c o n t r i b u to rs currently editing Robert Southey’s letters and poems for the first Collected Edition His collection of essays (co-edited with Kevin Hutchings), The Indian Atlantic, also published by Cambridge University Press, appeared in 2008 k e v i s g o o d m a n is Associate Professor of English at the University of California, Berkeley, and the author of Georgic Modernity and British Romanticism: Poetry and the Mediation of History (Cambridge University Press, 2004) She has contributed articles on Milton, eighteenth-century verse, and Romantic studies to ELH, Studies in Romanticism, South Atlantic Quarterly, European Romantic Review, The Wordsworth Circle, and other journals n i c k g ro o m is Professor in English at the University of Exeter (Cornwall Campus) and Director of the Centre for Literatures of Identity and Place He has written widely on national identity and authenticity in literature and culture – most recently in The Union Jack (2007) – and his edition of Percy’s Reliques will be published shortly He is currently writing a book on the cultural history of the British environment s i m o n ja rv i s is Gorley Putt Reader in Poetry and Poetics in the Faculty of English, University of Cambridge He is the author of Scholars and Gentlemen: Shakespearian Textual Criticism and Representations of Scholarly Labour (1995); Adorno: A Critical Introduction (Cambridge University Press, 1998), and Wordsworth’s Philosophic Song (Cambridge University Press, 2007) w i l l i a m k e ac h is Professor of English at Brown University His most recent book is Arbitrary Power: Romanticism, Language, Politics (2004); previous works include Shelley’s Style (1984) He is currently working on determination and play in lyric poetry c e l e s t e l a n g a n is an Associate Professor in the English Department at the University of California, Berkeley She is the author of Romantic Vagrancy (Cambridge University Press, 1995, 2006) and several other essays on Romantic poetry An essay on Scott’s Lay of the Last Minstrel led to her ongoing interest in media theory and media archaeology Her current book project, Post-Napoleonism: Imagining Sovereignty after 1799, interrogates Napoleon as, among other things, a figure of mass mediation m au r e e n n m c l a n e is a Lecturer in History and Literature at Harvard University She is the author of Romanticism and the Human Sciences: Poetry, Population, and the Discourse of the Species (Cambridge University Press, 2000, 2006), Balladeering, Minstrelsy, and the Making of British Romantic Poetry (Cambridge University Press, 2008), and Same Life: Poems (FSE, 2008) a n n w i e r da row l a n d teaches in the English department at the University of Kansas She has published articles on Wordsworth, Scott, and the Romantic ballad revival, and is currently finishing a book on notions of childhood and Romantic literary culture viii Cambridge Collections Online © Cambridge University Press, 2008