adobe production premium for final cut studio editors 2009 phần 4 pps
... if you are using Final Cut Pro 6, or ProRes 44 44 for if you have Final Cut Pro 7. (ProRes 44 44 provides higher-quality, with smaller file sizes, than Animation.) ProRes 44 44 and Animation files ... Bridge into Final Cut Pro (see Fig. 5. 14) . Figure 5. 14 Adding an image to Final Cut can be done by importing, or by simply dragging the files you need from Bridge i...
Ngày tải lên: 08/08/2014, 20:20
... clips, too, which I’ll illustrate shortly.) Open Final Cut Pro. Choose Final Cut Pro > System Settings > External Editors (Fig. 4. 4). Figure 4. 3 The Meta Logging workspace. Notice the new ... file. Also, and this isn’t Adobe s responsibility, Final Cut needs to access all XMP metadata. Adobe is way ahead of Final Cut in how it manipulates metadata. At this po...
Ngày tải lên: 08/08/2014, 20:20
... in Adobe CS4 Production Premium: After Effects CS4• Bridge CS4• Device Central CS4• Encore CS4• Flash CS4 Professional• Illustrator CS4• Media Encoder CS4• OnLocation CS4• Photoshop CS4 ... 3 For example, here is the list of the software in Final Cut Studio (2009) : Final Cut Pro 7• Motion 4. 2• Soundtrack Pro 3• Compressor 3.5• DVD Studio Pro 4. 2• Color...
Ngày tải lên: 08/08/2014, 20:20
adobe production premium for final cut studio editors 2009 phần 2 pptx
... easier. Mostly. Sadly, Final Cut Pro does not read XMP metadata natively, but Final Cut Server does – provided it is contained in still-image data. At this point, Final Cut Server does not read ... writing, Final Cut Studio does not read XMP files. This means that you can’t access all this metadata when working in Final Cut Pro. The way I work around this is to use Br...
Ngày tải lên: 08/08/2014, 20:20
adobe production premium for final cut studio editors 2009 phần 5 pot
... 640 3 360. As always, I set the DPI to 72. Video format Aspect ratio Resize image to size DV NTSC 4: 3 640 3 48 0 3 72 16:9 640 3 360 3 72 SD NTSC 4: 3 640 3 48 0 3 72* 16:9 640 3 360 3 72* PAL 4: 3 ... Freeze Frames from Final Cut Pro Just as we can get still images created in Photoshop into Final Cut using importing, so also we can get stills out of Final Cut by exporting....
Ngày tải lên: 08/08/2014, 20:20
adobe production premium for final cut studio editors 2009 phần 6 pptx
... acronyms appears (Fig. 7. 14) . If you plan to create additional effects inside Final Cut, select ProRes 44 44 (select Animation if you are using FCP 6 or earlier). ProRes 44 44 is a great codec, whose ... re-render in Final Cut, export it using either the Animation codec for FCP 6, or the ProRes 44 44 for FCP 7 and later. If you need to retain alpha channel • (transparen...
Ngày tải lên: 08/08/2014, 20:20
adobe production premium for final cut studio editors 2009 phần 7 ppt
... Photos Dan Shellenbarger Executive Director, Ohio Channel Sr. Lecturer, The Ohio State University http://www.DVplace.com I do all my photo prep for Final Cut in Adobe s Photoshop. Much like ... keep the dimensions of my photos less 40 00 3 40 00 when using in Final Cut to keep my sequences working smoothly. I usu- ally do that but now with our HD productions, I frequently brin...
Ngày tải lên: 08/08/2014, 20:20
adobe production premium for final cut studio editors 2009 phần 8 ppt
... also the default alpha channel setting for Final Cut. Click the Render button, and after a period of time, your new clip is exported and ready for Final Cut. The amount of time this takes depends ... with other Adobe applications, similar to • how DVD Studio Pro integrates with other Final Cut Studio applications. Display your Blu-ray Disc layout as a Flowchart (simi...
Ngày tải lên: 08/08/2014, 20:20
adobe production premium for final cut studio editors 2009 phần 9 pdf
... need to use ProRes HQ or ProRes 44 44. ) In the past, you’d use Batch Export in Final Cut Pro or Compressor. However, Share means you can do it all in Final Cut, and run it in the background. In ... a variety of formats for DVD or Web distribution. In earlier versions of Final Cut, we could round-trip files (what Adobe calls Dynamic Linking) by sending them between Final...
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adobe production premium for final cut studio editors 2009 phần 10 potx
... H.2 64 for iPod at 320 3 240 , and H.2 64 for iPod at 640 3 48 0. For compression to the iPhone, use the 640 3 48 0 option (see Fig. 11.9). Once you determine the best compression setting for your 4. ... 261–263 Waveform monitor, 54 Web files, searching, 97 Workspace, 10–12 in Adobe Bridge interface, 10, 13, 41 Adobe OnLocation, 41 42 calibration, 42 customizing, 12–...
Ngày tải lên: 08/08/2014, 20:20