Tài liệu Writing the short film 3th - Part 43 pptx

Tài liệu Writing the short film 3th - Part 43 pptx

Tài liệu Writing the short film 3th - Part 43 pptx

... PEACH Where did you get those? Take them off immediately. SCARLET I’m not going to hurt them. Please, I need them for five minutes. 288 Writing the Short Film App-B.qxd 9/27/04 6:02 PM Page 288 MISS ... comes across a side table in the hallway upon which are two candlesticks. Scarlet lights the candlesticks. Miss Peach continues to limp. 284 Writing the Short Film Ap...

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Tài liệu Writing the short film 3th - Part 22 pptx

Tài liệu Writing the short film 3th - Part 22 pptx

... antirealistic approach, on the other hand, tolerates the humanized balloon and the devo- tion to a dresser. When a balloon becomes the stand-in for a human, the dis- covery of the little boy in each ... waiting. They look up at the mist, and then begin to climb. The purpose of the dialogue is to tell us they want to climb all the way to a peak neither can see. The refere...

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Tài liệu Writing the short film 3th - Part 31 pptx

Tài liệu Writing the short film 3th - Part 31 pptx

... is the first observation we can make about hyperdrama and the short film. The Main Character and His or Her Goal As in the long film, the main character and his or her goal serve the moral rather ... scale of the story. Unlike in other genres, it is critical to the success of the narrative. In the short film, the plot will have far more effect than character. The...

Ngày tải lên: 24/12/2013, 15:16

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Tài liệu Writing the short film 3th - Part 39 pptx

Tài liệu Writing the short film 3th - Part 39 pptx

... of these screenplays. They offer models of the short film script and can provide the reader with appropriate examples of the format used in scriptwriting. App-B.qxd 9/27/04 6:02 PM Page 257 App-B.qxd ... on the roof. Two little girls are sitting on a cushion-padded bench with their elbows on the window sill. The taller girl is about seven years old with long blond hair; her na...

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Tài liệu Writing the short film 3th - Part 41 pptx

Tài liệu Writing the short film 3th - Part 41 pptx

... plump rosy-cheeked maid, enters; she too is dressed in a coat and hat. She carries a box. SARAH I believe this is the last box from his Lordship’s study. 270 Writing the Short Film App-B.qxd ... the lights of the city flash past. CUT TO: 8. EXT. APARTMENT BLOCK. NIGHT A taxi drives up and stops outside an apartment building. Out steps Miss Peach dressed similarly as 272 Writ...

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Tài liệu Writing the short film 3th - Part 51 pptx

Tài liệu Writing the short film 3th - Part 51 pptx

... clean scent. They slowly embrace. Letters fly everywhere, like snowflakes. 342 Writing the Short Film App-B.qxd 9/27/04 6:02 PM Page 342 Step by step, they begin to waltz across the floor like Ginger ... have never known love just found it. In the background, the sound of POLICE SIRENS can be heard. THE END Short Screenplays 343 App-B.qxd 9/27/04 6:02 PM Page 343 App...

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Tài liệu Writing the short film 3th - Part 19 ppt

Tài liệu Writing the short film 3th - Part 19 ppt

... is whether the target of derision merits the treatment. The form works best when the target is important or well- known, because the bigger the target, the more likely the target is a can- didate ... more savage than other forms, because the object of the satire, in the mind of the writer, deserves to be ridiculed. 116 Writing the Short Film Ch10.qxd 9/27/04...

Ngày tải lên: 15/12/2013, 08:15

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Tài liệu Writing the short film 3th - Part 20 docx

Tài liệu Writing the short film 3th - Part 20 docx

... makes the character an observer; a second-person position places the character in the role of guide throughout the story; finally, the first-person position places the character in the middle of the ... tell the story. Another feature of characterization in the short film is the speed with which the main character must be established. Again, time constraints mean t...

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Tài liệu Writing the short film 3th - Part 21 pdf

Tài liệu Writing the short film 3th - Part 21 pdf

... that is counter- productive to the dramatic elements of the story, much as the third-person position is. The second-person position, then, is a risk for the writer. The danger is that the writer ... Character and the Antagonist In the longer film, the relationship of the main character to the antagonist is used to create a heroic dimension in the main character. Th...

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Tài liệu Writing the short film 3th - Part 23 docx

Tài liệu Writing the short film 3th - Part 23 docx

... in the short film than in the longer dra- matic form. The most obvious reason is the best one: there is too little time available to the writer to allow the action to develop on its own. Whether ... con- cern about the impending nightfall. The irony increases tension. The most dangerous factor in the climb to the peak is the loss of day- light. If the personal in...

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