3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 9 potx
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 9 potx
... 2: Just as you did in Figure 10.38 you are going to find the surface in the
3D Materials panel for the tallest building in the rear (GraphicMaterial_10).
Again, you can use the Select Material ... map.
jpg” into the Reflection properties of the
“GraphicMaterial_10” surface.
|
3D in Photoshop
178
10.4. Lighting the 3D model
One of the significant additions to...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 1 ppt
... 24
Part II 3D in Photoshop 27
Chapter 3 Getting Started with 3D in Photoshop 29
3.1. Workspace and the 3D Panel 29
3.2. Importing 3D 31
v
3.3. Converting to 3D 31
3.3.1. 3D Postcard 31
3.3.2. 3D Shape ... Painting, Texturing and Lighting
with Stephen Burns
153
10.1. Importing 3D Using 3DVIA 154
10.2. Creating the Layout 157
10.3. Texturing the Walls of the B...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 2 docx
... worry
much about the UV mapping. By painting directly in 3D onto the surface of
the model and Photoshop will automatically place any painted detail into the
right corresponding place in the 2D texture. ... exactly the same as the way Opacity works in the Photoshop
Layers panel (Figure 1.13).
Shininess/Glossiness Maps
Shininess and glossiness control specular highli...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 3 pptx
... help with painting
in 3D.
Note: It is recommended for faster performance to paint in the Interactive
(Painting) or OpenGL mode.
4.3.1. Optimal Positioning of your 3D Model for Painting
To give ... Converting to 3D
Creating 3D has never been easier since the introduction of 3D in Photoshop.
There are five ways now in Photoshop CS5 Extended to create real 3D
geome...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 4 pot
... while
saving a certain (non-editable) amount of VRAM for capabilities outside of
3D in Photoshop. In other words, the operating system and other parts of
Photoshop are using som e of the installed ... applied.
|
3D in Photoshop
62
Constraints are used as handles for modifying the front surface of the
Repoussé patch. The constraints can be manipulated directly by...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 5 pdf
... second, thinner line for the blind furthest away. Using the Blend Tool in
Illustrator a blend was generated between the two lines giving the result of
the lines getting thinner as they moved ... up, the texture for
FIG 8 .9 The result of the 3D Wine Bottle created from wine label layer.
FIG 8.10 Wine bottle is rotated into the desired position for the ad.
|
3D...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 6 doc
... available in Photoshop in the last couple
versions, getting really involved, seemingly complex 3D art (like the 3D art
you will see in this chapter) into Photoshop would have involved another 3D
application ... to select
then go into the Type menu once again and
change the setting from Inactive to Hole again. Do
this to all the remaining holes in the shape. Don&a...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx
... change the Mesh Quality setting we changed in Step 2
to Best. Remember, you can get back into the Repoussé settings for the phone
by going into the Mesh section of the 3D panel, selecting the mesh ... help. Working in the third dimension in Photoshop requires
rather different thinking when editing. When editing a layer with multiple
meshes like this you can select t...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 8 ppt
... letters.
|
3D in Photoshop
146
Painting, Texturing and
Lighting with Stephen Burns
With the introduction of 3D capabilities starting in CS3, concept artists had
the potential to introduce 3D models into ... done for photography, Dassaut Sytems
created 3DVIA. We will use their 3D importer plugin for Photoshop to
|
3D in Photoshop
154
a 3D postcard and merged it...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 10 doc
... 187
workflow, 188 92
Bump maps, 12–13, 40, 1 79
Burns, Stephen, painting, texturing and lighting:
depth of field, 180–6
introduction, 154–5
importing 3D using 3DVIA, 154–1 69
lighting the 3D model, 173–175
localized ... from the 3D Scene Panel.
FIG 11.4 3D Scene Panel invoked
from double-clicking any 3D layer
thumbnail.
|
3D in Photoshop
190
This page intentionally left...