Free ebooks ==> www.Ebook777.com www.Ebook777.com Free ebooks ==> www.Ebook777.com www.Ebook777.com A Handbook to the Reception of Ovid Wiley Blackwell Handbooks to Classical Reception This series offers comprehensive, thought-provoking surveys of the reception of major classical authors and themes These Handbooks will consist of approximately 30 newly written essays by leading scholars in the field, and will map the ways in which the ancient world has been viewed and adapted up to the present day Essays are meant to be engaging, accessible, and scholarly pieces of writing, and are designed for an audience of advanced undergraduates, graduates, and scholars Published: A Handbook to the Reception of Ovid John F Miller and Carole E Newlands Forthcoming: A Handbook to the Reception of Thucydides Christine Lee and Neville Morley A Handbook to the Reception of Classical Mythology Vanda Zajko A Handbook to the Reception of Greek Drama Betine van Zyl Smit Free ebooks ==> www.Ebook777.com A Handbook to the Reception of Ovid Edited by John F Miller and Carole E Newlands www.Ebook777.com This edition first published 2014 © 2014 John Wiley & Sons, Inc Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell The right of John F Miller and Carole E Newlands to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any 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It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom If professional advice or other expert assistance is required, the services of a competent professional should be sought Library of Congress Cataloging-in-Publication Data A handbook to the reception of Ovid / edited by John F Miller and Carole E Newlands pages cm Includes bibliographical references and index ISBN 978-1-4443-3967-3 (cloth) Ovid, 43 B.C.-17 A.D or 18 A.D.—Criticism and interpretation I Miller, John F., 1950– II Newlands, Carole Elizabeth PA6537.H35 2014 871′ 01—dc23 2014007148 A catalogue record for this book is available from the British Library Cover image: Piero di Cosimo, The Discovery of Honey by Bacchus, c.1499, tempera on panel Worcester Art Museum, Massachusetts, USA / The Bridgeman Art Library Typeset in 11/13pt DanteMTStd by Laserwords Private Limited, Chennai, India 2014 Contents Illustrations Notes on Contributors Acknowledgments Introduction Carole E Newlands and John F Miller Ovid’s Self-Reception in His Exile Poetry K Sara Myers ix xi xvii Modeling Reception in Metamorphoses: Ovid’s Epic Cyclops Andrew Feldherr 22 Ovidian Myths on Pompeian Walls Peter E Knox 36 Ovid in Flavian Occasional Poetry (Martial and Statius) Gianpiero Rosati 55 70 Poetae Ovidiani: Ovid’s Metamorphoses in Imperial Roman Epic Alison Keith Ovid in Apuleius’ Metamorphoses Stephen Harrison A Poet between Two Worlds: Ovid in Late Antiquity Ian Fielding Commentary and Collaboration in the Medieval Allegorical Tradition Jamie C Fumo The Mythographic Tradition after Ovid Gregory Hays 86 100 114 129 vi Contents 10 Ovid’s Exile and Medieval Italian Literature: The Lyric Tradition Catherine Keen 144 11 Venus’s Clerk: Ovid’s Amatory Poetry in the Middle Ages Marilynn Desmond 161 12 The Metamorphosis of Ovid in Dante’s Divine Comedy Diskin Clay 174 13 Ovid in Chaucer and Gower Andrew Galloway 187 14 Ovid’s Metamorphoses and the History of Baroque Art Paul Barolsky 202 15 The Poetics of Time: The Fasti in the Renaissance Maggie Kilgour 217 16 Shakespeare and Ovid Sean Keilen 232 17 Ben Jonson’s Light Reading Heather James 246 18 Love Poems in Sequence: The Amores from Petrarch to Goethe Gordon Braden 262 19 Don Quixote as Ovidian Text Frederick A de Armas 277 20 Spenser and Ovid Philip Hardie 291 21 Ovidian Intertextuality in Ariosto’s Orlando Furioso Sergio Casali 306 22 “Joy and Harmles Pastime”: Milton and the Ovidian Arts of Leisure Mandy Green 324 23 Ovid Translated: Early Modern Versions of the Metamorphoses Dan Hooley 339 24 Ovid in Restoration and Eighteenth-Century England James M Horowitz 355 25 The Influence of Ovid in Opera Jon Solomon 371 26 Ovid in Germany Theodore Ziolkowski 386 Contents vii 27 Ovid and Russia’s Poets of Exile Andrew Kahn 401 28 Alter-Ovid—Contemporary Art on the Hyphen Jill H Casid 416 29 Contemporary Poetry: After After Ovid Sarah Annes Brown 436 30 Ovid’s “Biography”: Novels of Ovid’s Exile Rainer Godel 454 31 Ovid and the Cinema: An Introduction Martin M Winkler 469 Index 485 Free ebooks ==> www.Ebook777.com www.Ebook777.com Index Mars 33, 43, 94, 136, 254–255, 281, 288, 299, 376, 381–382 Marston, John 259 n.9, 342 Marsyas 131, 135, 178, 182–183, 213, 381, 421 Martial 55–67, 238, 246, 251–252, 346, 357 Mary (mother of Jesus) 122 Masefield, John 392 Maximianus 107–110 May Day 22 Medea 71–72, 75, 170, 193, 233, 263, 284–285, 288, 293, 300, 342, 397 Medusa 71–73, 77–78, 81, 210, 310, 376–377, 382 n.4, 426, 449 Melanchthon, Philipp 386 Meleager 50 Méliès, George 470–471 Memnon 33 Menecrates of Xanthos 131 Mercury 135, 203, 211–212, 214, 226, 287–288, 376, 380, 382 n.4, 472 Meres, Francis 232–233, 238 meretrix 163–164 metamorphosis 11–14, 22–25, 27–33, 38, 40, 51, 65, 78, 90–93, 95, 97, 110, 114, 121–123, 125, 129–136, 139, 174–185, 191–215, 224–226, 233–235, 240, 267, 278–283, 286–288, 291–296, 300–301, 307, 314–315, 319, 331, 345, 350–351, 356–362, 374–377, 388–391, 397–398, 414, 416–419, 420, 426, 428–433, 437–450, 463–466, 470, 472–476, 479, 481 Metamorphosis: Titian 2012 418–419 Metastasio, Pietro 379–380 metempsychosis 232, 283, 294, 448 meter elegiac 25, 44, 101, 106, 146, 218, 253–255, 267, 272–274, 390, 394 fourteener 340–341 hexameter 15, 25, 70, 74–75, 80, 100–101, 254–255, 273–274, 389 iambic pentameter 270, 341, 344 Michelangelo 205–206, 214–215 Captives 205–206, 206 Micon 44–46 Midas 135, 199 493 Migliorotti, Atalante 372 Milton, John 3, 139, 187, 222–225, 298, 324–337, 350 Ad Patrem 327 An Apology for a Pamphlet 324 Defensio Secunda 324 Latin elegies 325–327 Lycidas 328 A Mask at Ludlow 223 Paradise Lost 298, 325, 329–337 Reason of Church-government 324 Tetrachordon 325, 329–330 Mincu, Marin 392 Minerva 28, 78, 213, 299, 406, 426, 428 Minos 475 Minyeides 94 Montagu, Lady Mary Wortley 2, 365–367 Monteverdi, Claudio 372, 374 Moreau, Gustave 202 Morpheus 298–299, 357–358, 376 Mozart, Wolfgang Amadeus 380 Müller, Heiner 395 Mureta, Marcus Antonius 252 Muses 42, 49, 71, 273, 280, 285, 372, 374 of Helicon 179 Mussato, Albertino 145 Cento ex P Ovidii Nasonis libris V De tristibus ad filium 145 My Fair Lady 472 Myrrha 94, 122, 135, 297, 317–318, 343, 349, 390 Mythic Warriors: Guardians of the Legend 472 ‘‘Mythographus Homericus” 131 mythography 40, 119, 129–140, 168, 171 Napoleon 413 Narcissus 40–41, 45–51, 79, 211–212, 214, 226, 241, 297–298, 331, 342–343, 373, 378, 380, 382, 423, 446, 470, 472 narrative technique 86, 93–97, 132, 306–308, 376, 463 Natale Conte (= Natalis Comes) 138, 296 Nea Paphos 38–39 Nemesis 267–268 Neptune 46, 71, 82, 185, 210, 375, 426 New Testament 120, 176 494 Index Nicander 129, 131, 321 n.17 Nicholas I, Tsar 402 Niobe 12, 130–131, 139 Noah 152, 176, 182, 198 Nonnus 140 Numa 177, 351 nymphs 64, 81, 177, 183, 197, 211–212, 292, 296, 298, 439, 441, 444 occasional poetry 16, 55–68 Octavien de Saint Gelais 169–170 Ocyroe 91 Odysseussee Ulysses Oedipus, house of 79 Oenone 169–170, 363, 365 Ofili, Chris 419–421 Ovid-Desire 420–421, Plate Old Testament 176, 182 Omphale 42, 196 Opitz, Martin 386 Orientius 106–107 Orpheus 49, 64, 94, 135, 176, 208, 214, 225, 241, 298, 300, 343, 372, 374, 381, 390–391, 406, 422–424, 437, 469, 472, 476, 481 n.6 Ovid Amores 10, 25, 57, 70, 75, 87–88, 107–110, 161, 190, 225, 228 n.16, 232, 249, 254–256, 262–272, 277, 280, 293, 328, 343, 393, 448, 477, 479 Ars Amatoria 8–10, 22–23, 25, 42–43, 62, 70, 82 n.5, 88, 104, 106, 161–171, 177, 188–194, 248, 250, 255, 262, 266, 281, 288, 328, 357, 373, 393–394, 432–433, 476–478 Epistulae ex Ponto 8–17, 13, 57, 59–61, 66, 89–90, 101, 103–104, 144–145, 148–149, 153–154, 188, 190, 195, 255–258, 303, 325, 337, 388, 394–395, 401, 455, 463 Fasti 15–16, 42–43, 57, 70, 76, 81, 129, 188, 193, 196–198, 203, 217–226, 232, 238, 278, 286–289, 295, 300–301, 303, 332, 376–377, 379, 388, 390, 397 Heroides 12–14, 42, 46, 70, 74, 75, 82 n.5, 103, 107, 129, 161–164, 168–170, 176, 188, 190, 193–194, 264, 284, 313–315, 358, 362–367, 374, 401 Ibis 17 n.1, 129 Medicamina 62, 106 Metamorphoses 10–17, 22–34, 36–51, 57–58, 62–63, 65, 70–82, 82 n.5, 86, 90–97, 103, 110, 114, 116–125, 129–140, 144, 161–162, 168–171, 175–185, 187–190, 196, 199, 202–215, 217–219, 223–226, 232–243, 249, 265, 271, 277–289, 291–301, 307–314, 316–320, 326, 329–336, 339–352, 357–360, 365, 371–382, 386–391, 93, 395–399, 401, 416–419, 424–429, 436–449, 458, 460, 463–466, 469–481 Remedia amoris 15, 70, 101, 106–107, 161–162, 165–166, 168, 170, 188–189, 191, 196, 313, 333 Tristia 8–17, 25, 57–59, 61, 66, 81, 89, 93, 101–105, 107, 144–148, 150, 153–156, 177, 188–189, 195, 225, 236, 251, 255–256, 264–265, 278, 283–289, 302–303, 327, 331, 367, 380, 387–388, 394–395, 401, 403, 406, 413, 440, 446–449, 455, 475–476 Ovid, biography of 32, 144, 148, 237, 454–455 Ovide moralisé 116, 118–120, 137, 168–170, 189, 191, 196, 199, 291 Ovidio Maggiore (= maior Ovidius) 176, 184, 187 Palamedes 193 Pamphile 88, 91 Pamphilus 396–397 Pamphilus 188 Pansee Faunus Pandarus 169, 192 panegyric 10, 16–17, 30, 33, 58–63, 105, 300 Panuccio del Bagno 152 Index Paradies, Domenico 379 Parker, Alan 480 Birdy 480 Parilia 227 n.9 Parisiani, Francesco 374 Paris 30, 163, 169, 363–365 Parthenius 60, 129 Pasiphae 297, 317–318, 478 pastoral 15, 27, 29–30, 155, 226, 280, 291, 301–302, 334, 360, 363, 371–375, 378–381 Pasquali, Giorgio 178 patronage 30, 36, 41–43, 48, 51, 55–57, 60–62, 65–67, 101, 149, 248, 253, 285, 371, 373, 375 Paul I, Tsar 401 Paul the Apostle 119–120, 183, 257–258 Pegasus 375, 472 Pellegrin, Simon-Joseph 378 Penelope 30, 88, 169 Peneus 132, 206 Pentheus 79 Penthesilea 193 Peri, Jacopo 372–374 Perimele 94 Pero 44–46 Perrin, Pierre 375 Persephonesee Proserpina Persiani, Ottavio 374 Perseus 37, 71–73, 76–78, 81–82, 135–136, 210, 308–311, 315, 374–378, 472 Persius 347 Perugino 202, 219 Petrarch 119, 124–125, 154–158, 246, 265–267, 271 Africa 119, 125 Canzoniere 125, 154–157, 265–266 Epistolae familiares 124–125, 155 Rerum memorandum liber 265 Trionfi 265, 296 Petronius 48, 395 Phaethon 12, 74, 81–82, 95, 122, 135, 239, 277, 292, 295, 341, 377–382, 472 Philip II 292, 418 Philomela 192–193, 233, 312, 382 495 Philoxenus 37 Phoebussee Apollo Photius 40, 90 Phyllis 15, 170, 193 Picasso 202 Piccolomini, Andrea Sylvio 267 Picus 28 Pierides 71, 91, 179–180, 213, 280, 372, 374 Pierides the Giants 179 Piero di Cosimo 202 Plato 187, 252, 262, 351, 410 Plautus 247, 371 Pluto 176–177, 180, 209–210, 241, 374 Po 82 Poliziano 219, 226, 371–372, 381 Pollaiuolo, Antonio 202 Pollius Felix 64–65 Pollux 279 Pollux, Julius 372–373 Polynices 77–80 Polyphemus 27–32, 37, 46, 347–348 Pomona 292, 297–298, 332–336 Pomona (character in Tawada) 398 Pompeii 36–51, 479 Pope, Alexander 345–346, 355–365 The Dunciad in Four Books 359 Eloisa to Abelard 362–363, 365 Heroides, translation of 358 Metamorphoses, translation of 358 The Rape of the Lock 358–359 Windsor-Forest 357–358 Porphyrius, Optatianus 104 Poseidonsee Neptune Poulenc, Franỗois 381 Pound, Ezra 341, 397 Poussin, Nicolas 202–203, 210–215 Birth of Bacchus 211–212, 211 Pan and Syrinx 210, Plate praeceptor amoris 9, 108, 164, 192, 255, 373 see also magister amoris Preend, Thomas 340 Priam 48 Priscian 57 Procne 192–193, 312–313 Prometheus 139 496 Index Propertius 9, 13, 37, 87, 209–210, 238, 241, 247, 252, 266–268, 272, 274 Propotides 94 Proserpina 76, 131, 135, 175–177, 180–181, 334, 374, 376, 381–382 Proteus 117, 214, 378, 447 Prudentius 106 Prynne, William 221 Psyche 86, 89, 94–95, 98, 138, 382 n.3 Pushkin, Alexander 401–405, 407, 409, 411, 413–414 Pygmalion 94, 189, 210, 214, 225, 233, 279, 298–299, 393, 446, 470–472, 481 Pyramus 38–42, 46, 50–51, 94, 282–283, 288, 342, 379, 381 Pyrrha 176, 198, 205, 298 Pythagoras 74, 139, 176, 224, 232, 283, 294–295, 301, 327, 351, 448, 463, 465 Python 78, 122–125, 133, 281, 372–373 Quatrario, Giovanni 145 Querelle de la Rose 167 Quinault, Philip 376–379 Quintilian 57, 237, 246, 348 Quirini, Giovanni 151–154 Quiteria 282–283 Raleigh, Sir Walter 291, 302, 330 Ransmayr, Cristoph 396, 455, 462–466, 475–476 The Last World 396, 455, 462–466, 475–476 rape 65, 76, 176–177, 180, 188, 196–198, 213, 217, 225, 228 n.16, 233, 238, 240, 297, 334–335, 343, 362–363, 374, 376, 381382, 420, 426 Rebel, Franỗois 379 recusatio 30, 255 Redon, Odilon 202 Rees-Jones, Deryn 439–444, 448, 451 Quiver 439–444, 448, 451 Reformation, the 220–221, 386, 398 Rembrandt 202, 209, 228 n.17 Remus 97 Ribera Jusepe de 202 Richard II 198, 239 Richardson, Samuel 362, 364 Ridewall, John Fulgentius metaforalis 119 Rilke, Rainer Maria 390–391 Rinuccini, Ottavio 372–374, 382 Robertson, Robin 444–448 Swithering 44–48 Rodin, Auguste 205, 390 Rolli, Paolo Antonio 378 Roman Academy 219 Roman de la Rose 166–168, 171, 188–189, 193 Romulus 32, 97, 279 Rosengrave, Thomas 378 Rossellini, Roberto 479–480 Rossi, Luigi 372, 375 Rossi, Michelangelo 375 Rousseau, Jean-Jacques 360, 363 Rowe, Nicholas 346 Roy, Pierre-Charles 378, 380 Rubens, Peter Paul 202, 213 Rape of Europa Plate Russian Revolution, the 406 Rutilius Namatianus 101, 107 De reditu 101 De virginitate 107 Salmacis 94, 298, 342, 390 Sancho 286–288 Sandys, George 138, 235, 344–349, 448–450 Satan 137, 331–336 Scaliger, Joseph 246–247, 250–252 Confutatio Fabulae Burdonum 250–252 Scarlatti, Domenico 378 Schaffner, Franklin J 481 Planet of the Apes 481 Schelsky, Helmut 394 Schiller, Friedrich 387 Schlegel, Friedrich 387 scholastic commentaries 114–125 Schuütz, Heinrich 386 Scipio Africanus 81, 265 Scylla 28, 30, 95, 475 Scythia 150, 394–396 Secundus, Johannessee Janus Secundus Segward/Seward, John 133 Index self-reception 8–17 Semele 12, 178, 184–186, 211, 378–381 Semiramis 317 Seneca, the Elder 237, 367 Seneca, the Younger 144, 246, 249 Serre, Ignace de la 379 Servius 131–132, 137, 140 n.2, 371 Sewell, George 346 Shakespeare, William 187, 217, 232–243, 248, 253, 256, 265, 268, 326, 340–343, 349–350, 359, 379, 382 Cymbeline 232, 342 Hamlet 242 King Lear 239 Merchant of Venice 239 A Midsummer Night’s Dream 233, 242, 341–342, 379 Othello 239–240 Rape of Lucrece 217, 228 n.13 The Taming of the Shrew 236 The Tempest 233, 242, 342 Titus Andronicus 232, 238 Twelfth Night 239 Venus and Adonis 232, 342 The Winter’s Tale 233, 342 Shawcross, Conrad 419 Shaw, George Bernard 471–472 Shelton, Thomas 277 Sheridan, Richard Brinsley 356 Sidney, Sir Philip 246, 303, 441 Silenus 46 Silius Italicus 70, 72, 80–82, 82 n.8 Smollett, Tobias 356, 362 sonetto caudato 153 Song of Songs 122 Spenser, Edmund 223–226, 248, 253, 280, 291–303, 326, 340, 366 Colin Clovts Come Home Againe 301–302 The Faerie Queene 224–226, 291–295, 297–298, 300–303 Muiopotmos 299 Mutabilitie Cantos 223–225, 294–296, 301 Shepheardes Calender 223–224, 291, 301, 303 Stargate Universe 480 497 Statius 3, 16, 55–56, 59–67, 70, 72, 77–81, 171, 175–176, 178–180, 182, 319, 379 Silvae 16, 55, 59, 61–66 Thebaid 77–80, 175–176, 178–180 Stockwood, John 238 Striggio, Alessandro 374 Stuart England 220, 248, 256 Sulzer, J.G 387 Swift, Jonathan 355, 361–362 Syrinx 205, 210, 376, 438 Tacitus 246, 249, 259 n.11 ‘‘Tales from Euripides” 131 Tamahori, Lee 480 Die Another Day 480 Tarquin 188, 193, 197 Tawada, Yoko 397–398 Terence 100, 247, 371 Tereus 192–193, 233, 312–313, 382, 476 Thelyphron 94 Theocritus 37, 371 Théodore de Bèze 267, 270 Theseus 42, 139, 193, 311, 315, 374 Thisbe 38–42, 46, 50–51, 94, 282–283, 288, 342, 379, 381, 398 Thomas of Walsingham 137 Tiberius 16, 402 Tibullus 9, 87, 238, 247, 252, 264, 268, 271–272, 409, 412 Tiresias 135, 381, 428–430 Titian 202, 213, 228 n.17, 418–420, 439, 441–442 Tityrus 29–30, 302 Tomis 9–10, 13, 15–16, 101, 103, 145, 148, 151, 156, 177, 248, 255, 284–285, 302, 326, 391, 394–396, 447–448, 454, 460–461, 475 Tonson, Jacob 346–347 Tottel, Richard 270 transformationsee metamorphosis translation 116, 120, 138, 165–170, 188–189, 221, 234, 236, 249, 292, 307, 330, 340, 342, 344–352, 355, 357–358, 360, 380, 386, 402, 414, 418, 436, 446–451, 463 Traube, Ludwig 339, 386, 162 498 Index Truffaut, Franỗois 477 The Man Who Loved Women 477 Triptolemus 76 Tristan 193 Trojan War 129, 169, 192 Troy 22–23, 26, 48, 71, 97, 169, 178, 192, 476, 481 n.6 Turnus 30–31, 178, 300 Typhoeus 179–180, 280, 376 Ugolini, Baccio 372 Ulysses 14, 22–28, 30, 95, 103, 185, 193, 214, 239 ‘‘ur-exile” 391–392, 398, 454 Valeriano, Belisario 379 Valerius Flaccus 70, 72, 74–78, 308, 379 Valerius Maximus 44 Valéry, Paul 389 Vanneschi, Francesco 379 Vatican Mythographers, First and Second 132 Velázquez 202–203, 212–215, 281 Las Meninas 214 Mercury and Argus 212, 212 The Spinners 212–214, Plate Venantius Fortunatus 101, 107 Venus 33, 43, 48–49, 81, 88, 94, 170–171, 196, 203, 224, 226, 232, 255, 281, 294–295, 297, 299, 342, 275, 378, 381–382, 429, 471, 477 Verdi, Giuseppe 380 Veronese 202 Vertumnus 292, 297–298, 333–336, 410, 414, 477 Vettori, Piero 250–252 Vetula, De 4, 117 Villati, Leopold di 379 Viola, Gian Pietro della 372 violence, erotic 163–164, 168, 198, 225, 334–335 Virgil 4, 6, 10, 15, 26–33, 37, 51, 70–75, 80–82, 97, 100, 106, 131, 138, 150, 170–171, 174, 176, 178, 193, 202, 213–214, 218–219, 222, 234, 247, 252, 258, 264, 280–281, 284, 291, 297, 300–301, 314, 325, 329, 351, 355–356, 358, 371–372, 374, 379, 386, 388, 390–392, 395, 397, 480, 481 n.6 Aeneid 6, 10, 15, 27–33, 70–72, 80–83, 94, 170, 174, 176, 178–179, 182, 193, 218, 291, 297, 300–301, 303, 307, 314, 389 Eclogues 29, 37, 175, 178, 179, 280, 291, 301 Georgics 31, 70, 150, 219, 222, 371, 481 n.6 Virgil (character in Dante) 174–180, 182 Vitali, Filippo 374 Vitruvius 43, 48 Vittori, Loreto 375 Volaterranus, Raphael 252 Volgulio, Carlo 372–373 von Dittersdorf, Karl Ditters 387 von Halberstadt, Albrecht 386 von Wilamowitz-Moellendorff, Ulrich 389 Vulcan 81–82, 136, 214, 281, 299–300, 377 ‘‘Vulgate” Commentary 116–117, 137, 189 Wagner, Richard 380–381 Wallinger, Mark 419 Watkins, Peter 480 The Gladiators (or The Peace Game) 480 Wheatley, Phillis 355 Wieland, Christoph Martin 387 William, King 351, 363 William of Orléans 117 Versus bursarii 117 Winckelmann, Johann Joachim 387 Winds of Change 472 World War I 459 World War II 47, 392–393, 456 Wyatt, Rupert 481 Rise of the Planet of the Apes 481 Yanase, Takashi 472 Yevonde, Madame 427–428 Mrs Michael Balcon as Minerva 428, Plate Zephyr 203, 225–226, 287, 380 Plate Polyphemus and Galatea in a landscape Villa of Agrippa Postumus at Boscotrecase © Metropolitan Museum of Art Source: Art Resource, NY See Chapter for discussion A Handbook to the Reception of Ovid, First Edition Edited by John F Miller and Carole E Newlands © 2014 John Wiley & Sons, Inc Published 2014 by John Wiley & Sons, Inc Plate Sandro Botticelli, Primavera (c 1478) Galleria degli Uffizi, Florence Courtesy of the Bridgeman Art Library See Chapter 14 for discussion Plate Nicolas Poussin, Pan and Syrinx (c 1637) Gemäldegalerie, Dresden Photo: Erich Lessing/Art Resource, NY See Chapter 14 for discussion Plate Diego Velázquez, The Spinners (1657) Museo del Prado, Madrid Courtesy of the Bridgeman Art Library See Chapter 14 for discussion Plate Peter Paul Rubens, Rape of Europa (c 1630) Museo del Prado, Madrid Courtesy of the Bridgeman Art Library See Chapter 14 for discussion Plate Hermann Hesse, illustration from Piktors Verwandlungen (1925) © Suhrkamp Verlag, Berlin See Chapter 26 for discussion Plate Chris Ofili, Ovid-Desire (2011–12) Oil, pastel, and charcoal on linen, 122 1/8 x 78 3/4 x 5/8 in Courtesy the artist and Victoria Miro, London © Chris Ofili Photography: Stephen White See Chapter 28 for discussion Plate Madame Yevonde, Mrs Michael Balcon as Minerva (1935) Vivex Color Print © Yevonde Portrait Archive See Chapter 28 for discussion Free ebooks ==> www.Ebook777.com WILEY END USER LICENSE AGREEMENT Go to www.wiley.com/go/eula to access Wiley’s ebook EULA www.Ebook777.com ... forms Of course, the lover of the Amores, the preceptor in the Ars Amatoria, and even the exiled poet of the Tristia, are personae not to be casually identified with the historical Ovid, or casually... that Augustus has not had the time to read the Ars Amatoria, busy as he is with affairs of state (213–40) and that he has been “critically naive” about the nature of poetic reception (Williams... the epic genre that make it the quintessential manifestation of Ovidian anxieties about the power of speech, namely the allegorical description of Fama in 12.39–63 The centrality of fama to Ovidian