3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 6 doc
... available in Photoshop in the last couple versions, getting really involved, seemingly complex 3D art (like the 3D art you will see in this chapter) into Photoshop would have involved another 3D application ... 8.37 The final scene for the ad with the bottle floating in the water. | 3D in Photoshop 96 Step 2: Now go into the Layers panel and create a new...
Ngày tải lên: 08/08/2014, 19:23
... worry much about the UV mapping. By painting directly in 3D onto the surface of the model and Photoshop will automatically place any painted detail into the right corresponding place in the 2D texture. ... exactly the same as the way Opacity works in the Photoshop Layers panel (Figure 1.13). Shininess/Glossiness Maps Shininess and glossiness control specular highli...
Ngày tải lên: 08/08/2014, 19:23
... feature: changing shape bend and shear, 61 –2 bevel, 62 –3 extrusion, depth, twist and scale, 60 –2 in ation, 62 –4 changing shape and presets, 61 constraints active, 66 description, 64 6 holes, 65 –7 inactive, ... maps, 12–13, 40, 179 Burns, Stephen, painting, texturing and lighting: depth of field, 180 6 introduction, 154–5 importing 3D using 3DVIA, 154– 169 lighting the 3...
Ngày tải lên: 08/08/2014, 19:23
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 1 ppt
... Constraints 64 6. 3.1. Holes 65 6. 3.2. Active Constraints 66 6. 3.3. Inactive Constraints 66 6. 4. Assigning Materials 67 6. 4.1. Extrusion Texture Mapping 67 Contents vi 3D in Photoshop The Ultimate Guide ... 51 5 .6. Final Rendering 55 5 .6. 1. Test Rendering 56 Chapter 6 Adobe Repoussé e 3D Extrusions 57 6. 1. Introduction to Adobe Repoussé 57 6. 2. Changing...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 3 pptx
... help with painting in 3D. Note: It is recommended for faster performance to paint in the Interactive (Painting) or OpenGL mode. 4.3.1. Optimal Positioning of your 3D Model for Painting To give ... Converting to 3D Creating 3D has never been easier since the introduction of 3D in Photoshop. There are five ways now in Photoshop CS5 Extended to create real 3D geome...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 4 pot
... while saving a certain (non-editable) amount of VRAM for capabilities outside of 3D in Photoshop. In other words, the operating system and other parts of Photoshop are using som e of the installed ... applied. | 3D in Photoshop 62 Constraints are used as handles for modifying the front surface of the Repoussé patch. The constraints can be manipulated directly by...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 5 pdf
... second, thinner line for the blind furthest away. Using the Blend Tool in Illustrator a blend was generated between the two lines giving the result of the lines getting thinner as they moved ... space, the lines get thinner and closer together as they travel away from the point of view. Figure 8.4 shows the 3D postcard of the lines in position over the window areas...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx
... change the Mesh Quality setting we changed in Step 2 to Best. Remember, you can get back into the Repoussé settings for the phone by going into the Mesh section of the 3D panel, selecting the mesh ... help. Working in the third dimension in Photoshop requires rather different thinking when editing. When editing a layer with multiple meshes like this you can select t...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 8 ppt
... letters. | 3D in Photoshop 1 46 Painting, Texturing and Lighting with Stephen Burns With the introduction of 3D capabilities starting in CS3, concept artists had the potential to introduce 3D models into ... done for photography, Dassaut Sytems created 3DVIA. We will use their 3D importer plugin for Photoshop to | 3D in Photoshop 154 a 3D postcard and merged i...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 9 potx
... 2: Just as you did in Figure 10.38 you are going to find the surface in the 3D Materials panel for the tallest building in the rear (GraphicMaterial_10). Again, you can use the Select Material ... map. jpg” into the Reflection properties of the “GraphicMaterial_10” surface. | 3D in Photoshop 178 10.4. Lighting the 3D model One of the significant additions to...
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