... first on the hand, something foreign to the painter's intention. Recalling again the law of the high light and strong dark, and referring again to the value of the skilful manipulation of ... in English and in Continental art, noting their dawn of novelty, their sunrise of appreciation, their high noon of triumph, their afternoon of neglect, and their night of oblivion, to be convinced ... and why the constant workings over and again upon the figure subject, the mosaicing (if I may coin a word) of the different points of the figure during the different hours of the day and the different...