Adobe Photoshop CS2 Photographers’ Guide phần 2 ppt

... boundaries. Check out Figure 2. 13 for the results. I’ve inserted some Guides so you can see how the sides of the tower now line up. Adobe Photoshop CS2: Photographers’ Guide2 4 Figure 2. 10 Drag a selection around ... like the one shown in Figure 2. 37. Adobe Photoshop CS2: Photographers’ Guide4 2 Figure 2. 37 Adjusting the saturation and hue of the image provides a bit...

Ngày tải lên: 08/08/2014, 19:23

... when you’re satisfied, pro- ducing the final image shown in Figure 4 .22 . Adobe Photoshop CS2: Photographers’ Guide1 30 Figure 4 .21 After pasting the boy into his own layer, erase the area around ... art and part craft. Photoshop gives all of us a fighting chance to do some decent retouch- ing, as you’ll learn in the next chapter. Adobe Photoshop CS2: Photographers’ Guide1...

Ngày tải lên: 08/08/2014, 19:23

... Wave and ZigZag filters at work. Adobe Photoshop CS2: Photographers’ Guide2 86 Figure 8.35 Wave (left) and ZigZag (right). Adobe Photoshop CS2: Photographers’ Guide2 64 Figure 8.13 Light bouncing from ... the efforts of an artist with one of these plug-ins. Adobe Photoshop CS2: Photographers’ Guide2 72 Modifying Images with Photoshop s Filters Photoshop s own filter...

Ngày tải lên: 08/08/2014, 20:20

... also can be used with my digital SLR. Adobe Photoshop CS2: Photographers’ Guide1 6 Yet, even as Photoshop grows in features and power, the best news is that Adobe has avoided the trap Microsoft ... serious photographer and more than a casual Photoshop user, you’re ready to shift into overdrive with this book. Adobe Photoshop CS2: Photographers’ Guide2 industries, as wel...

Ngày tải lên: 08/08/2014, 19:23

... image is not the best looking one. Adobe Photoshop CS2: Photographers’ Guide8 8 Figure 3 .22 Here are six versions of the same image with the contrast set at 25 %, 35%, and 50% (top row), and 65%, ... continuous series of focal Adobe Photoshop CS2: Photographers’ Guide5 8 Figure 2. 57 Shot under incandescent illumination, this photo has been (partially) corrected using Phot...

Ngày tải lên: 08/08/2014, 19:23

... is formed. You can continue in this way, building a gen- tly curved line. Adobe Photoshop CS2: Photographers’ Guide1 52 Figure 5. 12 Drawing curves with the Pen tool. PREVIEW Before you add an anchor ... you’ve added. 7. Flatten the image, which should look like Figure 5 .27 . Adobe Photoshop CS2: Photographers’ Guide1 64 Figure 5 .27 Flattened and cleaned up, the finished p...

Ngày tải lên: 08/08/2014, 19:23

... This example is Adobe Photoshop CS2: Photographers’ Guide1 90 WHEN ARE 32 BITS ACTUALLY 24 BITS? AND WHEN IS 32 MORE THAN 32? In the past, when you used Photoshop with so-called 32- bit color images, ... effects you want. Figure 6 .21 shows an Irish land- scape that has been made considerably greener using this dialog box. Adobe Photoshop CS2: Photographers’ Guide2 06 Fi...

Ngày tải lên: 08/08/2014, 19:23

... the effect in Photoshop. 1. Start with a photo that has plenty of reds, greens, and blues, like the one shown in Figure 7 .25 . Adobe Photoshop CS2: Photographers’ Guide2 46 Figure 7 .25 This photo ... like Figure 7 .24 . Adobe Photoshop CS2: Photographers’ Guide2 44 Figure 7 .24 A faded photo of an old Roman bridge was salvaged by combining channels and applying a sepia ton...

Ngày tải lên: 08/08/2014, 20:20

... plug-in included with Photoshop CS and Photoshop Elements 3.0 that can manipulate the unprocessed images captured by digital cameras. Adobe Photoshop CS2: Photographers’ Guide3 22 Figure A.5 Use the ... megapixels) 16 × 20 inches 3008 × 20 00 pixels (6 megapixels) 20 × 30 inches 3600 × 24 00 pixels (8 megapixels) 24 × 36 inches Adobe Photoshop CS2: Photographers’ Gu...

Ngày tải lên: 08/08/2014, 20:20

... 20 0 histograms, 21 3 21 5 HLS/HSV, 20 5 20 6 matching color, 21 6 21 7 merging light, 22 0 22 3 mixed light source, 20 1 overexposure, 20 1 20 2 overview, 12, 20 2 20 3 photofinishing, 20 0 20 1 Adobe Photoshop CS2: Photographers’ ... source, 20 0 histograms, 21 3 21 5 HLS/HSV, 20 5 20 6 matching color, 21 6 21 7 merging light, 22 0 22 3 mixed light source, 20 1 overexp...

Ngày tải lên: 08/08/2014, 20:20