Contemporary American Playwrights - Emily Mann
Contemporary American Playwrights - Emily Mann
... about Emily Mann s play. Annulla, after all, may speak out of her own knowledge and experi- ence of war; Emily Mann does not. Annulla objects to Brecht seeing Contemporary American playwrights ... language. (Testimonies,p.) Contemporary American playwrights 2 Emily Mann, Testimonies: Four Plays (New York, ), p. . And so a European story becomes an American story: not the revelation ... by the resulting tran- script that she wished toturn it intoa play. This desire, in turn, led toher Emily Mann 1 David Savran, In Their Own Words: Contemporary American Playwrights (New York,...
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Cambridge.University.Press.Contemporary.American.Playwrights.Feb.2000.pdf
... 0-5 2 1-6 610 8-0 hardbackISBN 0-5 2 1-6 680 7-7 paperbackISBN 0-5 1 1-0 334 0-0 eBookChristopher Bigsby 20042000(Adobe Reader)©ContentsPrefacepageviiJohn GuareTina HoweTony Kushner Emily Mann Richard ... blank CONTEMPORARY AMERICAN PLAYWRIGHTSBeginning in the cafés, lofts and small spaces of Off-Off-Broadway,and continuing in the Off-Broadway and regional theatres of thes, s and s, new American ... Off-Broadway and Off-Off-Broadwaymovement of the s Guare’s prospects, along with those of so manyother writers, would not have been bright. He regarded these as per- Contemporary American playwrights forming...
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Contemporary American Playwrights - David Rabe
... Contemporary American playwrights 4 David Rabe, The Basic Training of Pavlo Hummel and Sticks and Bones (New York, ), p. xvi. 5 David Savran, In Their Own Words: Contemporary American Playwrights ... fast-congealing myths of the contemporary world by reference to classical myths. But where the Open Theatre and the Performance Group stressed the physicality of Contemporary American playwrights ... a Contemporary American playwrights product of myth, an angel of death summoned into existence by Pavlo’s need. He is a device for pulling together discrete incidents, as are the mil- itary...
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Contemporary American Playwrights - John Guare
... the Off-Broadway and Off-Off-Broadway movement of the s Guare’s prospects, along with those of so many other writers, would not have been bright. He regarded these as per- Contemporary American ... Playwright’s Art: Conversations with Contemporary American Dramatists (New Brunswick, NJ, ), p. . 4 David Savran, In Their Own Words: Contemporary American Playwrights (New York, ), pp. ... to two of his great-uncles toured with their own stock company, producing such plays as Pawn Ticket and The Old Toll House. Contemporary American playwrights 2 Anne Cattaneo,...
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Contemporary American Playwrights - Lanford Wilson
... find them- selves and from which they seem alienated, linguistically and socially withdrawn. Contemporary American playwrights 6 David Savran, In Their Own Words: Contemporary American Playwrights ... recalled by signatures on the apart- ment walls, mementoes of one-night stands, passing contacts. At times Contemporary American playwrights 2 Lanford Wilson, Twenty-One Short Plays (Newbury, VT, ... At a Contemporary American playwrights time when an Artaud-influenced theatre was de-emphasising language he created a bruised lyricism, a poetry generated out of the inarticula- cies of...
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Contemporary American Playwrights - Marsha Norman
... different eti- 1 Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York, ), p. . 2 David Savran, In Their Own Words: Contemporary American Playwrights ... to talk to her mother about the things which most Contemporary American playwrights 5 Enoch Brater, ed., Feminine Focus: The New Women Playwrights (Oxford, ), p. . concern her, not ... of Contemporary American playwrights relative luxury as a prostitute and the certainty of relative poverty as a dish washer in a nearby restaurant. Neither action would seem to repre- sent...
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Contemporary American Playwrights - Paula Vogel
... consciousness and behaviour of figures who them- selves lack substance. The play is divided into what Bauer describes as forty-nine ‘takes’, with four- to five-second black-outs between each take, the structure ... their shared endea- vour sustaining them even as, one by one, they slip from the story, dying offstage, appropriately enough during a series of black-outs. Contemporary American playwrights Vogel ... Waltz, was staged in , it was her twenty-second. She herself has said that she dates her career from , when she sent Contemporary American playwrights 2 San Francisco Examiner and Chronicle,(...
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Contemporary American Playwrights - Richard Nelson
... play, would find a working-class audience. Indeed Max’s commitment is paper-thin, no more than a series of postures, slogans and pieties, ridi- Contemporary American playwrights culed by the ... metatheatrical piece. It is in part a play about play-making, a myth about myth-making, a fiction about the construction of fictions. Contemporary American playwrights But it is also a play about the ... fate of American utopianism, a utopianism marked by inter- nal contradiction. Using a familiar American story (itself derived from a German original), set at the time of the birth of the American...
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Contemporary American Playwrights - Tina Howe
... Charles Ludlam and Kenneth Contemporary American playwrights 1 Philip C. Kolin and Colby H. Kullman, Speaking on Stage: Interviews with Contemporary American Playwrights (Tuscaloosa, AL ), ... institutional changes – the emergence of O - and Off-Off-Broadway – facilitated the careers of playwrights for whom experimentation was a primary objective, play- wrights who no longer expected to address ... offered, as well as by her own agent. As she Contemporary American playwrights 4 Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York, ), p. . complained,...
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Contemporary American Playwrights - Tony Kushner
... situation of the African -American in America, who had him- or herself always acted as a defining opposite, he significantly recalled a passage Contemporary American playwrights from Toni Morrison’s ... moral exu- berance. Overstatement is your friend’ (Plays,p.). As if to justify this Contemporary American playwrights she asks whether Pat Buchanan, conservative candidate for the American ... separate, the goo must almost but not quite completely successfully threaten the always-discernible-yet-imper- iled imposed order ...A good play I think should always feel as though it’s only barely...
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