Kolegij: Europske glumice i njihovi dramatičari Nastavnica: prof dr Lada Čale Feldman ECTS-bodovi: Jezik: hrvatski Trajanje: jedan semestar, III, zimski Status: izborni Oblik nastave: predavanje i seminar Uvjeti za upis kolegija: znanje engleskog jezika Opis i cilj kolegija: Cilj kolegija jest upoznavanje uzajamne uvjetovanosti glumačke i dramske prakse, ali kroz ključne ženske figure europske kazališne povijesti – redom glumice koje su svojim interpretacijskim, inspiracijskim ili suradničkim doprinosom muškom dramskom stvaralaštvu obilježile pojedine epohe i afirmirale nove glumačke poetike, pridonijevši i međunarodnom ugledu svojih matičnih sredina Nakon što ukažemo na odsutnost glumice u antici i engleskoj renesansi, kolebljivu politiku prema glumicama u španjolskom «zlatnom vijeku», te stoga na prijelomnu pojavu glumice u komediji dell'arte, okosnicu kolegija tvorit će odabrana povijesna poglavlja spomenutog glumačkodramskog, nerijetko baš žensko-muškog odnosa, od francuskog klasicizma danas Uloga kolegija u ukupnom kurikulumu: stjecanje znanja iz povijesti kazališta i feminističke teorije Korištene metode: podučavanje i raspravljanje Sadržaj kolegija: Uvod – upoznavanje s obvezama, načinom rada, literaturom i problematikom kolegija (Čale Feldman, „Paradoksi “ i „Aura glumice“) Isabella Andreini i komedija dell'arte (Apollonio; Henke; Machiedo) Madeleine i Armande Béjart – Molière (Molière, Mizantrop, Gilder), Silvia – Marivaux (Marivaux, Igra ljubavi i slučaja; Scott) Karoline Friedrike Neuber, potraga za repertoarom i europske kazališne reforme 18 st (Fischer Lichte; Roach, i poglavlje) Siddons-Rachel-Ristori i tragički repertoar 19 st I (Booth-Stokes-Bassnett; Shakespeare, Macbeth, Racine, Fedra) Siddons-Rachel-Ristori i tragički repertoar 19 st II (Booth-Stokes-Bassnett; Schiller, Maria Stuart) E Robins - H Ibsen ( Townsend, Ibsen, Hedda Gabler) S Bernhardt - O Wilde (Gilman, Wilde, Saloma) E Duse - G D'Annunzio (Schino; D'Annunzio, Gioconda) 10 M Abba - L Pirandello (Bini; Pirandello, Naći se) 11 M Steffin i R Berlau – B Brecht (Gibson Cima; B Brecht, Dobri čovjek iz Sečuana) 12 Billie Whitelaw - Samuel Beckett (Gibson Cima, Beckett, Not I) 13 Hrvatske glumice – Miroslav Krleža (M Krleža, U agoniji) 14 Test i evaluacija A Literatura: Apollonio, Mario (1985) Povijest komedije dell'arte, Zagreb: Cekade (poglavlje «Rekonstrukcija») Bini, Daniela (1998) "Woman as Actress", u: Pirandello and His Muse, The Plays for Marta Abba, University Press of Florida, 1998, 135-168 Booth, Michael, J Stokes & S Bassnett (1996) Three Tragic Actresses: Siddons, Rachel, Ristori, Cambridge: Cambridge University Press Čale Feldman, Lada (2001) Euridikini osvrti, Zagreb: Centar za ženske studije i Naklada MD (poglavlje «Paradoksi spola/roda u kazališnoj teoriji i praksi») Čale Feldman, Lada (2005) Femina ludens (poglavlje „Aura glumice“) D'Amico, Silvio (1972) Povijest dramskog teatra, Zagreb: NZMH Fischer-Lichte, Erika (2016) Semiotika kazališta, prev D Torjanac, Zagreb: Disput Gibson Cima, Gay (1993) Performing Women, Female Characters, Male Playwrights and the Modern Stage, Ithaca and London: Cornell University Press (poglavlje «The Brecht collective and the parabolic actor», 91-129; „Beckett and the Nō actor“, 184-222) Gilder, Rosamond (1931) Enter the actress, The First Women in Theatre, New York: Theatre Arts Books (poglavlje VI Madeleine and Armande Béjart – Molière's mistress and his wife», 100-131) Gilman, Sander L (1995) "Salome, Syphilis, Sarah Bernhardt, and the Modern Jewess", u: Nochlin, Linda & Tamar Garb eds., The Jew in the Text, Modernity and the Construction of Identity, London: Thames and Hudson Ltd., 97-120 Henke, Robert (2002) Performance and literature in commedia dell’arte, Cambridge: Cambridge University Press (poglavlje “Early actresses”, 85-105) Machiedo, Višnja (1987) Komedija dell’arte, antologija, Zagreb: Cekade (odlomci pod poglavljima "Sluškinja" i "Ljubavnici") Roach, Joseph (2005) Strasti glume, studije o znanosti glume, Zagreb: ITI Schino, Mirella (2007) Kazalište Eleonore Duse, Zagreb: ITI, u tisku (poglavlje «Prizori D'Annunzio-Duse») Scott, Victoria (2002) «The Actress and Utopian Theatre Reform in Eighteenth-Century France: Riccoboni, Rousseau and Restif», Theatre Research International, Vol 27, no 1, 18-27 Townsend, Joanna (2000) “Elizabeth Robins: hysteria, politics and performance”, u: Women, theatre and performance, New histories, new historiographies, ur M B Gale i V Gardner, Manchester and New York: Manchester University Press, 102-120 B Dopunska literatura (po izboru, isključivo za seminarski rad, ovisno o znanju stranog jezika) Aston, Elaine (1989) Sarah Bernhardt, A French Actress on the English Stage, Berg Publisher's Ltd Auerbach, Nina (1987) Ellen Terry, The Player in Her Time, New York: Norton & Company Ltd Barish, John (1981) The Anti-theatrical Prejudice, Berkeley and London: University of Californa Press Benedetti, Jean, ur (1998) Dear Writer, dear actress, The love letters of Anton Chekhov & Olga Knipper, London: Methuen Berlanstein, Leonard (2001) Daughters of Eve, A Cultural history of French Theater Women from the Old Regime to the Fin de Siècle, Cambridge, Massachussets, London, England: Harvard University Press Bernhardt, Sarah (2000) Ma double vie, Paris: Phébus Davis, Tracy C (1991) Actresses as working women, London and New York: Routledge Farfan, Penny (2004) Women, Modernism & Performance, Cambridge University Press Gay, Penny (1994) As She Likes It: Shakespeare’s Unruly Women, London and New York: Routledge Glenn, Susan A (2000) Female Spectacle, The theatrical roots of modern feminism, Cambridge, Massachussets, London, England: Harvard University Press Harris, Geraldine (1999) Staging Femininities, Performance and Performativity, Manchester and New York: Manchester University Press Hill, Holly (1987) Playing Joan, Actresses on the Challenge of Shaw’s Saint Joan, Twenty six interviews, New York: Theatre Communications Group Howe, Elizabeth (1992) The First English Actress, Women and Drama 1660-1700, Cambridge University Press Ignatieva, Maria (2008) Stanislavsky and Female Actors, University Press of America, Inc Joannis, Claudette (2000) Sarah Bernhardt, “Reine de l’attitude et princesse des gestes”, Paris: Payot Mariani, Laura (1997) Sarah e l'arte di travestimento, Bologna: Mulino Mariani, Laura (1991) Il tempo delle attrici, Bologna: Em Deiteatri Martin-Fugier, Anne (2001) Comédienne, de Mlle Mars Sarah Bernhardt, Paris: Seuil Merril, Lisa (2000) When Romeo was a Woman, Charlotte Cushman and Her Circle of Female Spectators, Ann Arbor, The University of Michigan Press Möhrmann, Renate, hrsg (2000) Die Schauspielerin– Eine Kulturgeschichte, Frankfurt am Main und Leipzig: Insel Verlag Ockman, Carol (1995) "When is a Jewish Star Just a Star? Interpreting Images of Sarah Bernhardt", u: Nochlin, Linda & Tamar Garb eds., The Jew in the Text, Modernity and the Construction of Identity, London: Thames and Hudson Ltd., 121-139 Richards, Sandra (1993) The Rise of the English Actress, New York: St Martin’s Press Oddey, Alison (2005) Performing Women, Stand-Ups, Strumpets and Itinerants, London: MacMillan Powell, Kenny (1997) Women and Victorian Theatre, Cambridge University Press Sheehy, Helen (2003) Eleonora Duse, a biography, New York: Alfred A Knopf Straub, Kristina (1992) Sexual Suspects: Eighteenth-Century Players and Sexual Ideology, Princeton, New Jersey: Princeton University Press Viziano, Teresa (2000) Il Palcoscenico di Adelaide Ristori, repertorio, scenario e costume di una Compagnia Drammatica dell’Ottocento, Bulzoni editore Waal, Carla (1990) Harriet Bosse, Strindberg’s Muse and Interpreter, Carbondale and Edwardsville: Southern Illinois University Press Whitelaw, Lis (1990) The Life & Rebellious Times of Cicely Hamilton, actress, writer, suffragist, London: The Women’s Press Ltd ... Jersey: Princeton University Press Viziano, Teresa (2000) Il Palcoscenico di Adelaide Ristori, repertorio, scenario e costume di una Compagnia Drammatica dell’Ottocento, Bulzoni editore Waal,...12 Billie Whitelaw - Samuel Beckett (Gibson Cima, Beckett, Not I) 13 Hrvatske glumice – Miroslav Krleža (M Krleža, U agoniji) 14 Test i evaluacija A Literatura: Apollonio, Mario (1985) Povijest... Harriet Bosse, Strindberg’s Muse and Interpreter, Carbondale and Edwardsville: Southern Illinois University Press Whitelaw, Lis (1990) The Life & Rebellious Times of Cicely Hamilton, actress, writer,