keystoning in, 132133 , 132133 labels for, 1 43, 1 43 144...
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Tài liệu The Mathematics of Persuasive Communication ppt

Tài liệu The Mathematics of Persuasive Communication ppt

... you They will get lost in your text and either give up or come out the other end not knowing what it is they have read What about the second element of the formula, de-emphasise what is of secondary ... Therefore, whilst the underlying principles of good writing and good speaking are constant, the way they are applied can be markedly different In the 'I' of the Storm: the Simple Secrets of Writing ... stop them from reading it! There are various methods to generate such a strong desire to read, depending on the type of readers and the type of information Whatever the most appropriate device, the...
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