Your writing coach part 21 pps
Your writing coach part 21 pps
... energy or warmth into your voice.
✐ Practice! If you do a bad pitch in a workshop, or in front of
your spouse or partner, or your dog, or the mirror, no harm
done. You want to make your mistakes before ... your listener wants
to make sure that yours will not.
✐ Weave your theme into your story. If the story includes a
theme or lesson, try to incorporate it in your story natura...
Your writing coach part 5 ppsx
... secrets that will help make your readers turn
those pages. Of course, how you use the language is part of what
will set your writing apart, so we look at how to make your prose
compelling. And ... write, and how to use the magic question
“Why?” to create a blueprint for your writing project. Naturally,
you want your characters (real or fictional) to come alive on the
page, so...
Your writing coach part 6 pps
... remember your dreams. If you put a pen and pad
on your bedside table and every morning jot down anything you
can from any dreams you recall, your mind will gradually get
accustomed to remembering your ... you could spend quite
a few hours reading and researching with no particular goal other
than to familiar
ize yourself with a particular era. However, if you
are digging for a specifi...
Your writing coach part 11 ppsx
... script with that ending
once).
If you have trouble with your ending, the problem probably
is with your beginning, or at the very least with your middle. A
good ending is the harvest of many seeds ... are for-
mulaic, so we do know the inevitable ending, and your cleverness
has to be applied to making the journey enjoyable even though
your reader or audience knows the exact destinati...
Your writing coach part 1 pdf
... Guerrilla Warfare for the Writer 204
Find your strat
e
gic focus 204
What’s your USP? 205
The likability factor 206
Contents vii
viii Your Writing Coach
Your new mantra: Do something different ... ego 208
Find your audience 208
Play a stunt 209
Train them to buy 210
Use humor to capture attention 210
Use the power of numbers 211
Give them a taste 211
Consider what’s in a...
Your writing coach part 2 pptx
... help you on the road to your writing success. Are
you ready to start?
2 Your Writing Coach
insightful, emotional, touching stories and books and scripts. The
two parts of yourself have to co-exist. ... and enjoy the writing life.
One of the best features of this book isn’t in the book itself.
Every chapter has a bonus that you’ll be able to access on the
website www.yourwritingcoa...
Your writing coach part 3 docx
... challenge of mastering all the ele-
ments of writing, and if you have stamina and determination,
you’re well suited to writing novels.
Writing screenplays
Writing your first screenplay is also a solitary ... you had the courage to follow your
dream.
KEY POINTS
✐ The biggest obstacle to writing success is usually yourself.
✐ Some people let their fears stop them from writing. The...
Your writing coach part 7 docx
... appear in your book or
script, but it’s always good to know as much as possible about
your characters.
You can do the same for all of your major characters before
you actually start writing, or ... also a good troubleshooting tool if people who read
your first draft say they find a particular action by one of your
characters unbelievable. Ask yourself why the character does
what he...
Your writing coach part 8 doc
... “Visualizations” page at www.yourwritingcoach.com).
68 Write!
The discovery-through -writing technique
Some time ago I interviewed Academy Award-winning screenwriter
Alvin Sargent (part of that interview ... If you’re
writing a biography, for example, if your book answered all of
those questions about your subject in an entertaining way, you’d
have a very solid piece of work. If you’r...
Your writing coach part 9 doc
... impression match how you imagine the
character’s appearance?
CHAPTER BONUS
On the website www.yourwritingcoach.com, click on the
“Chapter Bonuses” tab, then the “Characters” tab, and type in
the ... finding a picture
that your character values, you also will have imagined his or her
surroundings. You can do the same thing for all the venues in
your story. Try to engage all of your sense...
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