Tài liệu Writing the short film 3th - Part 6 doc

Tài liệu Writing the short film 3th - Part 6 doc

Tài liệu Writing the short film 3th - Part 6 doc

... blood- red room). He then unravels that image, so to speak, and writes down what he discovers in doing so. If the results engage him, he continues; if not, he stops. 26 Writing the Short Film ... regards the man and woman facing us and also the young man standing just behind and between them. Because of the background sound, as well as the reactions of the couple as they...

Ngày tải lên: 26/01/2014, 17:20

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Tài liệu Writing the short film 3th - Part 20 docx

Tài liệu Writing the short film 3th - Part 20 docx

... makes the character an observer; a second-person position places the character in the role of guide throughout the story; finally, the first-person position places the character in the middle of the ... Scriptwriting (Boston: Focal Press, 1991), 154. 5. Adisa Lasana Septuri, The View From Here,” Graduate Department of Film and Television, New York University, New York, 1990...

Ngày tải lên: 15/12/2013, 08:15

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Tài liệu Writing the short film 3th - Part 23 docx

Tài liệu Writing the short film 3th - Part 23 docx

... in the short film than in the longer dra- matic form. The most obvious reason is the best one: there is too little time available to the writer to allow the action to develop on its own. Whether ... monologue on the events of the story. Perhaps it’s easiest to think of it as a confession by the narrator to the viewer. Writers 1 46 Writing the Short Film Ch12....

Ngày tải lên: 15/12/2013, 08:15

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Tài liệu Writing the short film 3th - Part 25 docx

Tài liệu Writing the short film 3th - Part 25 docx

... the issue of res- olution has been the end point of the story. However, a number of story- tellers have begun to opt for no resolution—or to put it another way, for an 162 Writing the Short Film ... main charac- ter the success he is. This idea enrages the main character, but we in the audience have to wonder whether the father’s claim has merit. The Melodrama 159...

Ngày tải lên: 15/12/2013, 08:15

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Tài liệu Writing the short film 3th - Part 29 doc

Tài liệu Writing the short film 3th - Part 29 doc

... fabulist in their content that realism is actually beside the point. A similar quality infuses the majority of Chaplin’s work. At the other extreme, the films of the Marx Brothers dwell on the anarchy that ... becomes the one good person” who can change the lives of others. Here the moral lesson is that communities sometimes are too quick to label their members and thereby li...

Ngày tải lên: 15/12/2013, 08:15

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Tài liệu Writing the short film 3th - Part 30 doc

Tài liệu Writing the short film 3th - Part 30 doc

... and his new life setting), is the fact that the tone is excessive and far from realism. 1 96 Writing the Short Film Ch15.qxd 9/27/04 6: 11 PM Page 1 96 WRITING DEVICES There are many stories that ... beyond belief, and yet together they set the moral parameters of this story. 194 Writing the Short Film Ch15.qxd 9/27/04 6: 11 PM Page 194 Later the fantastic is...

Ngày tải lên: 24/12/2013, 15:16

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Tài liệu Writing the short film 3th - Part 33 docx

Tài liệu Writing the short film 3th - Part 33 docx

... fashion. They are not fleshed out beyond those extremes. The leader initiates—smoking, 2 16 Writing the Short Film Ch 16. qxd 9/27/04 6: 11 PM Page 2 16 ordering the pliant sister to join the bike ... fish in the tub make this sequence the most nonnaturalistic of the four. But as in the first two, the nar- ration is a voice-over. In the last of the odes, “Ode...

Ngày tải lên: 24/12/2013, 15:16

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Tài liệu Writing the short film 3th - Part 34 doc

Tài liệu Writing the short film 3th - Part 34 doc

... as the story of the week, the micro- story—has altered the look and story shape of the hour-long TV film. More recently, the 30-and 60 -second commercial have begun to take on the shape of the ... viewpoint, the short film is best viewed as an investment in the ‘filmmaker’s professional develop- ment. The lack of commercial potential remains the greatest limiter...

Ngày tải lên: 24/12/2013, 15:16

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Tài liệu Writing the short film 3th - Part 35 docx

Tài liệu Writing the short film 3th - Part 35 docx

... capacity for the voice of the writer and the director. First, we will address the proximity of the short film to the other arts. Unlike the feature film, in the United States the short film has strong ... both qualities of the commercial that have increasingly migrated into the short film. THE NONLINEAR FILM Another directional influence on the short...

Ngày tải lên: 24/12/2013, 15:16

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Tài liệu Writing the short film 3th - Part 37 docx

Tài liệu Writing the short film 3th - Part 37 docx

... back to crying. 2 46 Writing the Short Film App-A.qxd 9/27/04 6: 01 PM Page 2 46 MARTY (CONT.) when she’d hug you with those big arms . . . and her smell . . . god, her smell! In the podium lies ... bye. Marty hangs up the phone. Stephanie just looks him, as if to say “Well?” 242 Writing the Short Film App-A.qxd 9/27/04 6: 01 PM Page 242 MARTY (CONT.) (quickly)...

Ngày tải lên: 24/12/2013, 15:16

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