3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 3 pptx
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 3 pptx
... http://www.3dvia.com /photoshop (Figure 3. 3).
3. 3. Converting to 3D
Creating 3D has never been easier since the introduction of 3D in Photoshop.
There are five ways now in Photoshop CS5 Extended to create real 3D
geometries. ... can access the commands to create 3D from the 3D menu or
start from the 3D Scene panel Figure 3. 4.
3. 3.1. 3D Postcard
The ea...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 1 ppt
... 24
Part II 3D in Photoshop 27
Chapter 3 Getting Started with 3D in Photoshop 29
3. 1. Workspace and the 3D Panel 29
3. 2. Importing 3D 31
v
3. 3. Converting to 3D 31
3. 3.1. 3D Postcard 31
3. 3.2. 3D Shape ... Preset 32
3. 3 .3. 3D Repoussé Object 33
3. 3.4. 3D Mesh from Grayscale 34
3. 3.5. 3D Volumes 35
3. 4. Navigating 3D 35
Chapter 4 Ma...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 2 docx
... in the Preferences for
3D settings.
FIG 2.5 Image on the left has a hard shadow casting on the ground plane compared to the image on the right with a soft shadow.
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3D in Photoshop
22
2 .3. Other ... worry
much about the UV mapping. By painting directly in 3D onto the surface of
the model and Photoshop will automatically place any painted detail into the
ri...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 4 pot
... while
saving a certain (non-editable) amount of VRAM for capabilities outside of
3D in Photoshop. In other words, the operating system and other parts of
Photoshop are using som e of the installed ... Positioning,
Lighting and Rendering properties from the 3D panel (Window > 3D) outside
the Repoussé dialog as well.
Many of the scene navigation tools from the 3D...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 5 pdf
... second, thinner line for the blind furthest away. Using the Blend Tool in
Illustrator a blend was generated between the two lines giving the result of
the lines getting thinner as they moved ... from the painting “Times Square”.
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3D in Photoshop
78
3D and Compositing
with Bert Monroy
With the introduction of 3D in Photoshop, I have been very curious as to how
t...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 6 doc
... available in Photoshop in the last couple
versions, getting really involved, seemingly complex 3D art (like the 3D art
you will see in this chapter) into Photoshop would have involved another 3D
application ... 3D
objects. They are beautiful! Once you try 3D in Photoshop, the real fun
starts!
FIG 8.54 The final animation ready to be played.
FIG 8. 53 The 3D...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx
... for the phone
by going into the Mesh section of the 3D panel, selecting the mesh containing
the phone, then clicking the R icon at the bottom left under the tools.
Finally. SAVE!!!
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3D in Photoshop
124
Step ... the Window menu and choose 3D to open the 3D panel.
Click on the second icon to open the Mesh section of the 3D panel. At the top
of this s...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 8 ppt
... done for photography, Dassaut Sytems
created 3DVIA. We will use their 3D importer plugin for Photoshop to
|
3D in Photoshop
154
a 3D postcard and merged it with the rest of the 3D elements. The ... letters.
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3D in Photoshop
146
Painting, Texturing and
Lighting with Stephen Burns
With the introduction of 3D capabilities starting in CS3, concept artists had...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 9 potx
... map.
jpg” into the Reflection properties of the
“GraphicMaterial_10” surface.
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3D in Photoshop
178
10.4. Lighting the 3D model
One of the significant additions to the CS5 3D engine is the ability ... 2: Just as you did in Figure 10 .38 you are going to find the surface in the
3D Materials panel for the tallest building in the rear (GraphicMaterial_10).
A...
3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 10 doc
... tool, 3D, 35 –6, 46
Barker, Corey:
merging 3D objects, 32
Repoussé feature
3D and Photoshop effects, 133 – 43
3D product shots, 1 13 24
cover art breakdown, 144–51
introduction, 1 03 4
masking 3D shapes ... positioning
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Appendix A
196
Test rendering, 56
Texturing walls of buildings, 170–2
Tiles and painting in 3D, 43
“Times Square”, New York, 78–80
TITAN text layer, 125 33...
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