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Visual Design n n n Published in association with Adobe Press www.adobepress.com Peachpit Press www.peachpit.com LEARN Adobe Photoshop CC for Visual Design SECOND EDITION Adobe Certified Associate Exam Preparation Schwartz Purchasing this book gives you access to valuable online extras Follow the instructions in the book’s “Getting Started” section to unlock access to: n Web Edition containing instructional video embedded in the complete text of the book with interactive review questions along with product updates n Downloadable lesson files you need to work through the projects in the book Level Beginning Covers Adobe Photoshop CC (2018 release) for macOS and Windows Category Digital Design / Image Editing / Photography Cover Design Mimi Heft Illustration Gudinny/ShutterStock SECOND EDITION This study guide uses more than 13 hours of video integrated with text to help you gain real-world skills that will get you started in your career in visual design using Adobe Photoshop CC It lays the foundation for taking the Adobe Certified Associate (ACA) certification exam and helps prepare you for an entry-level position in a competitive job market n Fix common problems with photographs Colorize black and white photos Design eye-catching invitations and fliers Create fantastic composite images by combining elements from different photos Design your own wallpaper for your computer or phone n Rob holds several Adobe Certified Associate certifications and is also an Adobe Certified Instructor As an Adobe Education Leader Rob won the prestigious Impact Award from Adobe, and in 2010 Rob was the first worldwide winner of the Certiport Adobe Certified Associate Championship and recognized as the #1 Instructor Worldwide by Certiport Find out more about Rob at his online curriculum website brainbuffet.com As the most popular image-editing application on the market today, Adobe Photoshop is an indispensable part of any creative designer’s toolkit Mastering Photoshop for photo retouching or general design work should be the first step on your path to a career in the visual design field Learn Adobe Photoshop CC by building cool creative projects that teach you how to: Rob Schwartz is an award-winning teacher with over 20 years experience in technical education He is a popular speaker at state, local, and national conferences, and often presents on teaching strategies for Adobe products such as Photoshop and Illustrator His focus on industry certifications and problem-based learning strategies are the secrets to his success Adobe Photoshop CC for Visual Design Adobe Certified Associate Exam Preparation for SECOND EDITION LEARN LEARN Adobe Photoshop CC US $49.99 CAN $61.99 ISBN-13: 978-0-13-487825-6 ISBN-10: 0-13-487825-6 Created in association with BrainBuffet.com, a group of award-winning high school and college instructors recognized for excellence in teaching Adobe software 9780134878256_Schwartz_LEARN_Adobe_PhotoshopCC_Cover.indd All Pages 780134 878256 9 Rob Schwartz 6/5/18 3:25 PM LEARN Adobe Photoshop CC for Visual Design SECOND EDITION Adobe Certified Associate Exam Preparation Rob Schwartz LEARN ADOBE PHOTOSHOP CC FOR VISUAL DESIGN ADOBE CERTIFIED ASSOCIATE EXAM PREPARATION Rob Schwartz Copyright © 2019 by Pearson Education, Inc or its affiliates All Rights Reserved Adobe Press books is an imprint of Pearson Education, Inc For the latest on Adobe Press books, go to www.adobepress.com To report errors, please send a note to errata@peachpit.com For information regarding permissions, request forms and the appropriate contacts within the Pearson Education Global Rights & Permissions department, please visit www.pearsoned.com/permissions/ Adobe Press Editor: Laura Norman Development Editor: Victor Gavenda Senior Production Editor: Tracey Croom Technical Reviewer: Rocky Berlier Compositor: Kim Scott, Bumpy Design Copyeditor: Liz Welch Proofreader: Kim Wimpsett Indexer: Valerie Haynes Perry Cover & Interior Design: Mimi Heft Cover Illustration: Gudinny/ShutterStock If this guide is distributed with software that includes an end user license agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner Please be sure to obtain any permission required from the copyright owner Any references to company names in sample files are for demonstration purposes only and are not intended to refer to any actual organization Adobe, the Adobe logo, Adobe Certified Associate, Creative Cloud, the Creative Cloud logo, Adobe Animate, Flash, Illustrator, Photoshop, Dreamweaver, Adobe Capture, Flash Player, and Typekit are registered trademarks of Adobe Systems Incorporated in the United States and/or other countries All other trademarks are the property of their respective owners Apple, Mac OS, macOS, and Macintosh are trademarks of Apple, registered in the U.S and other countries Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the U.S and/or other countries Unless otherwise indicated herein, any third-party trademarks that may appear in this work are the property of their respective owners and any references to third-party trademarks, logos, or other trade dress are for demonstrative or descriptive purposes only Such references are not intended to imply any sponsorship, endorsement, authorization, or promotion of Pearson Education, Inc products by the owners of such marks, or any relationship between the owner and Pearson Education, Inc or its affiliates, authors, licensees or distributors Adobe Systems Incorporated, 345 Park Avenue, San Jose, California 95110-2704, USA ISBN-13: 978-0-13-487825-6 ISBN–10: 0-13-487825-6 18 To Caleb and Danny, you guys are the reason I work so hard Stoked we make the time to play even harder! I love you guys! Acknowledgments Huge thanks to my kids for making this book possible First, the kids in my house, Caleb and Danny, for understanding the times I had to get to work so we could play a little later Second, to the kids in my classes who challenge me, encourage me, and make it all worthwhile Last, to the kids I meet online through Brainbuffet.com or ACATestPrep.com who reach out to say thanks All you guys help make me who I am, and you guys are an inspiration to me Also a huge thanks to the BrainBuffet team—especially Joe “Skibum” Dockery and Joseph “Vampire” Labrecque—you guys keep it rolling My educational and design heroes Mike Skocko and Kevin McMahon for inspiration, friendship, and encouragement in the classroom to think outside the box and aim high—you guys are my teaching heroes The Adobe Education Leaders and the Education team at Adobe for being the source of many of my stolen ideas! Special thanks to Lisa Deakes and Johann Zimmern at Adobe for making our community what it is and being an amazing voice for education Thanks to Jack Podell and Megan Stewart for seeing something in that Florida guy back in the Macromedia days and bringing me into the fold And this book wouldn’t have been possible without Victor Gavenda and Rocky Berlier and the rest of the Peachpit team who made this whole thing possible and gave the new kid a shot at doing something really cool for kids outside my classroom iv Learn Adobe Photoshop CC for Visual Design About the Author Rob Schwartz is an award-winning teacher with more than 20 years of experience in technical education He is a popular speaker at state, local, and national conferences, and often presents on teaching strategies for Adobe products such as Photoshop and Illustrator His focus on industry certifications and problem-based learning strategies are the secrets to his success Rob holds several Adobe Certified Associate certifications and is also an Adobe Certified Instructor As an Adobe Education Leader Rob won the prestigious Impact Award from Adobe, and in 2010 Rob was the first worldwide winner of the Certiport Adobe Certified Associate Championship and recognized as the #1 Instructor Worldwide by Certiport Find out more about Rob at his online curriculum website at brainbuffet.com v Contents 107 Making It Final Myths and Monsters 115 116 Create a Mythical Animal Perfect Masks and Selections Using Images from the Web 16 Finishing Touches 121 124 Organizing Your Data 14 13 A Quick Word on Creative Cloud 12 Accessing the Project Files 111 Getting to Know Photoshop CC Why We’re Here Client Review Meet Photoshop CC 90 Enhance Designs Using Creative Tools Let’s Get Going! 16 129 Digital Decorating Create a New Document Cleaning Up Your First Image 20 About Artboards 130 19 Fast Photo Fixes 131 Smart Is as Smart Does 131 Basic Photo Restoration 28 Mask Mastery Flip or Rotate the Image 29 Bring In the Lead Character 34 Get Creative Warp Tour 147 Color Coordinated Perfecting Great Images 36 Wrapping Up 39 149 Shapes, Splatters, and Selections 153 Restoring and Colorizing Damaged Photos 41 Shape Layers 153 Restore Damaged Photos 42 167 Quick Phone Wallpaper Sharpen and Save 51 168 Final Tweaks 142 146 Removing Dust and Scratches 135 Shrink, Sharpen, and Save for the Web 22 Saving and Exporting Artboards Publishing Awesome 173 Save for Multiple Purposes 72 Print at Home or Work From Photo Editing to Designing 65 Colorize Black-and-White Images 52 173 Get to the Next Level 183 Event Flyer 79 81 Insider Terminology 186 Wrapping Things Up Images and Industries 188 Blend the Image 88 Import Images 85 vi Learn Adobe Photoshop CC for Visual Design Working with Insiders 80 Designing for Print Create a Print Document 192 185 169 Master Text Getting Started viii 96 Leveling Up with Design 195 196 Creativity Is a Skill The Design Hierarchy 197 The Elements of Art 202 The Principles of Design 229 Wrapping Up the Design Concepts 237 10 Working with Outsiders 239 Who You’re Talking for and Who You’re Talking to 240 Copyrights and Wrongs 244 Think Like a Boss 250 Conclusion 259 ACA Objectives Covered 260 Glossary 266 Contents Index 272 vii Getting Started Welcome to Learn Adobe Photoshop CC for Visual Design, Second Edition! We use a combination of text and video to help you learn the basics of working in Adobe Photoshop CC We introduce you to each skill in the context of a hands-on project Be sure to watch the video and download the lesson files to follow along In addition, we cover other areas that you will need to master to work as a visual designer, including how to work with clients and how to approach design About this product Learn Adobe Photoshop CC for Visual Design was created by a team of expert instructors, writers, and editors with years of experience in helping beginning learners get their start with the cool creative tools from Adobe Our aim is not only to teach you the basics of the art of visual design with Photoshop but to give you an introduction to the associated skills (like design principles and project management) that you’ll need for your first job We’ve built the training around the objectives for the Visual Design Using Adobe Photoshop CC (2018) Adobe Certified Associate Exam If you master the topics covered in this book and video, you’ll be in good shape to take the exam But even if certification isn’t your goal, you’ll still find this training will give you an excellent foundation for your future work in visual design To that end, we’ve structured the material in the order that makes the most sense for beginning learners (as determined by experienced classroom teachers), rather than following the more arbitrary grouping of topics in the ACA Objectives To aid you in your quest, we’ve created a unique learning system that uses video and text in partnership You’ll experience this partnership in action in the Web Edition, which lives on your Account page at peachpit.com The Web Edition contains 13 hours of video—the heart of the training—embedded in an online eBook that supports the video training and provides background material The eBook material is also available separately for offline reading as a printed book or an eBook in a variety of formats The Web Edition also includes hundreds of interactive review questions you can use to evaluate your progress Purchase of the book in any format entitles you to free access to the Web Edition (instructions for accessing it follow later in this section) viii Learn Adobe Photoshop CC for Visual Design Most chapters provide step-by-step instructions for creating a specific project or learning a specific technique Other chapters acquaint you with other skills and concepts that you’ll come to depend on as you use the software in your everyday work Many chapters include several optional tasks that let you further explore the features you’ve already learned Each chapter opens with two lists of objectives One list lays out the learning objectives: the specific tasks you’ll learn in the chapter The second list shows the ACA exam objectives that are covered in the chapter A table at the end of the book guides you to coverage of all of the exam objectives in the book or video Most chapters provide step-by-step instructions for creating a specific project or learning a specific technique Many chapters include several optional tasks that let you further explore the features you’ve already learned Chapters and 10 acquaint you with other skills and concepts that you’ll come to depend on as you use the software in your everyday work Here is where you’ll find coverage of Domain of the ACA Objectives, which don’t specifically relate to features of Photoshop but are important components of the complete skill set that the ACA exam seeks to evaluate Conventions used in this book This book uses several elements styled in ways to help you as you work through the exercises Text that you should enter appears in bold, such as “enter 110 in the field.” Terms that are defined in the Glossary appear in bold and in color, such as: The web font that’s used in the header of the page is just what the client is The ACA Objectives covered in the chapters are called out in the margins beside the Links to videos that cover the topics in depth appear in the margins Video 5.1 Myths and Monsters looking for That’s a great thing ACA Objective 2.1 sections that address them Notes give additional information about a topic The information they contain is not essential to accomplishing a task but provides a more in-depth understanding of the topic NOTE A histogram is a graph that represents how many pixels of each tonal value exist within the image ix continued from previous page 4.3 Make, manage, and manipulate selections Ch Smart Filter masks, 105 Ch Mask Mastery, 135 Ch Copy and paste the loaded mask, 145 Ch Selection Perfection, 161 5.3 Grab the Bull by the Horns 6.7 Mask Mastery 6.12 Blending Selection tools 6.13 Load, Copy, and Paste a Selection 6.24 Selection Perfection 6.26 Shatter Selections 4.4 Transform digital graphics and media Ch Resize images, 22 Ch Flip or Rotate the Image, 29 Ch Rotate and straighten the image, 43 Ch Expand the canvas, 66 Ch Warp Tour, 147 2.4 Resize Images 5.4 Transform Tricks 5.5 Open Up the Canvas 6.15 Warp Tour 4.5 Use basic reconstructing and editing techniques to manipulate digital graphics and media Ch Ch Ch Ch Ch Ch Ch Fix red-eye, 21 Fix color balance, 26 Fix color in aged photos, 30 Adjust levels manually, 45 Shift colors, 58 Adjust Smart Filters, 105 Attack of the clones, 132 2.3 Remove Red-eye from Your Photos 4.23 Adjusting Filters 5.7 Quick Mask Mastery 5.8 Content-Aware Move 4.6 Modify appearance of design elements by using filters and styles Ch Sharpen using Unsharp Mask, 23 Ch Enhance Designs Using Creative Tools, 96 Ch Solve design problems with styles, 97 Ch Working with filters, 102 Ch Explore further, 107 Ch Making adjustments for the client, 109 2.3 Remove Red-eye from Your Photos 4.23 Adjusting Filters 5.7 Quick Mask Mastery 5.8 Content-Aware Move 264 Learn Adobe Photoshop CC for Visual Design VIDEO CHAPTER DOMAIN OBJECTIVES DOMAIN OBJECTIVES CHAPTER VIDEO Domain 5.0 Publishing Digital Media 5.2 Export or save digital images to various file formats Ch Save as PSD, 51 Ch Save your Work, 65 Ch Export layers as separate files, 75 Ch Save your work!, 102 Ch Save your progress!, 142 Ch Save the masked model as a PSD file, 145 Ch Quick Phone Wallpaper, 168 Ch Save for the web, 175 Ch Images and Industries, 188 Ch Images for the web, 189 Ch Images for video, 191 4.21 Safer Saving 4.28 Dream Event 6.29 Adding an Artboard 7.3 Prepping Web-Ready Images ACA Objectives Covered 2.6 Save Images for the Web 4.27 Making it Final 7.4 Save Photos for the Web 7.5 Saving Graphic Images for the Web 7.6 Designing for Commercial Printing 7.7 Designing for Use in Other Adobe Applications Ch Save images for the web, 24 Ch Save as a PSD Document, 73 Ch Save for social media use, 77 Ch Designing for Print, 80 Ch Making adjustments for the client, 109 Ch Making it Final, 111 Ch Print at Home or Work, 173 Ch Design for commercial printing, 181 Ch Create images for use in other applications, 182 5.1 Prepare images for export to web, print, and video 265 blending mode Determines how a layer blends Glossary with the layers beneath it, such as Darken, Soft additive color Color created by combining light Light, or Difference them bokeh An out-of-focus effect created by lenses and alignment Indicates how elements are aligned, such apertures, especially when referring to the circular as by left edges, centered, or right edges blur from lights that are out of focus all caps Uses only uppercase letterforms for each Bridge An Adobe application for browsing the letter folders containing the media assets you use in analogous (colors) Colors that are side by side on your projects the color wheel They create gentle and relaxing canvas The image area in Photoshop color schemes cast shadow The shadow cast by a form Shadows asymmetrical Achieves balance using elements with fade with distance from the form blown-out Images that have no detail in the brightest (pure white) areas due to overexposure adjustment layers Layers that apply nondestructive effects or image adjustments to all the layers below chaotic A description of lines or shapes that appear different weights or values on each side (or the top disorganized and messy Convey a sense of urgency, attribution Written acknowledgment provided with fear, or explosive energy and bottom) of an image Clone Stamp Tool that paints by copying pixels the name of the original copyright holder of the work Creative Commons and other licenses feature color The perceived hue, lightness, and saturation different kinds of attribution requirements from a defined target area elsewhere in the image points in an image to make the blacks truly black and the whites truly white balance Evenly distributed, but not necessarily color cast Unwanted tint in an image from incorrect camera settings Performing a white balance can prevent or fix this issue color harmonies Color rules that are named for centered or mirrored of an object or light Auto Tone Automatically sets the black and white baseline An imaginary line used to organize text color mode Determines the color model that along a horizontal plane their relative locations on the color wheel bitmap An image created by a grid of pixels with each pixel assigned a color and, in some file formats, or CYMK complementary (colors) Colors that are opposite a transparency value Photoshop uses to create the image, such as RGB each other on the color wheel They are high in typefaces; also known as Old English or Gothic contrast and vibrant bleed The part of the image extending past the cut compositing Combining two or more images blackletter fonts Ornate and antique-looking 266 edge to ensure an edge-to-edge print Learn Adobe Photoshop CC for Visual Design as emphasis, contrast, unity, variety, alignment, fills the area with similar pixels balance, rhythm, movement, and proportion design principles Valued design qualities such Content-Aware fill Feature that analyzes the area surrounding pixels selected to be deleted and then behind based on the pixels that surround the hole modify the changes later information without reserving the ability to undo or destructive editing Where you change the image Content-Aware Move Allows you to reposition a selection and automatically fill in the hole left focal point implies movement or change Creative Commons Ways that artists can release dingbat font Also known as wingdings A typeface their works for limited use and still choose consisting of objects and shapes instead of letters the way the works are used and shared: Public direction A common way to describe lines, such as diagonal (line) Traveling neither on a vertical nor a horizontal path Expresses growth or decline and contrast Quality that creates visual interest in a composition using variety It draws the eye to the Domain, Attribution, ShareAlike, NoDerivs, and vertical, horizontal, diagonal document window Area that contains your work NonCommercial resulting images have a zoomed-in effect compared to images from standard lenses cropping Reframing an image, deleting unwanted portions, and adjusting its focal point and dpi Stands for dots per inch and refers to the resolution of an image when printed elements of art The building blocks of creative works They are the nouns of design, such as space, line, shape, form, texture, value, color, and type compositional balance area and canvas a sensor smaller than the 35mm standard The crop sensor A term to describe cameras with and grace decorative fonts Also known as ornamental, novelty, or display fonts Convey a specific feeling deliverables A predetermined list of items that will fair use A set of rules that specify how and when copyrighted material can be used and that make sure copyright protection doesn’t come at the cost of creativity and freedom feedback loop A system set up to continually be delivered to the client emphasis The focal point to which the eye is naturally and initially drawn in a design curved (line or shape) Expresses fluidity, beauty, focus, whereas a deep DoF will show the whole image in focus desaturate Remove the amount of color in an image project’s direction fill light A light used on the darker side of a subject in a photo to make it appear more dimensional filter Tools that apply effects that can clean up or retouch photos, create unique transformations using distortions and lighting effects, or even make a photo appear like a sketch or painting Glossary DoF will show only a small part of the image in encourage and require input and approval on a focal plane of a camera within an image A shallow depth of field (DoF) Describes the depth of the 267 the horizontal line in an “H.” Expresses calmness flow In a design, the energy conveyed by lines and balance and shapes hue The actual color of an element (such as red, focal point What the design is all about The call to blue, or green) action or the primary message intended hyphenation Splitting words with hyphens when font The whole collection of a typeface in each of wrapping to the next line its sizes and styles ideographs (ideograms) Images that represent an form Describes three-dimensional objects, such as idea, such as a heart representing love spheres, cubes, and pyramids image mode See color mode horizontal Moving from left to right; for example, flattening Combining and rasterizing all of the layers in the document geometric (line or shape) Tends to be straight and waiting in a line, or the margin of a block of text have sharp angles Looks manmade and intentional indent Settings that determine how far an entire Communicates strength, power, and precision paragraph is set back from the rest of the text on GIF Graphics Interchange Format: A lossless each side or in just its first line bitmap image format limited to 256 colors; supports iterations New versions of a design that successively animation become closer to the desired result implied (line) Doesn’t really exist but is implied by shapes, such as dotted or dashed lines, people gamut The range of colors a device can capture or display grain The term used to describe sensor noise comments while it is still easy to make a change (a stippled look) in images shot with low light JPG or JPEG Joint Photographic Experts Group: hand-drawn (line or shape) Appears as though A lossy bitmap image format, suitable for complex created using traditional techniques, such as paints, images like photographs charcoal, or chalk justified Aligning text to a straight edge on both the handwritten font A typeface that simulates right and left edges of a paragraph handwriting kerning The space between specific letter pairs hardness Determines how much a brush fades from Layer Comp A snapshot of the document and all of its center point A brush with a hardness of 100 has its layers in its current state no fade, and a hardness of has the maximum fade layers A way to put some elements in front of, or high key An image that has very few dark pixels, behind, others When items are on separate layers, resulting in a light and bright image; this can be a you can manipulate one item without affecting desirable artistic effect another, even if the two are in the same area of highlight The area of a form that is directly facing the image iterative work Work that is shared as it is completed, allowing the customer to chime in with glyph Each character of a font, whether it is a letter, number, symbol, or swash 268 the light and that appears lightest Learn Adobe Photoshop CC for Visual Design same color Communicates a relaxed and peaceful licensing A way to legally use copyrighted material feeling for a certain time and in a certain way, usually monospaced fonts Fixed-width or non- associated with paying a fee established by the proportional fonts that use the same amount of copyright holder horizontal space for each letter monochromatic Different shades and tints of the of two lines of text, like double-spaced text leading The amount of space between the baselines light source The perceived location of the lighting the eye moves from focal point to focal point movement Visual movement within an image, such as the natural tracking of the eye across an image as ligatures Special characters used to represent letter combinations, such as “fi.” negative space Blank areas in a design Also known lightness A color setting affecting tone, from darker as white space to lighter NoDerivs Creative Commons licensing Requires line A mark with a beginning and an end point that you not change material when you incorporate in relation to the form resulting in a very dark and moody image; this can be a desirable artistic effect for some images must pass it along without change noise Random image data introduced into a digital image by a camera’s sensor mask Used to hide portions of a layer by painting it into your own work It can be used freely, but you low key An image that has very few light pixels, NonCommercial Creative Commons licensing painting white Means you can use work in your own creative work as long as you don’t charge for it megapixels Describes the number of pixels a device black, and reveal portions of the layers below by nondestructively Making changes in a way that provide higher image detail allows you to revert to the original image, even after the document is saved (no loss of pixels) menu bar This is the standard application menu bar can capture in millions Generally, more megapixels away from the light source and appears darkest merge Combine and rasterize selected layers object shadow The area of the form that is facing that displays all the menus for Photoshop and more model releases The permission that is required when a person’s face is identifiable in a photo and the image will be used to promote something— whether it’s a product or an idea completely visible (opaque) At 0% opacity, the layer is transparent An opacity of would make all of the elements on that layer transparent Options bar The part of the Photoshop interface that contains tool options that is context-sensitive, meaning it changes depending on the selected tool organic Describes lines, shapes, or forms that are irregular and imperfect, as those found in nature Glossary information, location via GPS, camera settings, of visibility A Photoshop layer at 100% opacity is document but is hidden, such as copyright, lens opacity The opposite of transparency, a measure metadata Information that is included in a 269 panel This highly customizable area containing combining other colors and can be combined to common tools in the interface that can be easily create every other color in the visible spectrum moved, rearranged, or resized Additive color systems, such as a computer, use the primary colors Colors that cannot be created by panel group A tabbed grouping of multiple panels rather than selected words These settings include alignment, hyphenation, and so on paragraph spacing Similar to leading, but applies to an entire paragraph instead of lines of type within them defining the spacing above or below primary colors of red, blue, and green (not red, blue, and yellow as in painting) principles of design The essential rules governing paragraph settings Affect an entire paragraph art In short, a design should have a focal point; and the rest of the elements of the design should support, and draw attention to, that focal point project creep Unplanned changes that increase the paragraphs damaged area by bringing in pixels from an undamaged part of the image path Often related to vector images, a specific path created by a vector to define a shape or line Paths amount of work, or scope, that a project requires When the project loses focus and spins out of control, eating up more and more time and effort project deadlines Dictates when work needs to be Patch tool A tool that allows you to repair a completed added to make it visible work to be completed project scope Outlines the amount and type of technically have no dimension, so a stroke must be proportion (scale) Describes the relative size and shapes, or values scale of elements pattern A repetitive sequence of different colors, public domain When copyright is expired or represents something in the real world Computer released and no longer applies to the content or icons are pictographs that suggest the function they when an artist releases their work It can be used represent, such as a trash can icon to delete a file without worrying about infringement pixel A single dot that makes up a raster image Puppet Warp Allows you to reposition objects Pixel is short for “picture element.” like you would a puppet by setting pivot points and pictograph (pictogram) Graphic symbol that altering from there PNG Portable Network Graphics: A lossless bitmap radial Circular type of balance among elements elements and simpler images PNG may include distributed around the center of a design a full alpha channel, allowing for nuanced raster Originally described an image created by transparency scan lines on CRT monitors, but today it is basically points Used to measure type, approximately 1/72 of synonymous with bitmap image format useful for both complex photographic ppi Stands for pixels per inch and is a setting that affects only printed images Higher ppi affords more 270 detail in printed images Learn Adobe Photoshop CC for Visual Design rasterize To convert an image of another type into a raster/bitmap image an inch an image look crisper sharpen Add contrast to the fuzzy details to make reflected highlight Area of a form that is lit by reflections from the ground or other objects in sketches Representative drawings of how to lay out render To convert a nonraster image or effect into a a document or web page These are sometimes one raster image of the deliverables of a project repetition Repeating an element in a design slab serif fonts Squared-off versions of a typical Replace Color A command used to trade one color serif font Also known as Egyptian, block serif, or for another in an image square serif Convey a machine-built feel resolution A measurement of the number of pixels small caps Uses only uppercase letterforms for each in a given space—either in an inch (ppi) or total letter and appears in a smaller size a scene smart filters Filters applied to a smart object These rhythm Creative and expressive, rather than a can be edited after they are applied consistent pattern or repetition in a design smart object Nondestructive layers that can be rule of thirds A technique for laying out the space linked and used across Adobe applications Filters of your page to provide a focal point Two vertical applied to smart objects become smart filters and two horizontal lines evenly divide the space Solid Color fill layers Essentially an infinite plane into nine equal boxes, as in a tic-tac-toe board of color You cannot paint on these layers, but sans serif fonts Text without serifs Often used for you can still edit layer settings—such as opacity, headlines and titles for their stable, modern feel blending mode, and masks saturation The level of black or white in a space The canvas, or working area Its dimensions color: less black or white means a more vivid, or are determined by the resolution of the page you are saturated, color creating scale See proportion specifications Detailed written goals and limits for a pixels (such as 1920x1080) primary colors serif fonts Fonts with serifs: the little “feet” on character ends, created by typewriters They convey tradition, intelligence, and class shape Area enclosed or defined by an outline, such as circles, squares, triangles, or even clouds ShareAlike Creative Commons licensing Allows you to use an item (design) in any way you want Spot Healing brush A Photoshop tool that enables you to paint away image imperfections quickly and easily stock photos Images for which the author retains secondary colors Created when you combine of a project copyright but for which a license for use is available storyboards Schematic representation of a project feeling of beauty, grace, or feminine dignity project These are sometimes one of the deliverables to help the team and client visualize the final result stroke The thickness of the visual representation of script fonts Mimic calligraphy They convey a a path as long as your creation is shared under the same Glossary license as the original work 271 element letters typeface Specific letterform set, such as Helvetica, Arial, Garamond, and so on It is the “look” of Style A category of descriptors for lines, forms, or shapes, often describing the “feeling” of the colors We see the colors because of subtracted light look like they belong together The opposite of swashes Special characters with flowing and elegant variety endings for the ascenders and descenders Unsharp Mask A Photoshop filter that sharpens symmetrical Occurs when you can divide an image only the edges within the subject of the photo along its middle, and the left side of the image while retaining the overall smooth textures of skin, is a mirror image of the right (or the top reflects clothing, and sky the bottom) Conveys an intentional, formal, and value Lightness or darkness of an object Together mechanical feeling with color, value represents the visible spectrum, tertiary colors Created by mixing primary and such as a gradient secondary colors variety High contrast The opposite of unity texture Describes the actual tactile texture in varying-width (line) Expresses flow and grace real objects or the appearance of texture in a two- vector A series of points connected by lines and unity Also known as harmony and sharing similar traits Low contrast Things that go together should subtractive color The familiar model from childhood, mixing red, yellow, and blue to make dimensional image curves determined by mathematical equations Vector images built from these points are resolution in Photoshop It’s important to know that each icon independent This means they can scale infinitely on the toolbar represents a stack of tools that you with no loss of quality can access by clicking and holding down the mouse vector layers Layers consisting of data that can be Tools panel Contains all the tools that you can use button over the tool’s icon manipulated with no loss of quality (rather than an arrangement of pixels) a block of text It allows you to compress or expand vertical Moving from top to bottom Vertical lines tracking The overall space between all the letters in the space between the letters as a whole rather than tend to express power and elevation vertical and horizontal scale Describes the function just between specific pairs, as you with kerning transparency An area of an image that is not visible When exporting a file, transparency is only geometry vibrance A way of adjusting saturation so that supported by certain file formats of stretching letters and distorting the typeface Type layers Vector layers in Photoshop specifically for text clipping is minimized in very saturated colors and preventing muted colors, such as skin tone, from becoming over saturated to the lowest descender warp Distort an object’s shape using a grid 272 type size A font’s height from the highest ascender Learn Adobe Photoshop CC for Visual Design white balance Adjusting a device to capture or the screen for easy access to features you use often display white properly by removing color created by There are built-in workspaces or you can design a the lighting See also color cast custom workspace that suits your needs wireframe A schematic sketch of a project, zoom A function of the camera lens that enlarges commonly used for interactive projects image elements on the sensor of a camera—digital workspaces Specific arrangements of the panels on weight (line) The thickness of a line zoom simulates this effect Workspace switcher This menu on the Options bar enables you to choose preset workspaces and save Glossary the layout of your customized Photoshop interface 273 Index NUMBERS 3D lighting, 212 3D workspace, described, 72dpi myth, 190–191 See also dpi (dots per inch), explained SYMBOL ! (exclamation points), using with filenames, 15 A ACA (Adobe Certified Associate) exams, passing, additive color, 217 adjustment layers, creating and using, 109–110 Adobe Bridge CC, browsing images with, 85–86 aged photos, fixing color in, 30 See also images alignment and movement, 200–201 of paragraphs, 228 specifying, 70 all caps, 227 Anchor grid, 67 artboards, 131, 168–171 artist, seeing like, 43 aspect ratio, constraining, 22 asymmetrical balance, 233 Attribution licensing (BY), 249 Auto Color, using, 27, 30–31 Auto Tone, using, 30–31, 36 B 274 background color, reversing with foreground color, 106 background layer, unlocking, 63 See also layers backing up work, 15 balance principle of, 233–234 and proximity, 200 Ballerina Mission, 61 baseline of text, 226 bitmap, explained, 186 black and white levels, setting, 45 black-and-white images See also images colorizing, 52–60 converting images to, 31–32 blackletter fonts, 224 bleed, hiding, 107–108 blending modes, changing, 53, 56–57 See also color blending Learn Adobe Photoshop CC for Visual Design blending selection tools, 144 blown-out, explained, 187 Blur filters, applying, 103–104 bokeh, explained, 187 brainstorming, 253 Bridge CC, browsing images with, 85–86 Brightness/Contrast dialog box, 120 Brush tool, using, 55, 144 brushes customizing, 138–141 hardness, 55–56 for jagged shapes, 164 layer comps, 159–160 making colorful, 157–159 naming, 156 reusing and saving, 141–142 size and tip, 56 using, 155–157 using randomness, 165 Burn tool, 28 C camera raw images, working with, 87 See also images canvas changing color of, 131 expanding, 66–68 extending for mythical animal, 119 space as, 203 character settings resetting, 93 specifying, 70–72, 92–93 client review, 107–110 clients elevator pitches, 241 golden rule for projects, 243 needs and goals, 240–241 target audience, 242–243 clipping masks, making, 151 See also masks Clone Stamp tool, using, 132–134 closing images, 26 CMYK color mode, 52, 80, 82 See also flat CMYK color See also foreground color; Replace Color command; soft proof colors associations, 221 boosting in images, 37–38 brushing onto images, 54–56 changing for canvas, 131 element of, 216–221 fixing in aged photos, 30 shifting, 58–59 specifying in Options bar, 70 and tone correction, 30–31 color balance, correcting, 26–27 color blending, 119–121 See also blending modes color fill See Solid Color Fill layer color harmonies, 219–220 color mixing, 218 color modes choosing, 52–53 for print, 189 for video, 192 for web, 191 Color Picker, 55 color spaces See CMYK color mode; RGB color space color wheel, 218 colorizing black-and white images, 52–60 Command key See keyboard shortcuts commercial printing, designing for, 181–182 See also printing work at home Commit button, identifying, 44 compositing images, 115 comps, checking, 167 Content-Aware fill, using, 46–49 Content-Aware Move tool, using, 124–125 contrast principle of, 231 using with focal points, 199–200 copying and pasting images, 20 copyright, 244–249 Creative Cloud Application, overview, 12–13 Creative Commons licensing, 248–249 creativity, using, 6, 146–147, 196–197 critical thinking, 253–254 crop sensor, explained, 187 cropping images, 29–30, 43–45 Ctrl key See keyboard shortcuts Custom Shape tool, using, 153 D damaged photos, restoring, 42 See also images data, organizing, 14–16 decorative fonts, 224 defects, removing, 50 deliverables, 256 desaturating areas, 28, 31 design, purpose of, 198 fair use and copyright, 246 feedback loop, 258 feeling and texture, 214 and themes, 201 file formats GIF for video, 192 images for print, 188–189 images for web, 190 PNG for video, 192 videos, 192 filenames, using exclamation points (!) with, 15 files See project files fill light, explained, 187 filling selected areas, 46–49, 106 See also Solid Color Fill layer filters, working with, 102 finalizing designs, 110 flat CMYK, converting to, 111–112 See also CMYK color mode flattening and merging layers, 73–74 flipping and rotating images, 118 flyer See event flyer focal point in design hierarchy, 199–200 or emphasis, 230–231 folders grouping layers into, 61–62 using to organize data, 14–15 fonts choosing, 70 types, 222–225 G gamut, 174 GIF files saving as, 180–181 saving for video, 192 saving for web, 24, 190 glyphs, 224 Gradient tool, using, 89–90, 165–166 grain, explained, 187 Graphic And Web workspace, described, graphic images, saving for web, 179–181 grouping layers, 53, 61–62 groups, masking, 135–136 guides and rulers, working with, 82–84 H Hand tool, activating, 49 handwritten fonts, 224 hard drive, backing up to, 15 headline, formatting for event flyer, 100–101 high key, explained, 187 Highlights Input Slider, 45 histograms, using, 45–46 horizontal scaling, 92, 227 horns, creating for mythical animal, 116–118 Hue/Saturation dialog box, 59, 120 human creativity, graph of, 196 hyphenation, 228 I ideas, iterations, 254 ideographs, 210 Illustrator, saving text entry for, 183 image modes, choosing, 52–53 image settings, determining, 181 images See also aged photos; black and white images; camera raw images; damaged photos; photo restoration closing, 26 compositing, 115 converting to black and white, 31–32 creating for other applications, 182 cropping, 29–30, 43–45 dragging, 20 fading using masks, 89–90 Index editing type layers, 71 elements of art color, 216–221 components, 202 in design hierarchy, 197 form, 211–213 lines, 206–209 pattern and texture, 213–214 shapes, 209–211 space, 203–205 type, 221–228 value, 215–216 elevator pitches, 241 emphasis or focal point, principles of, 230–231 Eraser tool, 57–58 Essentials workspace, described, evaluation and testing, 258 F foreground color See also color choosing, 55, 68 reversing with background color, 106 form, element of, 211–213 ‑ E event flyer adding information, 93 blending images, 88–90 client review, 107–110 creating print document, 81–84 creative tools, 96–97 designing for print, 80 enhancing designs, 96–97 finalizing, 111–112 formatting headline, 100–101 importing images, 85–88 master text, 90–95 rulers and guides, 82–84 soft proof colors, 82 exclamation points (!), using with filenames, 15 exporting files, 181 images as JPEG files, 33–34 layers as separate files, 75–76 and saving artboards, 169–171 ‑ design hierarchy applying, 198 balance and proximity, 200 focal point, 199–200 movement and alignment, 200 repetition and rhythm, 201 scale and proportion, 201 themes and feeling, 201 unity to variety, 200 design principles See principles of design designing for print, 80 with type, 90–91 designing in Photoshop expanding canvas, 66–68 overview, 65–66 designs, finalizing, 110 destructive editing, 19 digital imaging, explained, 186 dingbat fonts, 225 document window, 8–9 See also print document documents creating, 130 placing in folders, 14 DoF (depth of field), explained, 187 downloading project files, 13–14 dpi (dots per inch) and ppi (pixels per inch), 80, 186 See also 72dpi myth dragging images, 20 Dream Event, 112 duplicating and merging layers, 74–75 dust and scratches, removing, 34–36 275 flipping and rotating, 29–34 gathering, 116 getting from Web, 16 importing, 85–88 navigating, 49 opening, 20–21 opening and placing, 85 perfecting, 36–38 preparing for web, 175–181 previewing, 32 repairing with Spot Healing Brush, 49 resizing, 22–23 resolution, 189–190 rotating and flipping, 34–36, 118 rotating and straightening, 43–50 saving for web, 24–26 sharpening and saving, 51–52 straightening, 43–45 using artboards, 131 for video, 191–192 for web, 189–190 importing images, 85–88 indent settings, 228 InDesign, saving text entry for, 183 industries and images, 188–192 ink splatters, creating, 155 iterations of ideas, 254 J JPEG files exporting images as, 33–34 saving for web, 24, 176–177, 190 for video, 192 justified text, 228 K 276 kerning character settings, 92 explained, 226 specifying, 71 keyboard shortcuts Auto Color, 27 clipping masks, 151 filling selections, 106 Hue/Saturation, 59 opening images, 20 Proof Colors, 82 Quick Mask mode, 122 removing pins, 148 Rulers, 83 Select All layers, 122 soft proof colors, 109 undoing actions, 27 white-balance correction, 27 Learn Adobe Photoshop CC for Visual Design L Land, Edwin, Lasso tool, 47 launching Photoshop CC, layer comps, 159–160, 167 layer groups, working with, 63 layer masks, 88–89 layer styles, creating, 97–100 layers See also background layer; shape layers aligning, 94 duplicating and merging, 74–75 exporting as separate files, 75–76 grouping, 53 grouping into folders, 61–62 linking, 53 managing, 183 merging and flattening, 73 naming, 54, 59–60 opacity, 53, 56–57 organizing, 61–62 renaming, 60 reordering, 63–64 Select All, 122 selecting, 61 Solid Color fill, 68–69 using with element of space, 204 working with, 53–54 Layers panel menu, 62 leading character settings, 92 explained, 226 Learn Mode, levels, adjusting manually, 45–46 licensing, 248 ligatures and swashes, 227 lightness, adjusting, 59 line descriptor, 207–209 element of, 206 linking layers, 53 loaded selections, copying and pasting, 145–146 See also selections low key, explained, 187 M macOS, keeping Photoshop ready for, Magnetic Lasso tool, using, 144–145 masking models, 142–144 masks See also clipping masks adding to groups, 135–136 creating, 88–89 icon, 53 modifying selections in, 144–145 refining, 136–138, 143 using to fade images, 89–90 using with mythical animal, 121–124 using with Smart Filters, 105–106 megapixels, explained, 187 menu bar, merging and duplicating layers, 74–75 and flattening layers, 73–74 metadata, 24, 85 Midtones Input Slider, 45 mindfulness, 43 mistakes, erasing, 57–58 model releases, 249 models, masking, 142–144 monospaced fonts, 224 Motion workspace, described, Move tool, using, 94 movement and alignment, 200–201 and rhythm, principles of, 236 mythical animal Content-Aware Move tool, 124–125 creating horns for, 116–117 extending canvas for, 119 finishing, 124–127 masks, 121–124 Patch tool, 126 Smart Filter adjustments, 119–121 tweaking horns, 118 N naming brushes, 156 layers, 54, 59–60 workspaces, 10 negative space, 205 See also space NoDerivs (ND) licensing, 249 noise, explained, 187 NonCommercial (NC) licensing, 249 nondestructive editing, 19 O online storage, 15 opacity of layers, 56–57 opening images, 20–21 Options bar alignment, 70 character settings, 70 color, 70 Crop tool, 44 fonts, 70 locating, type formatting, 91 organizing data, 14–16 layers, 61–62 Outer Glow layer style, using, 98, 100 painting with Brush tool, 55 Painting workspace, described, panel group, 11 panels collapsing, locating, moving and resizing, 11 rearranging, 11 toggling on and off, using, paragraph alignment, 228 Paragraph panel, 71 paragraph settings, 228 paragraph spacing, 228 passing ACA exams, Patch tool, using, 126, 132–134 path, explained, 186 pattern element of, 213–214 and repetition, 235 people permissions, 249 photo restoration, 28 See also images photography terminology, 187 workspace, photos, saving for web, 176–179 Photoshop CC, launching, Photoshop folder, creating and using, 14 pictographs, 210 Pictures folder, 14 pins, removing, 148 pixels adjusting, 22 explained, 186 and resolution, 110 PNG files saving for web, 24–25, 190 for video, 192 PNG-8, saving as, 179–180 PNG-24 images, saving for web, 178–179 points of fonts, 227 ppi (pixels per inch) and dpi (dots per inch), 80, 186 See also 72dpi myth previewing images, 32 primary colors, 218 principles of design balance, 233–234 contrast, 231 emphasis or focal point, 230–231 explained, 197 movement and rhythm, 236 overview, 229–230 proportion or scale, 235 repetition and pattern, 235 unity, 231–232 variety, 232–233 print designing for, 80 images for, 188–189 Print dialog box, opening, 174–175 print document, creating, 81–84 See also document window print size, viewing at, 109 printing work at home, 173–174 See also commercial printing problems, understanding, 251–252 profiles, assigning to documents, 176 project creep, avoiding, 255–257 project files, accessing, 13–14 project management, 250–251 project plan, executing, 257–259 project requirements, setting, 255 project scope and deadlines, 255–256 proportion and scale creating, 201 principles, 235 proximity and balance, creating, 200 PSD files saving, 51, 73, 145 using, 188 Public Domain (CC0), 249 Puppet Warp, using, 148 Q Quick Export, 33–34 Quick Export As feature, using, 181 Quick Mask mode, entering, 122–123 Quick Prints, 174 Quick Selection tool, using, 116 R radial balance, 234 raster, explained, 186 raster effects, using with Smart Objects, 132 raster image layer, 73–74 raw images, working with, 87 See also images Rectangle Selection tool, 106 red-eye, fixing, 21, 27–28 Refine Edge Brush tool, using, 143 render, explained, 186 repairing images, 49 repetition and pattern, 235 and rhythm, 201 Replace Color command, using, 149–150 See also color resizing images, 22–23 panels, 11 resolution choosing for documents, 110 explained, 186, 189–190 restoring photos, 28, 42 RGB color space, 52, 82, 176, 182 rhythm and movement, 236 and repetition, 201 rotating and flipping images, 29–36, 118 rule of thirds, 204 rulers and guides, working with, 82–84 S sans serif fonts, 223 saturation adjusting, 59 and vibrance, 37 saving documents for clients, 110 edited work, 33–36, 38 and exporting artboards, 169–171 flat CMYK copies, 112 images for web, 24–26 mythical animal, 121 as PSD documents, 73 PSD files, 51, 145 for social media use, 77 text entry for Illustrator and InDesign, 183 for the web, 175–181 work, 15, 65, 102, 142 scale and proportion creating, 201 principles, 235 scaling, horizontal and vertical, 92 Scattering options, using with brushes, 140 scratches and dust, removing, 34–36 script fonts, 224 secondary colors, 218 Select And Mask workspace, opening, 117, 144 selecting layers, 61 selections See also loaded selections creating, 117 filling, 106 perfecting, 161–162 refining, 136–138 serif fonts, 223 Shadows Input Slider, 45 shape, element of, 209–211 shape layers, creating, 153–154 See also layers Index P 277 ShareAlike licensing (SA), 249 sharpening edited work, 33–36, 38 images, 51–52 using Unsharp Mask, 23–24 Shift key See keyboard shortcuts shrinking edited work, 33–36, 38 sketches, using, 256 slab serif fonts, 224 small caps, 227 Smart Filters adding, 102–104 adjusting, 105 masks, 105–106 mythical animal, 119–121 Smart Objects using, 88, 131–134 using with raw images, 87 soft proof colors, 109, 182 See also color software, updating, 12–13 Solid Color Fill layer, adding, 68–69, 138 See also filling selected areas space See also negative space as creative tool, 204 element of, 203 and layer masks, 204 rule of thirds, 204 special characters, 227 specifications, 256 splash screen, splatter brush, creating, 156 Sponge tool, 28 Spot Healing Brush tool, 49–50 sRGB color profile, 176 Start workspace, stock photos, 248 straightening images, 43–45 striped selections, 162–164 stroke, explained, 186 students, subscription cost, 13 styles, using, 97–100 subjects, isolation of, 117 subscription cost, 13 subtractive color, 217 Surface Blur filter, applying, 103–104 swashes and ligatures, 227 switching workspaces, 8–9 symmetrical balance, 233 T 278 terminology digital imaging, 186 photography, 187 typography, 225 tertiary colors, 218 Learn Adobe Photoshop CC for Visual Design testing and evaluation, 258 text adding, 70 baseline, 226 making Smart Objects, 88 using Vertical Type tool, 94–95 text entry, saving for Illustrator and InDesign, 183 texture clipping into text, 152–153 element of, 213–214 themes and feeling, creating, 201 thinking, 253–254 thumbnails resizing in Bridge, 86 using with raw images, 87 TIFF images, 188 title styles, applying, 100–101 tone and color, correcting, 30–31 tools blending selection, 144 Brush, 55, 144 Burn, 28 Clone Stamp, 132–134 Content-Aware Move, 124–125 Crop, 30, 44 Custom Shape, 153 Eraser, 58 Gradient, 89–90, 165 Hand, 49 Lasso, 47 Magnetic Lasso, 144–145 Move, 94 Patch, 126, 132–134 Quick Selection, 116 Rectangle Selection, 106 Red Eye, 21 Refine Edge Brush, 143 Sponge, 28 Spot Healing Brush, 49–50 Type, 70–71, 91 Vertical Type, 94–95 Tools panel, tracking character settings, 92 explained, 226 transformations, constraining, 118 transparency, explained, 186 type designing with, 90–91 element of, 221–228 type layers, editing, 71 type size, 227 Type tool, using, 70–71, 91 typography overview, 222–223 terminology, 225 trinity, 226 U undoing actions, 27 units of measurement, 22 unity principle of, 231–232 to variety, 200 Unsharp Mask, 23–24, 51–52 updating software, 12–13 user interface, 8–9 V value, element of, 215–216 variety principle of, 232–233 and unity, 200 vector, explained, 186 vector shape files, finding, 155 vertical scaling, 92, 227 Vertical Type tool, using, 94–95 vibrance and saturation, boosting, 37 views, selecting, 117 W wallpaper creating, 130, 138 saving, 142, 146, 149, 153, 167 Warp command, using, 147–149 web-ready images, 16, 189–190 white balance, adjusting, 26–27 white space, 204 Windows, keeping Photoshop ready for, 5 Work Mode, workspaces changing and resetting, customizing, 10 menu presets, naming, 10 opening, 10 rearranging, 11–12 resetting defaults, 10 Select And Mask, 117, 144 Start, switching, 8–9 using, 9–10 Z zoom, explained, 187 .. .LEARN Adobe Photoshop CC for Visual Design SECOND EDITION Adobe Certified Associate Exam Preparation Rob Schwartz LEARN ADOBE PHOTOSHOP CC FOR VISUAL DESIGN ADOBE CERTIFIED ASSOCIATE EXAM PREPARATION. .. peer-to-peer discussions, questions, and answers on Adobe products xii Learn Adobe Photoshop CC for Visual Design Adobe Photoshop CC product home page: adobe. com/products /photoshop provides information... helpx .adobe. com/creative-cloud/help/download-install-app.html x Learn Adobe Photoshop CC for Visual Design ADOBE CREATIVE CLOUD DESKTOP APP In addition to Adobe Photoshop CC, this training also requires the Adobe
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