3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx
... change the Mesh Quality setting we changed in Step 2
to Best. Remember, you can get back into the Repoussé settings for the phone
by going into the Mesh section of the 3D panel, selecting the mesh ... help. Working in the third dimension in Photoshop requires
rather different thinking when editing. When editing a layer with multiple
meshes like this you can select t...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 1 ppt
... instructions, or ideas contained in the material herein.
British Library Cataloguing in Publication Data
3D in photoshop: the ultimate guide for creative professionals.
1. Adope photoshop. 2. Digital ... Getting Started 144
Chapter 10 Painting, Texturing and Lighting
with Stephen Burns
153
10.1. Importing 3D Using 3DVIA 154
10.2. Creating the Layout 1 57
10.3. Te...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 2 docx
... worry
much about the UV mapping. By painting directly in 3D onto the surface of
the model and Photoshop will automatically place any painted detail into the
right corresponding place in the 2D texture. ... exactly the same as the way Opacity works in the Photoshop
Layers panel (Figure 1.13).
Shininess/Glossiness Maps
Shininess and glossiness control specular highli...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 3 pptx
... help with painting
in 3D.
Note: It is recommended for faster performance to paint in the Interactive
(Painting) or OpenGL mode.
4.3.1. Optimal Positioning of your 3D Model for Painting
To give ... Panel.
CHAPTER 4
|
3D in Photoshop. DOI: 10.1016/B 978 -0-240-81 377 -6.10004-3
Copyright Ó 2010 Elsevier Inc. All rights reserved.
37
PART II
3D in Photoshop
CHAPTER 3 Ge...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 4 pot
... while
saving a certain (non-editable) amount of VRAM for capabilities outside of
3D in Photoshop. In other words, the operating system and other parts of
Photoshop are using som e of the installed ... Repoussé
CHAPTER 6
|
3D in Photoshop. DOI: 10.1016/B 978 -0-240-81 377 -6.10006 -7
Copyright Ó 2010 Elsevier Inc. All rights reserved.
57
The window becomes more transpa...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 5 pdf
... second, thinner line for the blind furthest away. Using the Blend Tool in
Illustrator a blend was generated between the two lines giving the result of
the lines getting thinner as they moved ... space, the lines get thinner and closer together as they travel away
from the point of view. Figure 8.4 shows the 3D postcard of the lines in
position over the window areas...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 6 doc
... available in Photoshop in the last couple
versions, getting really involved, seemingly complex 3D art (like the 3D art
you will see in this chapter) into Photoshop would have involved another 3D
application ... to select
then go into the Type menu once again and
change the setting from Inactive to Hole again. Do
this to all the remaining holes in the shape. Don&a...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 8 ppt
... letters.
|
3D in Photoshop
146
Painting, Texturing and
Lighting with Stephen Burns
With the introduction of 3D capabilities starting in CS3, concept artists had
the potential to introduce 3D models into ... created in the 3D panel in the Materials
section.
Notice in the last image on page 1 47 how the plane is placed above the rest
of the 3D elements wit...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 9 potx
... map.
jpg” into the Reflection properties of the
“GraphicMaterial_10” surface.
|
3D in Photoshop
178
10.4. Lighting the 3D model
One of the significant additions to the CS5 3D engine is the ability ... image.
Painting, Texturing and Lighting with Stephen Burns
|
171
Step 4: Now do the exactly same thing to the building in the foreground for
“GraphicMaterial_8”...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 10 doc
... 12–13, 40, 179
Burns, Stephen, painting, texturing and lighting:
depth of field, 180–6
introduction, 154–5
importing 3D using 3DVIA, 154–169
lighting the 3D model, 173 – 175
localized bumps, 178 –180
reflective ... 97
Painting on 3D:
introduction, 40
–1
positionin
g of
3D model, 41–4
tiles, 44
unwrapped textures, 43
Painting, texturing and lighting (Stephen Burns):
3D texturing e...
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