adobe production premium for final cut studio editors 2009 phần 8 ppt
adobe production premium for final cut studio editors 2009 phần 8 ppt
... also the default alpha channel setting for Final Cut. Click the Render button, and after a period of time, your new clip is exported and ready for Final Cut. The amount of time this takes depends ... with other Adobe applications, similar to •how DVD Studio Pro integrates with other Final Cut Studio applications.Display your Blu-ray Disc layout as a Flowchart (similar to •DVD Studio Pro’s ... Discs. With the release of latest version of Final Cut Studio, Apple now provides two different options for the creation of Blu-ray Discs. Final Cut Pro 7, using the new Share function, A Note...
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adobe production premium for final cut studio editors 2009 phần 1 pptx
... DataJordan, Larry, 1950- Adobe CS production premium for Final cut studio editors / Larry Jordan. p. cm. Includes index. ISBN 9 78- 0-240 -81 223-6 1. Motion pictures Editing. 2. Final cut (Electronic resource) 3. Digital video ... metadata•Integration with Production Premium and Final Cut Studio Why I Like Adobe Bridge Final Cut Pro has its Browser, the Finder has Spotlight, and there’s even Final Cut Server. Why should ... to combine the power of the software in Adobe Production Premium with Apple Final Cut Studio to accomplish tasks that are impossible with Final Cut Studio alone.This book will show you how...
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adobe production premium for final cut studio editors 2009 phần 2 pptx
... easier. Mostly. Sadly, Final Cut Pro does not read XMP metadata natively, but Final Cut Server does – provided it is contained in still-image data. At this point, Final Cut Server does not read ... writing, Final Cut Studio does not read XMP files. This means that you can’t access all this metadata when working in Final Cut Pro. The way I work around this is to use Bridge to search for clips, ... way to get this data, easily, into Final Cut Pro. Final Cut Server does read metadata, provided it is contained in still image data. At this point, Final Cut Server does not read XMP data from...
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adobe production premium for final cut studio editors 2009 phần 6 pptx
... is because Final Cut is using it in the current project. To solve this, quit Final Cut, then save your file. The clip will be updated the next time you open your project in Final Cut. Setting ... than “Photo-shop is for stills, Final Cut is for video.”Sigh . . . How things change.Starting with the release of CS3, Photoshop began supporting video. Not for editing, but for retouching and ... re-render in Final Cut, export it using either the Animation codec for FCP 6, or the ProRes 4444 for FCP 7 and later.If you need to retain alpha channel •(transparency) information, export...
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adobe production premium for final cut studio editors 2009 phần 7 ppt
... (Fig. 8. 20).Now the fun begins. Draw a shape as you want it to appear 10. in Final Cut (Fig. 8. 21). Once you import it into Final Cut, you have limited options for changing it.Figure 8. 19 ... can’t be done in Final Cut. Chapter 8 TRAVELING MATTES, SHAPES, AND ROTOSCOPING 197Creating Custom Shapes in PhotoshopIn the last example, we used text generated in Final Cut to cut the hole ... blurring of your travel matte (see Fig. 8. 27).Figure 8. 27 187 This chapter is a mix of old and new techniques in both Final Cut Pro (FCP) and Photoshop, which editors tell me they enjoy a great...
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adobe production premium for final cut studio editors 2009 phần 3 pps
... file.Also, and this isn’t Adobe s responsibility, Final Cut needs to access all XMP metadata. Adobe is way ahead of Final Cut in how it manipulates metadata. At this point, Final Cut stores metadata ... how to move files between Final Cut Pro and After Effects for effects creation, then how to bring the finished file back to Final Cut for final integration and output.Finally, I tackle the bane ... working exclusively in Adobe applications. Use AIF for files transferred from Final Cut. The WAV files are most common on the PC.To export a clip or sequence from Final Cut for use in Soundbooth,...
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adobe production premium for final cut studio editors 2009 phần 4 pps
... outside Final Cut Studio, you use Open in Editor to reopen it to make changes. If the media originated in Final Cut Studio, you use Send. In either case, final rendering is done in Final Cut Pro, ... application.A Reason to Use Both Final Cut Pro and Premiere ProMost of the time, Final Cut Pro is fine for editing. But, here’s a reason to consider using both Final Cut Pro and Premiere Pro: to ... way in order for it to transfer to Final Cut. Now, here’s the fun part. To get it back to Final Cut, all you 4. need to do is save the file inside Photoshop.Switch back to Final Cut and – ta-DAH!...
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adobe production premium for final cut studio editors 2009 phần 5 pot
... Freeze Frames from Final Cut ProJust as we can get still images created in Photoshop into Final Cut using importing, so also we can get stills out of Final Cut by exporting. Final Cut calls the ... next step. When importing a PSD, Final • Cut treats it as a sequence, not as a graphics file. So, open Final Cut, then, before you import the image, check Final Cut Pro > Easy Setup to make ... the layer to a bitmap in Photoshop before you save it for Final Cut. To do this, select the layer that contains the effect you need to bring into Final Cut. Go to Layer > Rasterize and select...
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adobe production premium for final cut studio editors 2009 phần 9 pdf
... a variety of formats for DVD or Web distribution.In earlier versions of Final Cut, we could round-trip files (what Adobe calls Dynamic Linking) by sending them between Final Cut and Motion, ... options for getting files to the Web: Share and Send. (For those that have an earlier version of Final Cut, all is not lost. We dis-cussed how to create high-quality exports from Final Cut in ... Flash Web site. Adobe calls it: “Author Once, Write Many.” In this chapter, I’ll show you how to create a Flash project to post to the Web. Final Cut Pro 7With the release of Final Cut Pro 7, Apple...
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adobe production premium for final cut studio editors 2009 phần 10 potx
... creating transcripts in, 81 82 Premiere Proadvantages of, 4, 88 89 importing XML file into, 1 08 109 for opening FCP projects, 89 workflow in, 91–94Preproduction workspace for Adobe OnLocation, 42, ... video on, 227–235Transcode Settings for, 264Dynamic Linkingbenefit of, 88 definition of, 88 vs. round-tripping, 87 88 Encoding process in AME, 94End Action in Adobe Encore, 244Exporting videofrom ... FCP, 287 image size for, 274screen size of, 274testing, using Device Central, 291–294Mobile videocompression settings for, 281 creatingchoices for, 281 , 282 by compressing using Adobe Media...
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