ĐyTe HGIOIE3OAHbI ÕAa M€IIOMH©CKHX ADWMAHTA XODA-

Một phần của tài liệu носина. символика в музыке баха (Trang 30 - 34)

11a. BTOpĨi BADHAHT — OCHOBơ IDOTMBOCJIO)KCHI Hi HHTCDM€TMIÍ:

T'nyÕØMHÿy CTPAđaHHĂ IOH€PpKHBAET HHCXOJIUIHĂ HO- Đ5OK BCTYTLUIEHHS TOIOCOB Ð 3KCIO3HUHHH ŸÿTH, «€HM- BOIH3HDYIOHIHÌÍ IOTPY2XK€HHe€ B MHP CKODỐ©li».

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TakEM OỐpA30M, npertonHa H $yra b-moll Ï rowa

THED€GHAIOT 6onee HETOCDETCTBCHHhIII, H€KEIH B5 IIHKIE

©s-moll, 3MOIMOHAIIbHHIÌÍ OTKITHK Hê TDATH€CKO€ COƠBI- 'THE, OCTDOTY ỐOJIH CB€)K€HAHCC€HHĨÍ DAHbI.

TIpemonws w qbyra E-dur II ToM

CCORHGIHHHGHU GỐDH3 NHG — ‹J GCHGHNđĐ

B MAT€DHđJ12X ỐđXOBCKHX CÍMHHADOB YKA34HO, TO Tipertomaa w $yra E-dur lĨ TOM BKHIOS€HEI B TOTMATH- *I€CKH 1IEKI (TO €CTb IOCBSIHIEHbI TDAKTOBK€ O/NHOTO M3

IOTMATOB LIÍDKBH), ACCOLIHATHBHBIM OỐPA3OM CIYKHT

TIOH5TH€ {J]Ï€CTB1II1A), ITO O3HAWA©T 71YXOBHOE IDO/BI2K€- HH€ — ‹JIECTHHIIY» K IOCTHXeHHIO Bora. ƠnNHaKO B KOHC- Ti€KTAX H€T IO/IpOỐHOTO aHanH3a. MbI IDOB€T€M ©TO Ha OCcHobaHnn MeTonwku B.)I.fisopcKoro.

OcHoBHa4 Hne# HwK1a E-dur BEIDAK€HAa XOPAIbHĨ IHTAaTOĂ, 3B715IOiIelicg TeMĨi ỈyTH. TO Ha4a/IbHơ3 CTpO- (ba xopana «Herr Gott, địch loben wir» («Te6s, Bo%e,

XBA/IHM)), HM€IOIIETO BAPHAHT CO CIOBAMH %«Ïesu, nun sei

gepreiset» («BocxsanHM %e Wiwcyca»).

lĂpczuoỊuf CO3NA€T XaDAKT€D ỐaTOCTHOĂ IDOCBETTIEH- HOCTH. HA HAHWHA€TCS CWM@0710M KD€CTHđ B MA3XCODHOM HHA- TOHHH€CKOM BADHAHT€, OỐPA3ÿ€MOM /BYMWS B€DXHHMH TOIIOCAMH, KAK BBIDA)KCHH© HJIỆN XCTHHG20 11120C106EH001. My3bI‹A7TEHA5 TKAHb ITD@ITIOMH COTKAHA H3 C10/60/106 đD€Ốbt- 6H11 @ p4Ị0CfW/ (OII€BAjM€ ONHOTO 3BVKơ, II€p€ỐOP 3BYKOB TD€3BYMHf), CUM@0/106 HIACXO2ICỊCHLUE C@n0n0eo JJyXê H B03He- C€HL01, IDEHABA4 COCTOSHH© ố120)011/

“TeMa jƯ}ÿ2H TIOTH TOHHO 1IHTHDY€T HAW8JIbHY!O CTPO- (Ùy Xopara:

TpOTHBOCIOXK€HHH IIDOBOHHTCI MOTHB H3 XOP34/1A

«Jesu Leiđen, Pein und Tod» («CTpA47aAHH1, MYW€HH1 H

CM€PTE ÏÏHiCyCa»), Hđ KOTODBIÌÍ B T€KCT€ XODA13 TIDHXO- 8TCH CđOB3 4ÏÏDOBO3TRACHI B IOCT6NHHÌ tac»:

'TeMa ($ỈyTH — MOT€THO-CTpOHH€CKA1, IOCTpOEHA HO TPHHLHIY pA3BHTH1 H OỐOTAII€HH4 OCHOBHĨÍ T€Mbi HO- OHED€HHO BCTYHAIOHU_IMH CHMBONAMH. B T€pBOM IpOBe- J1ÍHHH /IOMHHHDYIOT HHTOHAL4N BOCXOJ1I1€lï KBADTEI KAK

C06014 tICOđ0l 660bi.

BTOPOMY IDOB€/€HIEO COIIYTCTBVIOT CWM6071b1 60CKD6C€- Hới B CICaTOM BHIT€ (BOCXO/ISTUIMĂÍ 3BVKODST M3 THTTH 3BVKOB — thmrypa anabasis).

B 2nu3one cis-moll IosBIISIOTCS CWM60161 nDeỊonpe0e- JIẴHU01 «CTpAHATbH€CKHÌ XPpOMATH3MDOBAHHHH XOH JIẴHU01 «CTpAHATbH€CKHÌ XPpOMATH3MDOBAHHHH XOH

(3HđKH KD€CIHHbIX MỤK ƠXpucrHđ). 3a4KHIOWơIOT 3TOT 31M- 3O. HHCXOHSU[€ 3BYKOPSHEI — 43HđKH HCM), CHA6G71b1 YMHDGHUN, n0102IC£Hu0t so 2poố (urypa catabasis).

B pasnene fis-moll TeMa 3áIOHHS€TCđ IDOXOHSIIHMH TOHAMH, IIDHOỐPETA8 cxOHCTBO € xoparoM «Christ lap in Todesbanden» (4Ư{pHCTOC 71©3KA7T B II€I€HAX CM€PTH)), ETO HaWAaIIbHBIĂ MOTHB IDOBO/HTCð Ố€3 IBYX I€PBbIX 3BYKOB (KaK B TpeXTOIOCHOl cđM‡oHuwu a-moll). 210 He TOIEEKO MONHỆMHKAIHH THABHĨÍ T€MbI ŸYTH, HO CO3HAT€TbHO€ BB€H€HH© HOBOĂ T€MEI, HOTHM€CKH BBITEKAIOHIV H3

58

TID€HIIECTBYIOLI€TO 3IH30H4, O H€M TOBOPHT HCHOTb3O- BAHH€ HOIHOĂI 1ATbl HEDBOTO MOTHBA XODAIA «ŠÐpHCTOC TI€KAT B I€T€HAX CM€PTH» (B TEHOD€). BCTYIHI€HH% T€M OỐPA3YIOT /BYXTOTOCHbIe Sfr€ftO, KOTODBI€ IDOXO/IST 3 PA3A, KAK Õb[ COOTB€TCTBY4 TĐ€M /H#M HD€ÕBIBAHHS Wincyca s rpoốy:

[Ƒ [ly

“Takoe IIDeBDaIHI€HH€ XB8/IeỐHOFO XODAJ13 B IOTp€ÕaIIb- 'HBIlÍ HAII€B € IOCITE/TYIOLLIIM BO3BDAIII€HW€M K [IEDBOHAWAJTE-

HOMY BIJTY (B YM€HbILI€HHH, T. 27) BbI3bIBA€T 8HA7IOTEO CO

CTpPOKAMH CHMBOITA BEDEI: «... CTPA/I2BII€TO, H TIOTp©€Õ€H- HOTO. ÙÍ BOCKD€CLIETO B Tp€THÍ đ€Hb IO ÏÏMCaHt©. ỈÏ B3o-

IIIENHIeTO H3 H€Ố€CA, H CH7IIII€TO OI€CHYEO ƠTHA».

PaCXO/SIII€CS JBW3KCHH€ FOTOCOB B TđKT€ 29 CHMBOIH- 3HDY€T B I3HHOM KOHTCKCT€ DACIIDOCTDAH€HH€ XDHCTHAH- CTBa. ÏÏOCI€ 3TOTO CHMBOJIA TOD3K€CTBYIOLI€, YỐC›KI€HHO

3BYHHT T€Ma ‹(TeÕ, Bo›X€, XBAJHM3 B OCHOBHĨÍ TOHAJTEHO-

CTH OCHOBHOM BHI€. Èi COIIYTCTBYIOT CHMBOJIEI IOCTH)K€-

HHđ BOM Ï'OcIIONHeÌÏ (BOCXOHWHIH€ TETDAXODJBÌ).

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HAaIIOIOỐH€ CTYI€H€ÏÏ T€CTHHLLLL. *

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Tlpemozns w Qbyra G-dur ÏÏ ToM .ẨCCOHHGHHIGHbIE GỐPG3 HHKNđ =

«lÏCKyUteHue Ebl 3M€€MD)

B.7I.1BopcKHĂ OTHOCHI 3TOT HHKI K IepHony Ber- XOTO 3aB€Tơ, IOBCCTBYIOHI€MY O Tp€XOIIAT€HHH papo-

MTe€Itefi.

CCHOBAHH€M /J#đ TAKĨ TDAKTOBKH #BHNơCb TeMaơ yFH, H3BHBAIOIHARCS HAIOHOỐH€ 3MÍHHĐIX KOIEI.

A.IHIseBuep nniteT:

«My3bIaTbHO€ W3OỐDA2€HH© b#BOJTA IOCTOSHHO HIPH-

IeKano Baxa. Tak KaK B Hawa/e BHỐNHH OH ID€JCTABJICH B

BH/I€ 3M€1, TO BđX H3ÕDA2KA€T ©TO H3THỐAMH H CTIJIETCHHS-

MH BH3XVIHITOCS BBEDX H BHW3 MOTHBA. ÍO €TO TeO/IOTHH CaTAHA TOJXCI€CTBCH /b5BOJY: IO3TOMY H3BHBAIOHIHECH MO- THBbI [IOSB/ISIOTCZ H TđM, TH «4EHHOBHHK 3/13 HOCHT HM1 CATAHbI... QH€Hb, XADAKT€DHBIĂ «CAaTaHHHCKHÌ>› MOTHB Hê- XORHM B KaHTaTe \b 40. TeKcT ỐacOBĨi aDHH TJIACHT: «Ân-

CKHĂ 3M€l, TeỐc He crpai-Ho? HbIne pOHHICS TOT, KTO,

TIOỐGHMB, DA3MO3)KHT TeÕỐe FOJIOBY», B M3bIK€ CIbHHHBI Hí TOJIbKO H3BHJTHCThI€ 7IBH2K©€HHI 3M€H, HO H MOIHIHBI© Y/IADBI HOT, Dơ3/14BIHBơIOHIMX TOTOBY....

THOnOỐHEI€ MOTWBbI BCTĐ€HAIOTCf 8 D€HHTATHBE 7UI4 8JIB-

Ta H3 TOĂ #€ KAHTATbI Nb 4Ú, pACCKA3bIBAIOHIEM O 3Mee, KOTODHIÌÍ O4apOBbrBaeT EBy /IECTHBĨ DeWEIO; B I€DBOM XOD€ KaHTaTE Ĩ© [9 nB xope KaHTaTbI Nb 8Ơ Ha cđopa «ỈÏ ecmm ố MMP ỐbLI IOIIOH W€pTe€bi›.

Tpeiuobttg n€pcnaeT OỐpA3b1 ốn42IC€HHO20 pđđ, «IIDEIECTH

paltCKĨi 3413HH; 3KyD4AHH€ DY4b€B H CIOKOHO€ TBH2K€HH€

JI€DEBbEB». Ï ÏaCTODA/THHIĂ XapAKTED, «ÕyKOIIHW€CKAđ aTMO- C(bepa», n0 BbIpa3K€HWIO MIUDIbHIT€ÌHA, CO3/1ACTCð TI€TKUHM 3By- MAđHH€M (ÙAKTVPBI, HOIDA3KAIOHỀÍ HTP€ Hê CTDYHHbIX HHCTDyM€HTAX, H YIEP2KAHHbIMH, KơK Hê BOJIbIHK€, 3BYKAMH OpTAHHOTO HYHKTa.

60

“TcMa (ủy2H — 0Ốpd3 3€, OỐBOTIRKWBAIOIHÉI, KêđK KOTbHA- MH, HCKYCHT©TEHbIMH CHOBAMH. Ð HHTCDMGHMH CIbIHICH THê-

HOT: YHPSMO-KAHDHSHbI€ BONpOCBI (T. 24-25, 28-29) H

YKIIOHHHBO-COMH€ĐơIOUIM€Cơ OTB€THI (T. 26-27, 30-3 Í).

Coốna3m, HO MbIcna #ÏBODCKOTO, 1€peỊđerIC HDEIbI. CaMPIÌÍ CUUIbHBIĂ MOMHT HCKVIHICHHS — TDIH B HHSKOM peTHCTp€ (T. 57-61).

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B.]1.1IBODpCKHII OTM€HA11, JTO HO CTHITO MEIITEHHS IP€-

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Wines caTaHHHCKOTO COỐ/I43HHT€ITbCTBA BOIUIDTHJTACb, HO MEICIH #ÏBODCKOTO, H B JJBYXTOJIOCHOli IineinuH d-moli, Ho B OT/miwe OT nipetonMn n $yrú G-dur ÏÏ TOMa, T1€ HCKYIHe- HH€ HOIHO OWApOBAHM1 H OỐOIbII€HHS, WHB€HHMs d-moll TIEP€HAST €TO 3/IOCTHÿIO CYHLHOCTb. T€MA HHB€HHUH — MỸ3bI- XAIIEHA4 XđDAKTCDHCTHKA 3M€S-MCKYCHT€IIS; CỀi IDMCYIU TOT

2KC (3M€€BHJIHBIYĐ), KOJIbIEOƠDA3HbIfÍ DHCYHOK; HAÍHM Hă

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3AKJHOWEHME

Tĩocne neTameHoro aHaw3a iƠ npetomuỈt ơ $yr XTIK:

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WHMĨÍ B711 HIEDOKHX KĐYFOB COBD€M€HHPIX CIYLIAT€ITTEĂI.

3 aHA1834 O4€BH/HO, WTO KOMIIO3HHHW H COJIED2KAHH€ 3TiIX HDOH3BGRHÙÏ CIO2KHbi H MHOTOCIIOfHbI. Ka3anocb ỐbI, 3TO HỆ CHOCOỐCTBY€T HX HIHDOKĨÍ IOIYTSĐHOCTH. Pe@IHTH- O3HOCTb COIEP2KAHHS, KOTODA% OỐHADY2KMBA€TCW IDH p43- 6ơøpe nperommũi w hyT no MeTony B.]1.ÝÍBOPCKOTO, H€ 71E2KMT Hê IOBEDXHOCTH H OTKDbIBA€TCH 4411OCBWIHICHHOMY» CHYHHA- 'TŒJIEO, BJIAHEEOIHIEMY MY3bIKAIIbHbIM JI€KCHKOHOM 3IIOXH.

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