adobe production premium for final cut studio editors 2009 phần 2 pptx

adobe production premium for final cut studio editors 2009 phần 2 pptx

adobe production premium for final cut studio editors 2009 phần 2 pptx

... Final Cut Pro. Final Cut Server does read metadata, provided it is contained in still image data. At this point, Final Cut Server does not read XMP data from sidecar or media files. Figure 2. 32 ... writing, Final Cut Studio does not read XMP files. This means that you can’t access all this metadata when working in Final Cut Pro. The way I work around this is to use B...

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adobe production premium for final cut studio editors 2009 phần 1 pptx

adobe production premium for final cut studio editors 2009 phần 1 pptx

... Data Jordan, Larry, 1950-   Adobe CS production premium for Final cut studio editors / Larry Jordan.        p. cm.   Includes index.   ISBN 978-0 -24 0-8 122 3-6  1.  Motion pictures Editing. 2.   Final cut (Electronic resource) 3.  Digital video ... GETTING STARTED 3 For example, here is the list of the software in Final Cut Studio (20 09) : Final Cut Pro 7• Motion 4 .2  Sou...

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adobe production premium for final cut studio editors 2009 phần 6 pptx

adobe production premium for final cut studio editors 2009 phần 6 pptx

... is because Final Cut is using it in the current project. To solve this, quit Final Cut, then save your file. The clip will be updated the next time you open your project in Final Cut. Setting ... than “Photo- shop is for stills, Final Cut is for video.” Sigh . . . How things change. Starting with the release of CS3, Photoshop began supporting video. Not for editing, bu...

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adobe production premium for final cut studio editors 2009 phần 3 pps

adobe production premium for final cut studio editors 2009 phần 3 pps

... file. Also, and this isn’t Adobe s responsibility, Final Cut needs to access all XMP metadata. Adobe is way ahead of Final Cut in how it manipulates metadata. At this point, Final Cut stores metadata ... in the native format of the camera. This means that HDV is captured using the MPEG -2 Transport stream format. (It has an extension of .m2t.) This is not a format that Fi...

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adobe production premium for final cut studio editors 2009 phần 4 pps

adobe production premium for final cut studio editors 2009 phần 4 pps

... outside Final Cut Studio, you use Open in Editor to reopen it to make changes. If the media originated in Final Cut Studio, you use Send. In either case, final rendering is done in Final Cut Pro, ... application. A Reason to Use Both Final Cut Pro and Premiere Pro Most of the time, Final Cut Pro is fine for editing. But, here’s a reason to consider using both Final...

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adobe production premium for final cut studio editors 2009 phần 5 pot

adobe production premium for final cut studio editors 2009 phần 5 pot

... 72. Video format Aspect ratio Resize image to size DV NTSC 4:3 640 3 480 3 72 16:9 640 3 360 3 72 SD NTSC 4:3 640 3 480 3 72* 16:9 640 3 360 3 72* PAL 4:3 768 3 576 3 72 16:9 1 024 3 576 3 72 HD ... next step. When importing a PSD, Final • Cut treats it as a sequence, not as a graphics file. So, open Final Cut, then, before you import the image, check Final Cut Pro > Eas...

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adobe production premium for final cut studio editors 2009 phần 7 ppt

adobe production premium for final cut studio editors 2009 phần 7 ppt

... main window (Fig. 8 .20 ). Now the fun begins. Draw a shape as you want it to appear 10. in Final Cut (Fig. 8 .21 ). Once you import it into Final Cut, you have limited options for changing it. Figure ... or LAB, are designed for print and will not display properly if you try to use them in Final Cut. RGB images are required for display on the web and video. Figure 8.13 20...

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adobe production premium for final cut studio editors 2009 phần 8 ppt

adobe production premium for final cut studio editors 2009 phần 8 ppt

... to use tools in Final Cut Studio, Roxio Toast, and Adobe Production Premium. A Quick Lookback Apple joined the Board of Directors of the Blu-ray Disc Association on March 10, 20 05. Naturally, ... same. In the Settings window, click the 2. Plus (1) button in the top-right corner (see Fig. 9 .27 ) and select H .26 4 for Blu- ray. A new setting, named Untitled H .26 4 for Blu...

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adobe production premium for final cut studio editors 2009 phần 9 pdf

adobe production premium for final cut studio editors 2009 phần 9 pdf

... 10 CREATING VIDEO FOR THE WEB 25 3 your render times, you’ve decided to transcode (or convert) them all to ProRes 422 before starting the editing process. (For HDV, ProRes 422 is more than sufficient. ... a variety of formats for DVD or Web distribution. In earlier versions of Final Cut, we could round-trip files (what Adobe calls Dynamic Linking) by sending them between Final...

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adobe production premium for final cut studio editors 2009 phần 10 potx

adobe production premium for final cut studio editors 2009 phần 10 potx

... to Compressor, 25 5 26 0 sharing files, 25 1 25 5 for superimposing text clip, 190, 191 workflow, 90–91 Final Cut Pro (FCP) 7, 22 0, 22 1 22 5, 25 0 Final Cut Studio, 82 83 integrating Adobe Bridge with, ... 28 8 29 1 by compressing using Compressor, 28 0 28 2 by compressing using FCP, 27 7 28 0 process, 28 8 designs, 27 4 27 6 audio, 27 5 camera, 27 4 lighting, 27...

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