free ebooks ==> www.ebook777.com FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press www.ebook777.com free ebooks ==> www.ebook777.com Exhibiting Cinema in Contemporary Art free ebooks ==> www.ebook777.com www.ebook777.com free ebooks ==> www.ebook777.com Exhibiting Cinema in Contemporary Art Erika Balsom free ebooks ==> www.ebook777.com This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), - Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), - Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, Marker pen on Plexiglas with c-print, x inches Courtesy of the artist and Team Gallery, New York Cover illustration (back): Simon Starling, Wilhelm Noack oHG, Installation view at neugerriemschneider, Berlin, Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn e-isbn nur (pdf) (ePub) / © E Balsom / Amsterdam University Press, Amsterdam All rights reserved Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher www.ebook777.com free ebooks ==> www.ebook777.com Table of Contents Acknowledgements Introduction – The Othered Cinema Chapter – Architectures of Exhibition The Passages of Cinema Projection and Patrimony Black Box/White Cube The New Blockbusters The Myth of Activity Media at MoMA Chapter – Filmic Ruins Post-medium Post-mortem Indexing the Past A Little History of mm Ruinophilia Analogue Aura Chapter – The Remake: Old Movies, New Narratives Ambivalent Appropriations The Four Operations Precursors The False Promises of the “Utopia of Use” Remaking Fandom “Room-for-Play” VCR Memories Chapter – The Fiction of Truth and the Truth of Fiction Anti-anti-illusionism Hybrid Forms Rehabilitating Narrative A Return of the Real Two Images of Death Conclusion – “Cinema and ” free ebooks ==> www.ebook777.com Exhibiting Cinema in Contemporary Art Notes Bibliography Illustration Credits Index www.ebook777.com free ebooks ==> www.ebook777.com Acknowledgements This book would not have been possible without the kind cooperation of many individuals who assisted in the process of viewing work that often circulates in only a limited manner: Andrew Beccone, Bram Bots, and Rose Lord at Marian Goodman Gallery; Janice Guy and Fabiana Viso at Murray Guy; Rosalie Benitez and Anna Fisher at Barbara Gladstone Gallery; James Woodward at Metro Pictures; Tanya Brodsky at Regen Projects; Katherine Brinson, Arnaud Gerspacher, and Sandhini Poddar at the Solomon R Guggenheim Museum; Monika Flores at Artpace San Antonio; John Kelsey at Reena Spaulings Fine Art; Magdalena Sawon at Postmasters Gallery; Silvia Kolbowski; Mike Plunkett at David Zwirner Gallery; Jessica Lin Cox and James Cohan Gallery; Christoph Draeger; Catherine Clark at Catherine Clark Gallery; Matthias Müller and Christoph Girardet; Thomas Erben Gallery; Gareth Long; Chris Moukarbel; Colby Bird at Frederic Petzel Gallery; Kathryn Hillier and Bruce Hackney at Yvon Lambert Gallery; Nick Lesley at Electronic Arts Intermix; Alex Galloway/Radical Software Group; Jessica Bradley Art + Projects; Boshko Boskovic at Sean Kelly Gallery; Johan Grimonprez; Sarah D’Hanens at Zapomatik; and Christopher Moss at Peter Freeman, Inc An additional thanks goes to the many individuals who helped me to secure permission to reproduce images of the artworks discussed in this book This project began as a dissertation in the truly special department of Modern Culture and Media at Brown University Infinite thanks to my advisor, Mary Ann Doane, to my committee members, Wendy Chun and Philip Rosen, and to Michael Silverman, who was a thoughtful and encouraging voice in the early stages of this project I am deeply grateful for the friendship and support offered at Brown and since by my fellow PhD students, the always-wonderful trio of Susan McNeil, Liza Hebert, and Richard Manning, and especially the gang at Charlesfield During a postdoctoral fellowship at UC Berkeley, the department of Film and Media warmly welcomed me and helped me to negotiate the transitions from grad student to faculty member and from dissertation to book Thank you in particular to Jonathan Haynes, Erica Levin, Kristen Whissel, Linda Williams, free ebooks ==> www.ebook777.com Exhibiting Cinema in Contemporary Art Federico Windhausen, and the students of my “Art and the Moving Image” seminar Many thanks to my colleagues in Film Studies at Carleton University, particularly Malini Guha, and to John Osborne, dean of the Faculty of Arts and Social Sciences, for his support of this project Bart Testa, Kevin Wynter, and anonymous readers at Screen and Public provided me with very helpful feedback on particular sections of the book I am especially grateful for the encouragement and criticism of Mieke Bal and Ursula Frohne This project would not have been possible without financial support received from Brown University, the Social Sciences and Humanities Research Council of Canada, the Andrew W Mellon Foundation, and Carleton University Most of all, thank you to Catherine Balsom and Michael Gallagher www.ebook777.com free ebooks ==> www.ebook777.com Introduction – The Othered Cinema [T]he need is to propose new answers to the question that is now raised in all institutions dedicated to modern and contemporary art: How is film to be exhibited and how is film to attain the status of an artwork? –Bruno Racine, president, Centre Georges Pompidou, To open, an Overture In , Stan Douglas produced a mm work that recycled some of cinema’s earliest images and one of its earliest genres, the phantom ride Douglas paired recycled footage from two Edison films shot in the Canadian Rockies, Kicking Horse Canyon () and White Pass, British Columbia (), with a soundtrack of passages excerpted from Marcel Proust’s In Search of Lost Time Overture consists of three image sections, each separated by black leader, and six passages of text These passages are read by a male voice-over through two repetitions of the image track, resulting in the same image being accompanied by different text in the second iteration of the seven-minute loop The phantom ride celebrates technologized perception, bringing together two of its most powerful incarnations: the speed of the locomotive and the mechanical eye of cinema At a time when it was not possible to move the camera, the genre functioned as one way of enabling a mobile gaze The iconography of the train, meanwhile, is inextricably linked to the birth of cinema through the inaugural rush of the Lumières’ L’Arrivée d’un train la Ciotat (). In Overture, the train winds around the mountains, supplies views of the landscape, and travels through tunnels of darkness, offering the spectator a glimpse of how train travel would appear from the front window of the conductor’s car On the soundtrack, a monologue unfolds that is drawn from those fragile moments between sleeping and waking Seemingly opposed to the fastmoving views of faraway lands seen on the image track, the voiceover speaks of private, internal experience And yet, as memories rush in and surround the narrator, he describes the experience in distinctly cinematic terms: “Everything revolved around me through the darkness: things, places, years.” He then goes on to discuss the inability to separate one sensation from another with reference to the illusion of movement achieved by the proto-cinematic device of the Bioscope Overture thus brings together two conceptions of time that are central to late nineteenth-century modernity: the public, standardized time that is closely linked to the development of the railway and the subjective time of in- free ebooks ==> www.ebook777.com 246 Exhibiting Cinema in Contemporary Art Barney, Matthew , , , , , Cremaster () Cremaster Cycle (-) , n Barry, Iris Barrymore, Drew n Bartana, Yael n Barthes, Roland , , , n, n, n Baudelaire, Charles , , Baudrillard, Jean , , , -, , Baudry, Jean-Louis , , Baykal, Emre Bazin, André , , , , , n, n, n Being Singular Plural: Moving Images from India (Deutsche Guggenheim, Berlin, ) n Bellour, Raymond -, , , , , , , , , , , , , , , , n, n Benjamin, Walter , , , , -, , -, -, -, -, , , , Benning, James Berlin Alexanderplatz – An Exhibition (Kunst-Werke Institute for Contemporary Art, Berlin, and P.S., New York, ) , , , Berloff, Andrea Bernadette Corporation Be Corpse () Between Cinema and a Hard Place (Tate Modern, London, ) n Beyond Cinema: The Art of Projection (Hamburger Bahnhof, Berlin, ) n Biesenbach, Klaus -, n Birnbaum, Daniel , , n Birnbaum, Dara n Technology/ Transformation: Wonder Woman (-) n Bismuth, Pierre , , - Following the Right Hand of Louise Brooks in Beauty Contest () Bloomberg, Michael n Body Heat () Bois, Yve-Alain n Bolter, Jay David n Bonitzer, Pascal , n Bordwell, David , n Bourne Ultimatum, The () Bourriaud, Nicolas -, , n, n, n Boutang, Yann Moulier , n Boym, Svetlana Brakhage, Stan , n Dog Star Man (-) n Breitz, Candice , , -, , Becoming series () , , Becoming Drew () Father () , , n Her (-) , , Him (-) -, Mother () , , n Broodthaers, Marcel Brooks, Louise Brougher, Kerry Bruno, Giuliana , , Buckingham, Matthew , , , -, , , , , , , n Amos Fortune Road () , False Future () , , , Muhheakantuck: Everything Has a Name () Situation Leading to a Story () , , , -, , , Subcutaneous () Buergel, Roger - Bulloch, Angela -, n From the Eiffel Tower to the Riesenrad () Solaris () Z Point () , , -n Buñuel, Luis Un Chien andalou () Bürger, Peter n www.ebook777.com free ebooks ==> www.ebook777.com Index Bush, George W Butler, Alison - Butler, Judith Cahiers du cinéma , Cameron, James Avatar () , n Campbell, Jim n Illuminated Average # () n Campbell, Neve n Campus, Peter , n Canyon Cinema , , n Casetti, Francesco Cavell, Stanley n Centre Georges Pompidou , , , , , , Champ, The () n Cinéma, Cinéma: Art and the Cinematic Experience (Van Abbemuseum, Rotterdam, ) -n Cinema Effect: Illusion, Reality, and the Moving Image, The (Hirshhorn Museum, Washington D.C., ) n cinephilia , , , -, , , , , , , , n, -n Clair, René n Entr’acte () The Crazy Ray (Paris qui dort, ) n Clark, T.J - Cocteau, Jean , n Coleman, James , , , , n, n Initials (-) Collateral: When Art Looks at Cinema (Hangar Bicocca, Milan, ) n Conner, Bruce Connolly, Maeve contingency , , , , , -, , , , -, , , , , , , , convergence , -, , , -, , , , , -, , -, , , 247 , , n See also remediation Cornell, Joseph , Rose Hobart () Cogeval, Guy Cosic, Vuk n ASCII History of Moving Images () n Crawford, Joan n Crimp, Douglas Crowhurst, Donald Crush (Tang shou tai quan dao, ) Cut: Film as Found Object in Contemporary Video (Milwaukee Art Museum, Milwaukee, ) n Daney, Serge , , , n Danto, Arturo Danza, Tony n Dauthendey, Karl , , , , n David, Catherine , David, Jacques-Louis n The Rape of the Sabine Women () n Day for Night (Whitney Biennial, New York, ) Dean, Tacita , , -, , , , , , , -, , , , , n, n, n Banewl () Bubble House () , , Darmstädter Werkblock Diamond Ring () Die Regimentstochter () Disappearance at Sea () -, Disappearance at Sea II () Fernsehturm () , , , , , Four, Five, Six, and Seven Leaf Clover Collection (-present) Kodak () , Michael Hamburger () Noir et Blanc () Palast () , , , , , , free ebooks ==> www.ebook777.com 248 Exhibiting Cinema in Contemporary Art Section Cinéma () Teignmouth Electron () , The Green Ray () , , -, , Totality () De Baecque, Antoine , , De Certeau , -, -n, n Debord, Guy , , Decherney, Peter Deer Hunter, The () Deleuze, Gilles , , , , , n Deller, Jeremy The Battle of Orgreave () Dellsperger, Brice , -n body double series (-ongoing) , body double () body double () -n body double () -n body double () n body double () n body double () n body double () , body double () n Demos, T.J , n De Palma, Brian , -n Blow Out () Body Double () n Dressed to Kill () , n Sisters () n De Rijke, Jeroen/Willem de Rooij , , , -, -, , -, , , , , , , -n, n, -n Bantar Gebang () , -n For Bas Oudt (Voor Bas Oudt, ) - Of Three Men () -n Untitled () , -, , , , -n De Rooij, Willem See De Rijke, Jeroen détournement -, , Diaz, Cameron n Diderot, Denis n Didi-Huberman, Georges dispositif -, , , , , , n See also apparatus Doane, Mary Ann , , , n Documenta (Kassel, ) - Documenta (Kassel, ) Documenta (Kassel, ) , n Documenta (Kassel, ) documentary -, , , , -, , , , -, , , , , , , , , -, , , n, n, n Dodd, Philip -n Dolène, Lucie Dorsky, Nathaniel Douglas, Stan , , , , , , -, , , , Overture () , , , , , , Hors Champs () Inconsolable Memories () Subject to a Film: Marnie () Draeger, Christoph Feel Lucky, Punk??! (-) Schizo (Redux) () Duchamp, Marcel Dunaway, Fay n East of Borneo () Edison, Thomas , , Kicking Horse Canyon () White Pass, British Columbia () Egoyan, Atom Eleey, Peter Elsaesser, Thomas -, , n entre-image (Bellour) , , , , , n, n Enwezor, Okwui , n exhibiting cinema , , -, , , , -, , , -, experimental film , , , -, , , , , -, , , , , , , , , , , n, n, n, n, n, www.ebook777.com free ebooks ==> www.ebook777.com Index n Experiments with Truth (Fabric Workshop and Museum, Philadelphia, ) n Ezawa, Kota LYAM -D () Fassbinder, Rainer Werner -, Berlin Alexanderplatz () - Fast, Omer , , -, , , , - Nostalgia () , , - Spielberg’s List () , -, , The Casting () , , -, , , -, - Father of the Bride () n fiction , , , , , , -, , -, , -, -, -, , n, n, n film studies , , , , , , -, n, n, n, n film theory , , , -, -, , , -, n, n, n, n Fincher, David n The Curious Case of Benjamin Button () n Fisher, Morgan , flâneur , -, See also spectatorship Fluxus group , n Ford, John , n The Searchers () Foster, Hal -, , , , n Foucault, Michel , , , found footage -, , , -, , , , , , n, n Fowler, Catherine Frey, Mattias Friedberg, Anne , , Future Cinema: The Cinematic Imaginary after Film (ZKM, Karlsruhe, ) n Galerie Andreas Huber Galloway, Alex , 249 Galt, Rosalind n Gandhi, Mahatma , , n Gehr, Ernie , , n Eureka () , n Gehry, Frank Gianikian, Yervant See Ricci-Lucchi, Angela Gierstberg, Frits n Gidal, Peter , - Gilda () Girardet, Christoph Glissant, Édouard Godard, Jean-Luc , , -, , , , , n, n, n Contempt (Le Mépris, ) n Histoire(s) du cinéma (-) , Masculin féminin: faits précis () Passion () Pierrot le fou () The Old Place () , Godfrey, Mark , Goldstein, Jack n Metro-Goldwyn-Mayer () n Gonzalez-Foerster, Dominiqe , n Goodbye, Lenin! () Good Mother, The () n Gordon, Douglas , , , -, , -, , , , , n, n Five Year Drive By () Hour Psycho () , , , -, , -n, n, n, n hour psycho back and forth and to and fro () Confessions of a Justified Sinner () Through a Looking Glass () Zidane: A Twenty-First Century Portrait (, with Philippe Parreno) n free ebooks ==> www.ebook777.com 250 Exhibiting Cinema in Contemporary Art Graham, Dan , Cinema () Graham, Rodney - Rheinmetall/Victoria () Greenaway, Peter , Greenberg, Clement , , , , , n, n Griffith, D.W -n Grimonprez, Jonan Double Take () Grudge, The () Grusin, Richard n Guggisberg, Anders Gunning, Tom , Hall of Mirrors: Art and Film Since (Museum of Contemporary Art, Los Angeles, ) , , n Hamburger Hill () Haneke, Michael Funny Games () Funny Games () Hanhardt, John n Hansen, Mark n Hansen, Miriam , , n, n, n Hardt, Michael Hay, Alex n Heath, Stephen Hedren, Tippi Heidegger, Martin Hilderbrand, Lucas Hill, Gary , -, n Between Cinema and a Hard Place () , Tall Ships () Hitchcock, Alfred , -, , , , , , -, , , , n, n, n, n Blackmail () Dial “M” for Murder () n Family Plot () n Foreign Correspondent () , n Marnie () North by Northwest () n Notorious () , n Psycho () , , , -, -, , , n, n, n Rear Window () n Rope () n Saboteur () n Shadow of a Doubt () n Strangers on a Train () The Birds () The Man Who Knew Too Much (/ ) To Catch a Thief () n Topaz () n Torn Curtain () n Vertigo () , n, n, n Hitchcock et l’art: coïncidences fatales (Hitchcock and Art: Fatal Coincidences, Centre Georges Pompidou, Paris, , and Musée des beaux-arts de Montréal, Montreal, ) , , , , n Hoet, Jan Hoffman, Dustin n Hollywood , -, , , -, , , -, , -, -, -, -, -, , , , n, n, n Hopper, Dennis n Colors () n Horrigan, Bill Horwath, Alexander -, Howard Wise Gallery Huillet, Danièle See Straub, Jean-Marie Huldisch, Henriette Husserl, Edmund n Huyghe, Pierre -, , , , , , , n, n, n A Journey That Wasn’t () n Blanche Neige Lucie () Streamside Day Follies () n The Third Memory () n www.ebook777.com free ebooks ==> www.ebook777.com Index Huyssen, Andreas Iles, Chrissie , , , , n Illusion – Emotion – Realität, Jahre Kino: Die Kunst auf der Suche nach den Andern (Kunsthaus Zürich, Zurich, ) n illusionism , , , , , , , , , Imaginary Crimes () n immaterial labor , -, n, n indexicality -, , , -, -, -, , -, -, , , , , n intermediality -, -, , , n, n Into the Light: The Projected Image in American Art, - (Whitney Museum of American Art, New York, ) n, n, n Jacobs, Ken , , n Perfect Film () n Tom, Tom, the Piper’s Son () , n Jameson, Frederic , , , Jean Cocteau: Sur le fils du siècle (Centre Georges Pompidou, Paris, ) Jenkins, Henry , J-Horror Judd, Donald n, n Stack () n Julien, Isaac , n Ju-on () Kanwar, Amar , , , , -, , n A Night of Prophecy () A Season Outside () Ma Win Maw Oo (, from The Torn First Pages) , , n The Face (, from The Torn First Pages) , , - The Lightning Testimonies () The Torn First Pages (-) , , , , , , -, n 251 Thet Win Aung (, from The Torn First Pages) , n To Remember () Kaprow, Allan Kawara, On n Today series () n Keathley, Christian -n Keaton, Diane n Keitel, Harvey n Kenneth Anger (P.S., New York, ) , Kentridge, William , , n Seven Fragments for Georges Méliès () , , n Kiarostami, Abbas , Close-Up (Nema-ye Nazdik, ) Kino wie noch nie (Generali Foundation, Vienna, ) n Kirby, Lynn n kitsch , , n Kittler, Friedrich Kracauer, Siegfried , , , n Kramer vs Kramer () , n Krauss, Rosalind , , , -, -, n, n, n, n, n, n, n, n Kubelka, Peter , n Arnulf Rainer () n Kubrick, Stanley , n Full Metal Jacket () Kuntzel, Thierry Lacan, Jacques n Lang, Fritz The Thousand Eyes of Doctor Mabuse (Der Tausend Augen des Doktor Mabuse, ) n Lange, Christy n Lazzarato, Maurizio , - Lee, Pamela M -n, n Legally Blonde () n Léger, Ferdand Leighton, Tanya LeMouvement des images (Centre Georges Pompidou, Paris, ) , , , , , , , n, n free ebooks ==> www.ebook777.com 252 Exhibiting Cinema in Contemporary Art Lessig, Lawrence , Lessing, Gotthold Ephraim , n Levinas, Emmanuel Lévi-Strauss, Claude limited edition , -, -, n Lind, Maria Lindsay, Vachel , n Lockhart, Sharon , Pine Flat () London, Barbara Longo, Robert Lopez, Jennifer n Lotringer, Sylvère n Lovink, Geert , n Lowry, Glenn n Lukács, Georg - Lumière brothers , , , , , n, n, n L’Arrivée d’un train la Ciotat () Lumière, Louis Feeding the Baby (Repas de bébé, ) Lynch, David n MacDonald, Scott MacLaine, Shirley n Magnum Force () Magritte, René Les eaux profondes () Mamoulian, Rouben Dr Jekyll and Mr Hyde () Manovich, Lev , n Marclay, Christian The Clock () Marian Goodman Gallery Marker, Chris , , , , , n La Jetée () Sans soleil () , , , n Martin, Steve n Marx, Karl , n McCall, Anthony , , McCoy, Kevin and Jennifer n : A Space Algorithm () n Learning from Las Vegas () n McDonough, Tom m McLuhan, Marshall , n McQueen, Steve , n, n, n Giardini () n Hunger () n Shame () n medium specificity -, , , -, , -, , -, -, , , , , , , , , , , , , -, n, n, n Mekas, Jonas , , Méliès, Georges n Metz, Christian , , , , Michaud, Philippe-Alain , , , Miéville, Anne-Marie , Millais, John Everett Ophelia (-) mobility , , , , , -, , -, , , Mommie Dearest () , n Mondloch, Kate Monk, Philip Morgan, Jessica , n Morrison, Bill Decasia () , Moss, Kate Moukarbel, Chris , -, , , , n, n, n World Trade Center () , -, , , , , , n Moving Pictures: Art and Cinema from to the Present Day (Ostwall Museum, Dortmund, ) n Muhle, Maria Muir, Gregor n Müller, Matthias , n The Phoenix Tapes (, with Christoph Girardet) www.ebook777.com free ebooks ==> www.ebook777.com Index Müller, Vanessa Joan Mulvey, Laura , m , , , , , , n Museum of Modern Art (MoMA) , , , , , , , -, , n Nabokov, Vladimir , -n narrative , , , , , , , , , , -, -, , -, , , , -, -, -, , , , , -, , , , n, n Nash, Mark n Nauman, Bruce , , n Anthro/Socio (Rinde Spinning, ) Negri, Antonio Neshat, Shirin n Feazeh () n Munis () n Women Without Men (Zanan-e bedune mardan, ) n Newman, Michael , , Nichols, Bill , Nicholson, Jack , , n Night of the Hunter, The () nonfiction See documentary nostalgia , , -, -, -, -, -, , , Notorious: Hitchcock and Contemporary Art (Museum of Modern Art, Oxford, ) , , , n Novak, Kim , n novelty , -, , , , , , , , , , , , , , obsolescence , , , , , , -, -, , , -, -, -, , , , , , , n O’Doherty, Brian , , , optical unconscious (Benjamin) , , , n Ordinary People () n othered cinema , -, , , , , , , - Otolith Group n 253 Oursler, Tony n Paik, Nam June , , n, n Zen for Film (-) Païni, Dominique , , -, , -, , , -, , , , , n Pantenburg, Volker , Passages de l’image (Centre Georges Pompidou, Paris, ) , -, , n photochemical film -, , , -, -, -, -, , -, , , , , , , , -, n, n, n, n, n, n, n Plato n Pontecorvo, Gillo Battle of Algiers (La Battaglia di Algeri, ) Postcards from the Edge () n Poussin, Nicolas Landscape with a Man Killed by a Snake (c.) Landscape with a Calm (-) Pretty Woman () n Prince, Stephen n Prix de beauté () Projected Video (Whitney Museum of American Art, New York, ) n projection , , , , , , , , , , -, , , n, n, n analogue film projection , , , , -, -, , , , n, n, n, n large-scale projection , , , , -, , , , , , , , multiscreen projection , , -, -, , -, -, , , , , -, -, , slide projection , , , n, n free ebooks ==> www.ebook777.com 254 Exhibiting Cinema in Contemporary Art video projection , , , -, -, , -, -, -, , n, n, n, n Proust, Marcel , , Quandt, James Raad, Walid n Racine, Bruno , Radical Software Group , n RSG-BLACK- () Rambo franchise (-) Rancière, Jacques , , , Rauschenberg, Robert n recycling , , -, , -, -, , , , n, n, n See also appropriation; found footage; remake reenactment , -, -, , , n, n remake , , , , , -, , -, -, -, ,,,,,,,n, n, n, n, -n, n, -n See also appropriation remediation -, , n See also convergence Renoir, Jean n Rules of the Game (La Règle du jeu, ) n Renov, Michael , Resnais, Alain Last Year at Marienbad (L’Année dernière Marienbad, ) Night and Fog (Nuit et brouillard, ) Ricci-Lucchi, Angela, and Yervant Gianikian From the Pole to the Equator (Dal polo all’equatore, ) Ringu () Ring, The () Rist, Pipilotti , -, , , , n, n Pour Your Body Out [ Cubic Meters] () , , , -, , , n Pepperminta () n Rives, Ben Roberts, Julia n, n Rodowick n, n, n Rohmer, Éric Summer (Le Rayon vert, ) room-for-play (Benjamin) -, , , n Rosen, Philip Rosenbaum, Jonathan , n Rouch, Jean , Gare du nord (segment from Paris vu par , ) Les Mtres fous () Royoux, Jean-Christophe ruin , , , , , -, -, , , Ryan, Meg n Sadoul, Georges n Sala, Anri n, n Salavon, Jason n Top Grossing Films series (-) n Saltz, Jerry , Sarcevic, Bojan n Schlobach, Willy La morte () Schnabel, Julian n Basquiat () n Before Night Falls () n The Diving Bell and the Butterfly (Le Scaphandre et le papillion, ) n Scott, A.O Scott, Ridley , Black Hawk Down () , , n Thelma and Louise () Scream and Scream Again (Museum of Modern Art, Oxford, ) n Serres, Michael n Sharits, Paul , www.ebook777.com free ebooks ==> www.ebook777.com Index Sherman, Cindy She’s Out of Control () n Sirk, Douglas Imitation of Life () Sitney, P Adams n Situationist International , , , , , n Smithson, Robert n Snow, Michael , , , , , Wavelength () Snow White in Snow White and the Seven Dwarves () Sobchack, Vivian , n society of control (Deleuze) , , , -, , Sokarno, Ibu Fatmawati Sonnier, Keith Sontag, Susan Spears, Dorothy spectacle , -, , , , , -, -, -, -, -, , , , n cinema as mass spectacle , , , , , , , critique of spectacle , , , - spectacularization of art -, , , -, -, , , , spectacularization of the museum , -, -, , , -, , -, , spectatorship , , , , , , , , , , , -, -, -, , -, n, n, n, n activity and passivity , -, , , -, -, -, , , and mobility -, , , , , , museum/gallery vs cinematic , -, , -, , , -, -, , , “possessive spectator” (Mulvey) -, 255 See also flâneur; mobility; room for play (Benjamin) Spielberg, Steven , Schindler’s List () , Spellbound (Hayward Gallery, London, ) , n Staehle, Wolfgang n, n Empire / (-) n Stahl, John Imitation of Life () Starling, Simon - Wilhelm Noack oHG () , Steinberg, Leo n Stepmom () , n Stewart, Susan , Steyerl, Hito , , n Stone, Oliver , , Born on the Fourth of July () Natural Born Killers () Platoon () World Trade Center () , , , Straub, Jean-Marie/Danièle Huillet n Cézanne () n Streep, Meryl , , n Sun Alley (Sonnenallee, ) Sunset Boulevard () Sussman, Eve n Seconds at Alcazar () n The Rape of the Sabine Women () n Sutherland, Donald n Sweetest Thing, The () n Tan, Fiona , n Tarantino, Quentin Pulp Fiction () Tarkovsky, Andrei , Solaris (Solayris, ) , Tarr, Béla Sátántango () Tate Modern -n, n, n Taubin, Amy , n Taylor-Wood, Sam , , , , free ebooks ==> www.ebook777.com 256 Exhibiting Cinema in Contemporary Art n A Little Death () , n Nowhere Boy () n Still Life () , n Taxi Driver () , Tel Quel Terminator franchise (-) Ter Steege, Johanna Tessier, Danièle n Thacker, Eugene Three to Tango () n Time Zones: Recent Film and Video (Tate Modern, London, ) n, n trace See indexicality Treasures of Tutankhamen (Metropolitan Museum of Art, New York, ) Trodd, Tamara -, n, n Truffaut, Franỗois The Blows (Les coups, ) Tscherkassky, Peter n Tudor, David n Usai, Paolo Cherchi Vasulka, Woody n Velásquez, Diego n Las Meninas () n Valenti, Jack - Van Sant, Gus , n Psycho () video projection See projection Viénet, René Can Dialectics Break Bricks? (La Dialectique peut-elle casser des briques? ) Viola, Bill , , , , -m, n The Arc of Ascent () , , The Greeting () -n The Quintet of Astonished () n Virilio, Paul Voight, Jon n Vorspannkino (Kunst-Werke, Berlin, ) n Vostell, Wolf Voyage(s) en utopie, JLG, -: la recherche d’un théorème perdu (Voyage(s) in Utopia, JLG, -: In Search of a Lost Theorem, Centre Georges Pompidou, Paris, ) , , -, n, n Wagner, Anne Wall, Jeff Walley, Jonathan , Warhol, Andy , Blow Job () , , , Wasser, Frederick n Wasson, Haidee , n Weibel, Peter Welles, Orson , Citizen Kane () F For Fake () Whitman, Robert n, n Who Framed Roger Rabbit? () Willemen, Paul , , , n, Wilson, Jane and Louise , Stasi City () Unfolding the Aryan Papers () Wishful Thinking () n Witherspoon, Reese n Wollen, Peter Yang, Fudong n Youngblood, Gene , You’ve Got Mail () n www.ebook777.com free ebooks ==> www.ebook777.com Film Culture in Transition General Editor: Thomas Elsaesser Thomas Elsaesser, Robert Kievit and Jan Simons (eds.) Double Trouble: Chiem van Houweninge on Writing and Filming, isbn paperback Thomas Elsaesser, Jan Simons and Lucette Bronk (eds.) Writing for the Medium: Television in Transition, isbn paperback Karel Dibbets and Bert Hogenkamp (eds.) Film and the First World War, isbn paperback Warren Buckland (ed.) The Film Spectator: From Sign to Mind, isbn paperback ; isbn hardcover Egil Törnqvist Between Stage and Screen: Ingmar Bergman Directs, isbn paperback ; isbn hardcover Thomas Elsaesser (ed.) A Second Life: German Cinema’s First Decades, isbn paperback ; isbn hardcover Thomas Elsaesser Fassbinder’s Germany: History Identity Subject, isbn paperback ; isbn hardcover Thomas Elsaesser and Kay Hoffmann (eds.) Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age, isbn paperback ; isbn hardcover Siegfried Zielinski Audiovisions: Cinema and Television as Entr’Actes in History, isbn paperback ; isbn hardcover Kees Bakker (ed.) Joris Ivens and the Documentary Context, isbn paperback ; isbn hardcover free ebooks ==> www.ebook777.com Egil Törnqvist Ibsen, Strindberg and the Intimate Theatre: Studies in TV Presentation, isbn paperback ; isbn hardcover Michael Temple and James S Williams (eds.) The Cinema Alone: Essays on the Work of Jean-Luc Godard -, isbn paperback ; isbn hardcover Patricia Pisters and Catherine M Lord (eds.) Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari, isbn paperback ; isbn hardcover William van der Heide Malaysian Cinema, Asian Film: Border Crossings and National Cultures, isbn paperback ; isbn hardcover Bernadette Kester Film Front Weimar: Representations of the First World War in German Films of the Weimar Period (-), isbn paperback ; isbn hardcover Richard Allen and Malcolm Turvey (eds.) Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson, isbn paperback Ivo Blom Jean Desmet and the Early Dutch Film Trade, isbn paperback ; isbn hardcover Alastair Phillips City of Darkness, City of Light: Émigré Filmmakers in Paris -, isbn paperback ; isbn hardcover Thomas Elsaesser, Alexander Horwath and Noel King (eds.) The Last Great American Picture Show: New Hollywood Cinema in the s, isbn paperback ; isbn hardcover Thomas Elsaesser (ed.) Harun Farocki: Working on the Sight-Lines, isbn paperback ; isbn hardcover Kristin Thompson Herr Lubitsch Goes to Hollywood: German and American Film after World War I, isbn paperback ; isbn hardcover www.ebook777.com free ebooks ==> www.ebook777.com Marijke de Valck and Malte Hagener (eds.) Cinephilia: Movies, Love and Memory, isbn paperback ; isbn hardcover Thomas Elsaesser European Cinema: Face to Face with Hollywood, isbn paperback ; isbn hardcover Michael Walker Hitchcock’s Motifs, isbn paperback ; isbn hardcover Nanna Verhoeff The West in Early Cinema: After the Beginning, isbn paperback ; isbn hardcover Anat Zanger Film Remakes as Ritual and Disguise: From Carmen to Ripley, isbn paperback ; isbn hardcover Wanda Strauven The Cinema of Attractions Reloaded, isbn paperback ; isbn hardcover Malte Hagener Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, -, isbn paperback ; isbn hardcover Tim Bergfelder, Sue Harris and Sarah Street Film Architecture and the Transnational Imagination: Set Design in s European Cinema, isbn paperback ; isbn hardcover Jan Simons Playing the Waves: Lars von Trier’s Game Cinema, isbn paperback ; isbn hardcover Marijke de Valck Film Festivals: From European Geopolitics to Global Cinephilia, isbn paperback ; isbn hardcover Asbjørn Grønstad Transfigurations: Violence, Death, and Masculinity in American Cinema, isbn paperback ; isbn hardcover free ebooks ==> www.ebook777.com Vinzenz Hediger and Patrick Vonderau (eds.) Films that Work: Industrial Film and the Productivity of Media, isbn paperback ; isbn hardcover Pasi Väliaho Mapping the Moving Image: Gesture, Thought and Cinema circa , isbn paperback ; isbn hardcover Pietsie Feenstra New Mythological Figures in Spanish Cinema: Dissident Bodies under Franco, isbn paperback ; isbn hardcover Eivind Røssaak (ed.) Between Stillness and Motion: Film, Photography, Algorithms, isbn paperback ; isbn hardcover Tara Forrest Alexander Kluge: Raw Materials for the Imagination, isbn paperback ; isbn hardcover Belén Vidal Figuring the Past Period Film and the Mannerist Aesthetic, isbn Bo Florin Transition and Transformation: Victor Sjöström in Hollywood -, isbn www.ebook777.com ... underline cinema? ??s novelty in an art institutional context Rather than standing against the convergence of media by commemorating a senescent cinema, this mobilization of cinema in contemporary art. .. ebooks ==> www.ebook777.com 46 Exhibiting Cinema in Contemporary Art this critical idea of exploding cinema or expanding cinema in the s and s has now turned into another connotation of... www.ebook777.com 12 Exhibiting Cinema in Contemporary Art meaning and history of the cinema over the past twenty years In the s, Walter Benjamin articulated the pressing question of how the