Maya Secrets of the Pros Second Edition phần 10 ppt

... obsolete. In the end, you the modeler, the artist—must be the one who makes the model great. You create the subtle form of the details of the face, the overall shape of the head and neck, and the little ... cre- ate creases along the skin of the model. The edges along the lines that require detail are selected first. Figure 9.63 shows the edge of the...

Ngày tải lên: 13/08/2014, 15:20

... into $buffer[2]. To get the results of the first part of the string, or the character prefix, you want $buffer[0]. I take the results of that and use match to strip off any numbers at the end of the string. ... since the history of the extrusion deforms the surfaces. And by keeping the history, you can adjust the thickness of the rope at any time by scaling...

Ngày tải lên: 13/08/2014, 15:20

... * 100 ); startPtParsShape.goalV += $offsetV; The first line of this expression sets the variable $speed to the value in the custom attribute speed on the arcGrp node. The second line loads into the variable $offsetV a varying ... place, but there are no rip- ples in the surface. This is simply because the movement of one particle does not affect the movement of th...

Ngày tải lên: 13/08/2014, 15:20

... choosing the second edition of Maya Secrets of the Pros. This book is part of a new wave of Sybex graphics books, all written by outstanding authors—artists and teach- ers who really know their ... professionals rather than just the latest bells and whistles Maya provides (though there’s plenty of “wow” factor to each of the chapters). So, whether you’re working...

Ngày tải lên: 13/08/2014, 15:20

... should see the cloth being pushed in the region of the constraint. Try animating the magnitude of the field or perhaps constraining a larger or different region of the cloth and see how the results ... constraint, you can assign the top of the skirt to follow the waist of the model. But, first, let’s do some cleanup. 1. In the Outliner, expand the hierarchy...

Ngày tải lên: 13/08/2014, 15:20

... operating the camera. Some of what makes real-world camera footage appear authentic is the often slight delay of the camera person’s hand as they try to keep the action framed in the shot. It’s the ... highly curved strokes. The Number of Particles and Current Time fields control the density of the stroke coverage: the higher the values, the greater the number...

Ngày tải lên: 13/08/2014, 15:20

... for the duration of most of the shot, and stationary in the world. 3. Our first track point will be the manhole cover in the middle of the street. With the Timeline at frame 1, select Create in the ... pipe) on the wall. (This mark will become unread- able a few frames before the end of the sequence.) white_glare The white glare on the right side of the bu...

Ngày tải lên: 13/08/2014, 15:20

... to (10% of) the radius of your scene’s size (or at least the focal point of the scene) and to set Min Radius to 10% of the Max Radius. If you leave the values at zero, mental ray calculates these ... Gathering rendering. 6. Render! There will be two passes during the rendering—one to calculate the Final Gathering solution, and a second to complete the render. The s...

Ngày tải lên: 13/08/2014, 15:20

... the ends of the curves easily with these Soft Modification Handles, we can drive the rest of the dynamic curve to react with the dancing fool’s motion. Track the location of the three Soft Modification ... have to attach the top of the car to the hair. Now, the best way to attach the top end of the car to the bottom is to create a new follicle and attach it...

Ngày tải lên: 13/08/2014, 15:20

... the lips, but lines flow through the lips as well. These lines allow the flow of the geometry of the lips to align with the flow of the geometry of the cheek and jaw muscles. ■ Modeling Concepts 233 Figure ... 230 can adjust the falloff and the amount of intensity the falloff has from the center to the outer edge. These tools work exceedingly well when used in...

Ngày tải lên: 13/08/2014, 15:20