3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx

... change the Mesh Quality setting we changed in Step 2 to Best. Remember, you can get back into the Repoussé settings for the phone by going into the Mesh section of the 3D panel, selecting the mesh ... help. Working in the third dimension in Photoshop requires rather different thinking when editing. When editing a layer with multiple meshes like this you can select t...

Ngày tải lên: 08/08/2014, 19:23

... instructions, or ideas contained in the material herein. British Library Cataloguing in Publication Data 3D in photoshop: the ultimate guide for creative professionals. 1. Adope photoshop. 2. Digital ... Getting Started 144 Chapter 10 Painting, Texturing and Lighting with Stephen Burns 153 10.1. Importing 3D Using 3DVIA 154 10.2. Creating the Layout 1 57 10.3. Te...

Ngày tải lên: 08/08/2014, 19:23

... worry much about the UV mapping. By painting directly in 3D onto the surface of the model and Photoshop will automatically place any painted detail into the right corresponding place in the 2D texture. ... exactly the same as the way Opacity works in the Photoshop Layers panel (Figure 1.13). Shininess/Glossiness Maps Shininess and glossiness control specular highli...

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... help with painting in 3D. Note: It is recommended for faster performance to paint in the Interactive (Painting) or OpenGL mode. 4.3.1. Optimal Positioning of your 3D Model for Painting To give ... Panel. CHAPTER 4 | 3D in Photoshop. DOI: 10.1016/B 978 -0-240-81 377 -6.10004-3 Copyright Ó 2010 Elsevier Inc. All rights reserved. 37 PART II 3D in Photoshop CHAPTER 3 Ge...

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... while saving a certain (non-editable) amount of VRAM for capabilities outside of 3D in Photoshop. In other words, the operating system and other parts of Photoshop are using som e of the installed ... Repoussé CHAPTER 6 | 3D in Photoshop. DOI: 10.1016/B 978 -0-240-81 377 -6.10006 -7 Copyright Ó 2010 Elsevier Inc. All rights reserved. 57 The window becomes more transpa...

Ngày tải lên: 08/08/2014, 19:23

... second, thinner line for the blind furthest away. Using the Blend Tool in Illustrator a blend was generated between the two lines giving the result of the lines getting thinner as they moved ... space, the lines get thinner and closer together as they travel away from the point of view. Figure 8.4 shows the 3D postcard of the lines in position over the window areas...

Ngày tải lên: 08/08/2014, 19:23

... available in Photoshop in the last couple versions, getting really involved, seemingly complex 3D art (like the 3D art you will see in this chapter) into Photoshop would have involved another 3D application ... to select then go into the Type menu once again and change the setting from Inactive to Hole again. Do this to all the remaining holes in the shape. Don&a...

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... letters. | 3D in Photoshop 146 Painting, Texturing and Lighting with Stephen Burns With the introduction of 3D capabilities starting in CS3, concept artists had the potential to introduce 3D models into ... created in the 3D panel in the Materials section. Notice in the last image on page 1 47 how the plane is placed above the rest of the 3D elements wit...

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... map. jpg” into the Reflection properties of the “GraphicMaterial_10” surface. | 3D in Photoshop 178 10.4. Lighting the 3D model One of the significant additions to the CS5 3D engine is the ability ... image. Painting, Texturing and Lighting with Stephen Burns | 171 Step 4: Now do the exactly same thing to the building in the foreground for “GraphicMaterial_8”...

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... 12–13, 40, 179 Burns, Stephen, painting, texturing and lighting: depth of field, 180–6 introduction, 154–5 importing 3D using 3DVIA, 154–169 lighting the 3D model, 173 – 175 localized bumps, 178 –180 reflective ... 97 Painting on 3D: introduction, 40 –1 positionin g of 3D model, 41–4 tiles, 44 unwrapped textures, 43 Painting, texturing and lighting (Stephen Burns): 3D texturing e...

Ngày tải lên: 08/08/2014, 19:23